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Book
Peruvian cinema of the Twenty-first century : dynamic and unstable grounds
Authors: ---
ISBN: 3030525120 3030525112 Year: 2020 Publisher: Cham, Switzerland : Palgrave Macmillan,

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"This volume brings together scholars from Peru, Europe, and the United States whose lucid essays situate Peruvian film production within a global context. The breadth of this volume makes it essential reading for those interested both in Latin American cinema and Peruvian culture." - Carolina Rocha, Southern Illinois University Edwardsvillle, USA “This ground-breaking collection uniquely illuminates the vibrant panorama of contemporary Peruvian cinema. Recognized mostly for its internationally feted art films, now the full picture comes into sharp focus, acknowledging Peru’s metropolitan rom coms, artisanal digital indies, regional commercial films, female-led non-fiction, shorts, experimental and indigenous filmmaking. Undoubtedly this will be a “go to” text for Peruvian cinema for at least the next decade.” - David Martin-Jones, University of Glasgow, UK “This volume makes a convincing case for 21st-century Peruvian films as a distinct body of work. It usefully charts the changing landscape of Peru’s film legislation while offering a cogent grouping of the films, the aim being to clarify the different aspirations of contemporary Peruvian filmmakers and the diversity of their approaches to film production and audience building. This fine collection makes a most welcome contribution to the study of ‘small’ national cinemas. ” - Mette Hjort, Hong Kong Baptist University, Hong Kong This is the first English-language book to provide a critical panorama of the last twenty years of Peruvian cinema. Through analysis of the nation’s diverse modes of filmmaking, it offers an insight into how global debates around cinema are played out on and off screen in a distinctive national context. The insertion of post-conflict Peru within neoliberalism resulted in widespread commodification of all areas of life, significantly impacting cinema culture. Consequently, the principal structural concept of this collection is the interplay between film production and market forces, an interaction which makes dynamism and instability the defining features of 21st-century Peruvian cinema. Cynthia Vich is Associate Professor of Latin American Literature and Film at Fordham University, New York, USA. Sarah Barrow is Professor of Film and Media at University of East Anglia, Norwich, UK.


Book
Domestic labor in twenty-first century Latin American cinema
Authors: ---
ISBN: 3030332969 3030332950 Year: 2020 Publisher: Cham : Springer International Publishing : Imprint: Palgrave Macmillan,

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'This is a path-breaking collection that addresses the saliency of “domestic work” in contemporary Latin American cinema. Through its well-curated essays, the collection contributes to an understanding of the representation of domestic work and workers in relationship to affect and emotion, space and place, and agency.' — Ana M. López, Professor in the Communication Department and Associate Provost, Tulane University, USA 'This is the first book to explore the representation of domestic workers in Latin American cinema of the 21st century. There is a growing genre of fascinating films that feature the domestic worker across Latin America and this edited book is timely, well researched and illuminating. This is an essential volume for anyone who wants to understand the figure of the domestic worker and how she has been seen in recent Latin America cinema.' — Deborah Shaw, Professor of Film and Screen Studies, University of Portsmouth, UK 'If there still remains one sociocultural constant among the diverse societies of Latin America, it is the domestic servant. Even into the twenty-first, as the studies presented in this volume, the domestic servant plays a role that, no matter how things change with the latest versions of modernity, her absence would bring down the social narrative.' — David William Foster, Regents Professor of Spanish and Women and Gender Studies, Arizona State University, USA Traditionally, paid domestic workers have been marginalized in Latin American cinema. Since 2000, however, a number of recent films have questioned this historical marginalization of domestic employment by making these workers the center of their narratives. Domestic Labor in Twenty-First Century Latin American Cinema provides the first in-depth exploration of the representation of domestic labor in recent Latin American films. This edited volume examines both feature and documentary films that focus on the doméstica as an emergent subject that challenges hierarchical power structures within the household. Each chapter sheds light on how domestic workers respond to economic, social, political, and cultural anxieties and tensions. Sofía Ruiz-Alfaro is Associate Professor of Spanish at Franklin & Marshall College, USA. Elizabeth Osborne is Assistant Professor of Spanish at Worcester State University, USA.

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