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Autobiographical fiction, Japanese --- Autobiographical fiction, Japanese. --- Japanese fiction --- Japanese fiction. --- History and criticism. --- History and criticism --- 1900-1999.
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With this newly translated version of The Running Boy, the fiction of Megumu Sagisawa makes its long-overdue first appearance in English. Lovingly rendered with a critical introduction by the translator, this collection of three stories, written in 1989, sits on the thinnest part of Japan's economic bubble and provides and cautionary glimpse into the malaise of its impending collapse.From the aging regulars of a shabby snack bar in "Galactic City" to the mental breakdowns of "A Slender Back," and the family secrets lurking within the title story between them, Sagisawa offers a trilogy of laser-focused character studies. Exploring dichotomies of past versus present, young versus old, life versus death, and countless shades of meaning beyond, she elicits vibrant commonalities of the human condition from some of its most ennui-laden examples. A curious form of affirmation awaits her readers, who may just come out of her monochromatic word paintings with more colorful realizations about themselves and the world at large. Such insight is rare in a writer so young, and this book is a fitting testament to her premature death, the legacy of which is sure to inspire a new generation of readers in the post-truth era.
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"Nineteenth-century Japanese literary discourse and narrative developed a striking preoccupation with ninjō--literally 'human emotion,' but often used in reference to amorous feeling and erotic desire. For many writers and critics, fiction's capacity to foster both licentiousness and didactic values stood out as a crucial source of ambivalence. Simultaneously capable of inspiring exemplary behavior and a dangerous force transgressing social norms, ninjō became a focal point for debates about the role of the novel and a key motor propelling the dynamics of narrative plots. In Licentious Fictions, Daniel Poch investigates the significance of ninjō in defining the literary modernity of nineteenth-century Japan. He explores how cultural anxieties about the power of literature in mediating emotions and desire shaped Japanese narrative from the late Edo through the Meiji period. Poch argues that the Meiji novel, instead of superseding earlier discourses and narrative practices surrounding ninjō, complicated them by integrating them into the new cultural and literary signifiers brought about by Western translation. He offers close readings of a broad array of late Edo- and Meiji-period narrative and critical sources, examining how they shed light on the great intensification of the concern surrounding ninjō. In addition to proposing a new theoretical outlook on the significance of emotion, Licentious Fictions challenges the divide between early modern and modern Japanese literary studies by conceptualizing the nineteenth century as a continuous literary-historical space"--
Emotions in literature. --- Ethics in literature. --- Japanese fiction --- History and criticism
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"Nineteenth-century Japanese literary discourse and narrative developed a striking preoccupation with ninjō--literally 'human emotion,' but often used in reference to amorous feeling and erotic desire. For many writers and critics, fiction's capacity to foster both licentiousness and didactic values stood out as a crucial source of ambivalence. Simultaneously capable of inspiring exemplary behavior and a dangerous force transgressing social norms, ninjō became a focal point for debates about the role of the novel and a key motor propelling the dynamics of narrative plots. In Licentious Fictions, Daniel Poch investigates the significance of ninjō in defining the literary modernity of nineteenth-century Japan. He explores how cultural anxieties about the power of literature in mediating emotions and desire shaped Japanese narrative from the late Edo through the Meiji period. Poch argues that the Meiji novel, instead of superseding earlier discourses and narrative practices surrounding ninjō, complicated them by integrating them into the new cultural and literary signifiers brought about by Western translation. He offers close readings of a broad array of late Edo- and Meiji-period narrative and critical sources, examining how they shed light on the great intensification of the concern surrounding ninjō. In addition to proposing a new theoretical outlook on the significance of emotion, Licentious Fictions challenges the divide between early modern and modern Japanese literary studies by conceptualizing the nineteenth century as a continuous literary-historical space"--
Japanese fiction --- History and criticism. --- Emotions in literature. --- Ethics in literature. --- History and criticism
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"Telling stories: that sounds innocuous enough, but for the first chronicle in the Japanese vernacular, A Tale of Flowering Fortunes (Eiga monogatari), the health of its eleventh-century community was at stake. Flowering Tales is the first extensive literary study of this historical tale that covers about a hundred-fifty years of births, deaths, and happenings of late Heian society, a golden age of court literature. Takeshi Watanabe contends that the blossoming of tale literature, marked by The Tale of Genji, inspired what he describes as Eiga's affective history: an exorcism of embittered spirits whose stories needed to be retold to ensure peace. Tracing narrative arcs of political marginalized personages, Watanabe shows how Eiga, adapting the discourse and strategies of The Tale of Genji, reconnected wayward ghosts into the community through figural genealogies that relied not on blood, but on literary resonances. These reverberations, highlighted through comparisons to contemporaneous accounts in courtiers' journals, echo through shared details in funerary practices, lack of political support, and characterization. Flowering Tales reanimates these voices to trouble conceptions of history: how it ought to be recounted, who got to record it, and why remembering mattered"--
Historical fiction, Japanese --- Japanese fiction --- Women in literature. --- Courts and courtiers in literature. --- Japanese literature --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- History and criticism. --- Women authors. --- Eiga monogatari. --- Yotsugi monogatari --- 栄花物語 --- 栄華物語
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"Playing in the Shadows explores the body of literature arising from post-World War II Japanese authors' robust cultural exchanges with African Americans and African Americana. Rather than solely focusing on representations of African Americans in Japanese literature, this manuscript argues that the black characters who rise to the textual surface are just the tip of the signifying iceberg. Beneath those representations -- or, as Professor Bridges argues, even in the absence of overt representations of black characters, there runs a rich history of Afro-Japanese literary and cultural exchange, as well as a history characterized by cross-cultural-pollination and creative experimentation that spans the Pacific. By tracing how blackness is written in and into Japanese literature, this book argues that fictions of race provide visions of the way that postwar Japanese authors reimagine the ascription of race to bodies: in bodies of literature, the body politic, or the human body itself"--
Japanese fiction --- Literature and race --- Race in literature. --- Black people in literature. --- African Americans --- Race dans la littérature. --- Personnes noires dans la littérature. --- Roman japonais --- Noirs américains --- Civilization --- Intellectual life. --- Literature and race. --- Vie intellectuelle --- Civilisation --- Race --- Noirs --- Littérature japonaise --- History and criticism --- American influences. --- Relations with Japanese. --- Influence américaine. --- Relations avec les Japonais. --- Shōwa period. --- Influence américaine --- Dans la littérature. --- Since 1926. --- Japan --- Japon --- Japan. --- Intellectual life
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