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Il volume è dedicato a un versante poco esplorato della ricerca sociologica sui fenomeni collettivi emergenti tra fine Ottocento e inizio Novecento. Oggetto di indagine sono gli studi di critica sociale e letteraria elaborati da Scipio Sighele (1868-1913) sfruttando la lezione socio-psicologica di alcuni dei più significativi scrittori europei del momento. Sighele riserva particolare attenzione ai romanzi e ai drammi di Gabriele d'Annunzio, nei cui personaggi coglie i tratti di una modernità psico-patologica di assoluto rilievo, espressione dei cambiamenti culturali affioranti all'alba delle grandi urbanizzazioni. Si disegna così un quadro di ricerca che denota il costante interesse di Sighele per d'Annunzio, ammirato per la sua capacità di cogliere gli aspetti più moderni della società del tempo, facendo leva su un lavoro di scandaglio psicologico ispirato alla dialettica tra società, letteratura e comunicazione.

Foules --- Psychologie sociale et littérature --- Sighele, Scipio --- D'Annunzio, Gabriele

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Recasting the birth of fascism, nationalism, and the fall of empire after World War I, Dominique Kirchner Reill recounts how the people of Fiume tried to recreate empire in the guise of the nation.The Fiume Crisis recasts what we know about the birth of fascism, the rise of nationalism, and the fall of empire after World War I by telling the story of the three-year period when the Adriatic city of Fiume (today Rijeka, in Croatia) generated an international crisis.In 1919 the multicultural former Habsburg city was occupied by the paramilitary forces of the flamboyant poet-soldier Gabriele D’Annunzio, who aimed to annex the territory to Italy and became an inspiration to Mussolini. Many local Italians supported the effort, nurturing a standard tale of nationalist fanaticism. However, Dominique Kirchner Reill shows that practical realities, not nationalist ideals, were in the driver’s seat. Support for annexation was largely a result of the daily frustrations of life in a “ghost state” set adrift by the fall of the empire. D’Annunzio’s ideology and proto-fascist charisma notwithstanding, what the people of Fiume wanted was prosperity, which they associated with the autonomy they had enjoyed under Habsburg sovereignty. In these twilight years between the world that was and the world that would be, many across the former empire sought to restore the familiar forms of governance that once supported them. To the extent that they turned to nation-states, it was not out of zeal for nationalist self-determination but in the hope that these states would restore the benefits of cosmopolitan empire.Against the too-smooth narrative of postwar nationalism, The Fiume Crisis demonstrates the endurance of the imperial imagination and carves out an essential place for history from below.

Nationalism --- Fascism --- Sovereignty --- D'Annunzio, Gabriele --- Europe, Central --- Europe, Eastern --- Rijeka (Croatia) --- History. --- History --- Sovereignty. --- D'Annunzio, Gabriele, --- Habsburg, House of.

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Une étude de l'influence des lectures du réalisateur italien sur son travail cinématographique à travers l'analyse des oeuvres les plus marquantes de sa filmographie. L'accent est mis sur l'inspiration, frôlant parfois l'adaptation, de deux écrivains italiens majeurs, Giovanni Verga et Gabriele D'Annunzio, et sur la manière dont des références à leur travail traversent constamment ses films. ©Electre 2020 Luchino Visconti, metteur en scène de cinéma, de théâtre mais aussi d'opéra a été particulièrement influencé par la littérature de la fin du XIXe siècle et du début du XXe siècle. S'il reste, près de 50 ans après sa mort, l'esthète décadent, lecteur de Marcel Proust et de Thomas Mann, il n'en a pas moins été influencé par les oeuvres de deux autres écrivains, italiens ceux-là : Giovanni Verga et Gabriele D'Annunzio.Si leur notoriété est moins éclatante, ils ont, malgré tout, fortement marqué le parcours du réalisateur, qui adapta du premier I Malavoglia (son deuxième film) et du second L'Innocente (son dernier film). Cet ouvrage s'interroge sur l'ampleur de ces influences littéraires et sur les rapports entretenus par Visconti avec Verga et D'Annunzio à travers l'analyse de quatre de ses films : La terra trema, Roccoe i suoi fratelli, Vaghe stelle dell'Orsa...et L'innocente, dans lesquels leur empreinte est particulièrement prégnante.

Visconti, Luchino --- Verga, Giovanni --- D'Annunzio, Gabriele --- Critique et interprétation --- Influence --- Motion pictures and literature --- Visconti, Luchino, --- Verga, Giovanni, --- D'Annunzio, Gabriele, --- Influence. --- Cinéma et littérature --- Critique et interprétation.

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800.73 --- 800.73 Tweetaligheid. Meertaligheid. Vreemde talen. Vertalen --- Tweetaligheid. Meertaligheid. Vreemde talen. Vertalen --- Theory of literary translation --- Littérature --- Traduction. --- Auteurs --- Traducteurs --- Hébert, Anne --- Celan, Paul --- Bouchet, André de --- D'Annunzio, Gabriele --- Rosselli, Amelia --- Pusterla, Fabio --- Nabokov, Vladimir --- Pertzoff, Peter --- Weissbort, Daniel --- Cortazar, Julio --- Borges, Jorge Luis --- Wharton, Edith --- Norfolk, Lawrence --- Bernhard, Thomas --- Kaplan, Alice --- Ungaretti, Giuseppe --- Gide, André --- Perse, Saint-John --- Eliot, Thomas Stearns --- Mann, Thomas --- Hérelle, Georges --- Vegliante, Jean-Charles --- Jaccottet, Philippe --- Brodsky, Joseph --- Cabrera Infante, Guillermo --- Rilke, Rainer Maria --- Faulkner, William --- Grass, Günter --- Kundera, Milan --- Larbaud, Valéry