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reisgidsen --- toerisme --- Noord-Italië --- Genua --- Milaan --- Bologna --- Venetië

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When we hear of Milan, we think of fashion, soccer, or Leonardo da Vinci. Yet Milan is a leading global city economically as well, regarded as one of the “Four Motors in Europe.” How did Milan become a city of such importance both economically and artistically? Its remarkable position is the result of the constant modernization Milan undertook throughout the nineteenth and twentieth centuries. The city’s upper classes were the main drivers of this development, which made Milan a true metropolis—one that reflected their common interests, rooted in keen entrepreneurship, a sense of history, and their origins.In Ideas of Ambiente, Angelo Lunati investigates the relationship among the Milanese upper class, its specific urban culture, and architecture. Lunati realizes his homage to a metropolitan bourgeoisie through the comprehensive concept of “ambiente,” reaching beyond the mere built environment to comprise much wider cultural and social aspects as well. Ideas of Ambiente invites us to appreciate Milan’s architectural trajectory, from its initial romanticism via bold modernism to the elegant yet politically charged aesthetic of the post-WWII period. Lunati demonstrates how the “ambiente” works as a binding agent to which certain neighborhoods owe their environmental unity and how it makes a consistently modern architecture just the latest expression of a historical continuity.

Architecture --- Sociology, Urban --- Sociologie urbaine --- History --- Histoire --- Milano (Italy) --- Milan (Italie) --- Buildings, structures, etc. --- Economic conditions --- Constructions --- Conditions économiques --- History. --- Milan (Italy) --- Middle class --- 72.037(450) --- Stedelijke ontwikkeling; Italië; Milaan --- Architectuur ; Milaan ; 19de en 20ste eeuw --- Bourgeoisie --- Commons (Social order) --- Middle classes --- Social classes --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Architectuurgeschiedenis , 1900 - 1950 ; Italië --- Social conditions --- Design and construction --- Classe sociale --- 71.03 --- 71.035 --- 71.036 --- 72.035 --- 72.036 --- Italië --- Milaan --- Milano --- Stedenbouw (geschiedenis) --- 19de eeuw (stedenbouw) --- 19de eeuw (ruimtelijke ordening) --- 20ste eeuw (stedenbouw) --- 20ste eeuw (ruimtelijke ordening) --- Negentiende eeuw (architectuur) --- 20ste eeuw (architectuur) --- Architecture, Primitive --- Architecture - Italie - Milan - Histoire - 19e siècle --- Classe sociale - Italie - Milan - Histoire - 19e siècle --- Milan (Italie) - Histoire - 1859-1945

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Is there such a thing as "Impressionist sculpture"? Since 1881 when Edgar Degas presented 'Little Dancer Aged Fourteen' at the Sixth Impressionist Exhibition in Paris, the term has existed along with the discourse around it. This book is dedicated to the extensive examination of the question of what it would mean to translate the characteristics of Impressionist painting, such as light, color, ephemerality, and immateriality into sculpture. The book features a selection of artists including Edgar Degas, Auguste Rodin, and Medardo Rosso, and examines the artistic processes that traverse genres in which one medium is enhanced by others.

Art styles --- Sculpture --- sculpture [visual works] --- Impressionist [style] --- Troubetzkoy, Pavel Petrovitsj --- Rosso, Medardo --- Degas, Edgar --- Rodin, Auguste --- Bugatti, Rembrandt --- impressionisme --- beeldhouwkunst --- Ottin, August-Louis-Marie --- Gauguin, Paul --- Troubetzkoy, Paolo --- Bazzaro, Ernesto --- 19de eeuw --- 20ste eeuw --- Bugatti, Rembrandt 1884-1916 (°Milaan, Italië) --- Troubetzkoy, Paolo 1866-1938 (°Verbania, Italië) --- Rodin, Auguste 1840-1917 (°Parijs, Frankrijk) --- Rosso, Medardo 1858-1928 (°Turijn, Italië) --- Degas, Hilaire Germain Edgar 1834-1917 (°Parijs, Frankrijk) --- Impressionisme --- Beeldhouwkunst ; 19de eeuw ; 1ste helft 20ste eeuw --- 73.036.2 --- 73.037 --- Beeldhouwkunst ; impressionnisme ; luminisme --- Beeldhouwkunst ; 1900 - 1950 --- impressionisme. --- sculptuur. --- Ottin, August-Louis-Marie. --- Gauguin, Paul. --- Degas, Edgar. --- Rosso, Medardo. --- Rodin, Auguste. --- Troubetzkoy, Paolo. --- Bazzaro, Ernesto. --- Bugatti, Rembrandt. --- 19de eeuw. --- 20ste eeuw. --- sculptuur