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Persian literature --- Gardens in literature --- Landscapes in literature
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De l’Amérique du Sud à l’Europe, du Maghreb et Proche-Orient à l’Extrême-Orient, les contributeurs de ce volume s’interrogent sur le concept de jardin et sur sa vocation depuis les origines mythiques du lieu jusqu’aux projections de la science-fiction. En effet, le jardin est un concept que l’on retrouve dans la plupart des grandes civilisations et dont l’usage est présent chez les sédentaires comme chez les nomades. Espace clos, protégé, il se singularise par l’ordre que les hommes y ont introduit, domestiquant les espèces, organisant l’espace et en y contrôlant l’élément clef sur lequel repose sa prospérité : la maîtrise de l’eau. Lieu privilégié, symbole de beauté, d’harmonie dont la vocation est la satisfaction de tous les sens, il est au cœur des imaginaires et favorise rêverie, poésie et aspiration à entrevoir la transcendance. Certes, les Orients du jardin nous rappellent que si l’Éden fut à l’origine de tous les rêves de jardin dans les monothéismes particulièrement, ce jardin idéal, perdu par l’imperfection humaine, est au cœur de toutes les utopies paysagères qui tentent de le recréer inlassablement pour assurer la survie de l’humanité
Gardens in literature --- Gardens --- Gardens --- Gardens in art --- Religious aspects --- Symbolic aspects
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"The Dumbarton Oaks Anthology of Chinese Garden Literature is the first comprehensive collection in English of over two millennia of Chinese writing about gardens and landscape. Its contents range from early poems using plant imagery to represent virtue and vice, through works from many dynasties on both private and imperial gardens, to twentieth-century prose descriptions of the reconstruction of a historic Suzhou garden. Most passages have been translated for this publication, but a number of previously published translations, some of which are now hard to find, are also included. The anthology is divided into nine chapters: five chronological, covering the pre-Qin period to the Qing dynasty; and four thematic, on rocks and flora, the evolution of a single site (Canglang Pavilion in Suzhou), gardens of the mind, and the interplay between garden and landscape as seen through Mount Tai and West Lake. An introductory essay positions Chinese gardens and garden literature in their cultural context. Care has been taken to translate plant names as accurately as possible (given the limitations of the sources), and the anthology includes a glossary showing translated names, Chinese names, and binomials"--
Horticultural literature --- Chinese literature --- Gardens, Chinese --- Gardens in literature --- Landscapes in literature --- Plants in literature --- Gardens --- Landscape gardening --- In literature --- History
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