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Art --- Jones, Allen --- Jorn, Asger --- Magritte, René --- Broodthaers, Marcel --- Chirico, de, Giorgio --- Dix, Otto --- Buren, Daniel --- Ernst, Max --- Tuymans, Luc --- Charlier, Jacques --- Picasso, Pablo --- Albers, Josef --- Fontana, Lucio --- Berghe, van den, Frits --- Segal, George --- Pistoletto, Michelangelo --- Léger, Fernand --- Christo --- Mathieu, Georges --- Delvoye, Wim --- Alechinsky, Pierre --- Klee, Paul --- Boltanski, Christian --- Miró, Joan --- Fabre, Jan --- Picabia, Francis --- Dotremont, Christian --- Kokoschka, Oskar --- Vantongerloo, Georges --- Spilliaert, Leon --- Matisse, Henri --- Dalí, Salvador --- Permeke, Constant --- Claerbout, David --- Kiefer, Anselm --- Wéry, Marthe --- Chagall, Marc --- Bacon, Francis --- Wouters, Rik --- Delvaux, Paul --- Bury, Pol --- Moore, Henry --- Flavin, Dan --- Kounellis, Jannis --- Matta, Roberto --- Struth, Thomas --- Woestyne, van de, Gustave --- Mortier, Antoine --- Keyser, de, Raoul --- Arman --- Calder, Alexander --- Poliakoff, Serge --- Panamarenko --- Servranckx, Victor --- Kosuth, Joseph --- Royal Museums of Fine Arts of Belgium [Brussels] --- anno 1900-1999 --- anno 2000-2099 --- art collections
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The Boghossian Foundation is pleased to present the exhibition Ekphrasis, curated by Bruno Cora, director of the Burri Foundation in Italy. It brings together pieces from more than forty artists from around the world, whose styles are as varied as the media they use, but in whose works the use of language plays a key role. The definition of ekphrasis is a laudatory and constructed description of a work of art, real or imaginary, often designed on a model so as to achieve great evocative force. The first famous ekphrasis goes back to Greek Antiquity: this is the description Homer gives of Achilles? shield in the Iliad. The weapon was forged by Hephaestus so that?everyone should be amazed? If the rhetorical exercise of ekphrasis presents itself as an ancient practice, the genre has been used throughout the ages with remarkable continuity, with many famous writers exploring it. Conversely, many artists have also been inspired by reading ekphrases, like Botticelli, who produced a canvas based on a description from Antiquity. In fact, there is a great tradition of artists who have concerned themselves with both the visual arts and literature, poetry or politics, and for whom language is a constituent element of their work. The exhibition explores through the contemporary artists gathered here the issues raised and various preferred modes of the use of language in visual art.
Art --- letters [signs] --- teksten schrijven --- creatief schrijven --- Writing in art --- Art, Modern --- kunst --- iconografie --- kunst en literatuur --- woord en beeld --- kunst en poëzie --- 7.038/039 --- Agnetti Vicenzo --- Al Salem Nasser --- Art & Language --- Baquié Richard --- Barry Robert --- Batniji Taysir --- Ben --- Boetti Alighiero --- Boghossian Jean --- Broodthaers Marcel --- Byars James Lee --- Calzolari Pier Paolo --- De Boeck Lieven --- De Cordier Thierry --- Dotremont Christian --- Downsbrough Peter --- Du Bois Arpaïs --- Eerdekens Fred --- Emin Tracey --- Essaydi Lalla --- Fatmi Mounir --- Fowler Tom --- Garabedian Mekhitar --- Geys Jef --- Holzer Jenny --- Isgro Emilio --- Kosuth Joseph --- Kounellis Jannis --- Kruger Barbara --- La Rocca Ketty --- Merz Mario --- Messager Annette --- Neshat Shirin --- Ohanian Melik --- Paolini Giulio --- Plensa Jaume --- Ranaldi Renato --- Reyes Pedro --- Rizzoli Giovanni --- Twombly Cy --- Vercruysse Jan --- Weiner Lawrence --- taal --- schrift --- kalligrafie --- arte povera --- concept art --- conceptuele kunst
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Published by the CAPC musée d’art contemporain de Bordeaux in collaboration with BOM DIA BOA TARDE BOA NOITE, this reference book surveys the history of the independent publishing house Beau Geste Press (BGP) through the publications of its founding members Felipe Ehrenberg, Martha Hellion, David Mayor and Chris Welch, and of the numerous visitors to its rural outpost – visual poets, neo-Dadaists and artists affiliated with the Fluxus movement – from 1971 to 1976. A ‘catalogue dé-raisonné’ of all the printed matter produced by BGP, it is complemented by critical essays and first-hand texts that explore the working methods (economy and autonomy of production, distribution of books via post) and document the international influence of this short-lived ‘community of duplicators, printers, and artisans’.
Fluxus (Group of artists) --- Small presses --- Beau Geste Press --- Hellion, Martha --- Ehrenberg, Felipe --- Mayor, David --- Welch, Chris --- Gallard, Madeleine --- Private presses --- Schneemann, Carolee, --- Beau Geste Press, --- Exhibitions --- Edition --- Presse --- Poésie --- Neo dadaisme --- Fluxus --- Livre --- Private presses - England - 20th century --- Schneemann, Carolee, - 1939-2019 --- Pop art --- Artists' books --- kunst --- twintigste eeuw --- uitgevers --- kunstenaarsgeschriften --- kunstenaarsboeken --- fluxus --- kunstenaarscollectieven --- drukkerijen --- catalogue raisonné --- Groot-Brittannië --- 7.038 --- 766.036 --- grafisch ontwerp --- grafische vormgeving --- grafisch design --- Ehrenberg Felipe --- Helion Martha --- Mayor David --- Welch Chris --- Wright Terry --- neodadaïsme --- Schneemann Carolee --- Ehrenberg Yaël --- Ehrenberg Matthias --- McCall Anthony --- Cazazza Monte --- Chaimowicz Marc --- Gibbs Mick --- Kriesche Richard --- Kunz Milan --- Nations Opal L --- Gudmundsson Kristján --- Gudmundsson Sigurdur --- Fridfinsson Hrrein --- Svavarsdóttir Hlíf --- Andersen Eric --- Ay-O --- Breakwell Ian --- Brecht George --- Chiari Giuseppe --- Crozier Robin --- Diacono Mario --- Fox Terry --- Friedman Ken --- Gáyor Tibor --- Groh Klaus --- Hayashi Myor --- Hompson Davi Det --- Jones Joe --- Knížák Milan (Aktual) --- Maciunas George --- Matheuws Joan --- Moineau Jean-CLaude --- Ono Yoko --- Patterson Ben --- Saito Takako --- Sharits Paul --- Shiomi Mieko --- Tót Endre --- Vostell Wolf --- Watts Bob --- ZAJ --- Fisher Allen --- Koike Ryo --- Koike Hiroko --- Tsuchiya Yukio --- kunst en literatuur --- conceptuele kunst --- concept art --- Maurer Dóra --- Attalai Gábor --- Bak Imre --- Bálint István --- Donáth Péter --- Erdély Miklós --- Eötvös Peter --- Hap Béla --- Hay Agnes --- Hencze Tamás --- Jovánovics György --- Konkoly Guyla --- Legéndy Péter --- Lajtai Péter --- Major János --- Pauer Gyula --- Perneczky Géza --- Szentjóby Tamás --- Türk Peter --- Urbân János --- Haut Woody --- Hardin Mary --- Joris Pierre --- Jefferies Marc --- Miller Dick --- Carr-Jones Graham --- López Rafael --- Leggett Michael --- Nyman Michael --- Chadwick Helen --- Carrión Ulises --- Rook GJ de --- Bertoni Claudio --- Vicuña Cecilia --- Maya Pepe --- Hendrix Jan --- Knížák Milan --- Korejs Milan --- Mach Jan Maria --- Patočka Jan --- Pospíšilová Helena --- Tichy Pavel --- Švecová Sona --- Wittmann Robert --- Žižkova Zdenka --- Marroquin Raùl --- Burwell Paul --- Murgrave Victor --- Naylor Colin --- Robertson Clive --- Woodrow Paul --- Landau Myra --- Albrecht Dietrich --- Bulkowski Hansjürgen --- Feelisch Wolfang --- Gosewitz Ludwig --- Gramse Tom --- Hagenberg Helfried --- Hein Birgit --- Hein Wilhelm --- Iannone Dorothy --- C.O. Paeffgen --- Voss Jan --- Wewerka Stefan --- Agullo Thierry --- Alocca Marcel --- Anseeuw Alin --- Boltanski Christian --- Borgeaud Bernard --- Broodthaers Marcel --- Cazes Liu --- Chopin Henri --- Dolla Noël --- Dotremont Christian --- Filliou Robert --- Fleisher Alain --- Flexner Roland --- Galli Emilio --- Gerz Jochen --- Gette Paul-Armand --- Jassaud Gervais-Bernard --- Le Gac Jean --- Lemaître Maurice --- Moineau Jean-Claude --- Vautier Ben --- Würz Hervé --- Yoshida Hideki --- Fujiwara K --- Hayashi M --- Kaneko S --- Kobayashi K --- Kuriyama K --- Lee U-Fan --- Matsuzawa Y --- Nakajima Y --- Saito T --- Sekido R --- Shiomi M --- Art, Modern --- Presses, Private --- Printing --- Publishers and publishing --- Ehrenberg, Felipe. --- Erember, Felipe --- Beau Geste Press. --- Exhibitions. --- Art, Pop --- Neo-Dadaism --- New super-realism --- Dadaism --- Surrealism
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