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This volume is published with the first retrospective of Erwin Wurm?s (1954) photographic work, organised by the Maison Européenne de la Photographie (MEP) in Paris. It explores the eclectic practice of this Austrian artist by bringing together around 200 photographs from the late 1980s to the present, including original contact sheets and prints from the artist?s personal archive that have never before been shown publicly. In addition, the book examines the artistic process through which Wurm created many of his major works and series, and also features his recent large-format Polaroids. For Wurm, it is clear that photography is nothing less than a ?sculptural? form of expression.bron: https://www.copyrightbookshop.be/shop/erwin-wurm-photographs/
Photography --- Wurm, Erwin --- Photography, Artistic --- 761.2 fotografen afzonderlijk --- conceptuele kunst --- contactafdrukken --- portretfotografie --- fotografie als kunst --- 760.4 --- Artistic photography --- Photography, Pictorial --- Pictorial photography --- Art --- Aesthetics --- Wurm, Erwin, --- Exhibitions --- Fotografie --- Tentoonstelling --- Catalogues d'exposition
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In 1963, the writer Marcel Broodthaers decided to embark on a career in the visual arts. Yet he never severed his ties to poetry and language, whose systems of meaning make up an integral aspect of his work. Retaining a certain distance to the art world, he posed fundamental questions about art, its mediums, its conceptions of what constitutes an artwork, its representation in museums. To this day, his oeuvre takes a critical stand on art's commercialization strategies. Exhibition-making itself was a key element of Broodthaers's artistic approach. Documenting all of the artist's solo exhibitions that took place during his lifetime, the catalogue is the 1rst ever to highlight that praxis. The extensive chronology and the accompanying detailed pictorial documentation of the most important works of every year together offer a systematic overview of his oeuvre. In addition to scholarly essays and many texts by Marcel Broodthaers himself, the publication also features an extensive series of photographic views of the major retrospective at the Fridericianum.
Broodthaers, Marcel --- kunst --- twintigste eeuw --- 7.071 BROODTHAERS --- pop art --- concept art --- conceptuele kunst --- België --- Broodthaers Marcel --- Exhibitions --- Art --- assemblages [sculpture] --- installations [visual works] --- humor --- video art --- performance art --- artists' books [books] --- environments [sculpture] --- texts [documents] --- philosophy of art
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Introducing Karel Fonteyne, one of Belgium's foremost contemporary and fashion photographers. Since 1968 the artist has created an extensive oeuvre that has its place in the history of photography. His timeless visual storytelling relates to nature, darkness and loneliness, the inner world, and esotericism, while touching uncovered dimensions. For more than 15 years Fonteyne was active as a fashion photographer, breaking boundaries by introducing his narrative approach as contemporary artist in the traditional fashion world. He had early collaborations with Margiela, Dries Van Noten, Walter Van Beirendonck and Dirk Bikkembergs, and internationally he collaborated with Vogue, Interview, Bazaar, Marie-Claire or Brutus Magazine in Japan. In 1996 he decided to concentrate on his practice as contemporary artist.
Photography, Artistic --- Fashion photography --- Fonteyne, Karel --- 761.2 fotografen afzonderlijk --- modefotografie --- portretfotografie --- België --- conceptuele kunst --- Photography, Fashion --- Advertising photography --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Aesthetics --- Fonteyne, Karel. --- black-and-white photographs --- photobooks --- artistieke fotografie
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Bernar Venet is one of France's most celebrated living artists. Having emerged from the late 1960s avant-garde scene in New York, Venet developed a personal aesthetic based on an innovative use of mathematics and science, where control, chance, and chaos converge to form a fine equilibrium while investigating their relationship with the environment. Conversant in many media, Venet is mostly known for his monumental outdoor sculptures in major cities worldwide and, in fall 19, his Arc Majeur is due for completion at a site in Belgium - at almost 200 feet in height (60 metres), Venet's sculpture will be taller than New York's Statue of Liberty.
Art --- sculpture [visual works] --- outdoor sculpture --- public art --- monumental [size or dimensions] --- performance art --- Cor-Ten steel (TM) --- site-specific works --- coal --- Venet, Bernar --- 73.07 --- Beeldhouwkunst ; metaal --- Conceptuele kunst --- Beeldhouwkunst ; beeldhouwers A - Z --- Venet, Bernar, --- Criticism and interpretation. --- Venet, Bernard °1941 (°Château-Arnoux-Saint-Auban, Frankrijk) --- conceptuele kunst --- 73.071 VENET --- 7.071 VENET --- minimal art --- minimalisme --- installaties --- beeldhouwkunst --- eenentwintigste eeuw --- twintigste eeuw --- Frankrijk --- kunst
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Conceptual art --- Performance art --- 7.07 --- Byars, James Lee °1932-1997 (°Detroit, Michigan, Verenigde Staten) --- Beeldende kunst ; 2de h. 20ste eeuw ; James Lee Byars --- Conceptuele kunst --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Byars, James Lee --- Criticism and interpretation. --- Correspondence. --- Travel. --- kunst --- Verenigde Staten --- twintigste eeuw --- concept art --- conceptuele kunst --- performances --- performance --- installaties --- beeldhouwkunst --- Byars James Lee --- 7.071 BYARS --- Art --- correspondence --- sculpture [visual works] --- performance art --- Conceptual --- Byars, James L. --- anno 1960-1969 --- anno 1970-1979 --- anno 1980-1989 --- anno 1990-1999 --- Netherlands --- Belgium --- Japan
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Artists --- Conceptual art --- Video art --- Photography, Artistic --- Attitudes. --- Exhibitions --- Baldessari, John, --- Exhibitions. --- 7.07 --- Baldessari, John 1931-2020 (°National City, California, Verenigde Staten) --- Conceptuele kunst --- Beeld en woord ; beeld en tekst --- Narratieve kunst --- Fotografie fotomontages --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Fotografie ; fotomontages --- Art --- photography [process] --- video art --- performance art --- texts [documents] --- Conceptual --- Baldessari, John
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During seven years, 16 performers spread 'Lecture For Every One' throughout Europe. They intervened in more than 300 different gatherings, from a corporate sales meeting to a brass-band rehearsal and a municipal council. As uninvited guests, they addressed every one with exactly the same text. Until now, the project has remained largely invisible to the wider public. This book now sheds light on the information and expertise Lecture For Every One has generated?feedback, stories and memories from a range of perspectives. It reflects on how places where people gather can become political instances, on the (im)possibility of addressing every one, and on the value of fiction in our daily lives. Sarah Vanhee is an artist, performer and writer. Her interdisciplinary work moves between the civilian space and the institutional arts sector, and is best known for its radical gestures and its engagement with non-dominant voices and narratives. Since 2007 she has created several onstage performances, (semi-)public interventions and site-specific works that have been widely presented internationally.
Theatrical science --- performance art --- performance artists --- Art --- lectures --- texts [documents] --- Vanhee, Sarah --- Performance art --- Meetings --- kunst --- kunstenaars --- eenentwintigste eeuw --- België --- conceptuele kunst --- concept art --- performances --- 7.071 --- Vanhee Sarah --- Arts, Modern --- Happenings (Art) --- Performing arts --- Conferences --- Congresses and conventions --- Discussion --- History --- Vanhee, Sarah,
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This volume for the first time examines the women in and around Duchamp's life and work, focusing on contacts and convergences from Duchamp's youth up until his death in 1968. Some of the women gathered here were central figures in early twenty-century modernism, while others were part of fascinating intellectual and artistc networks that were, until now, in need of discovery. "Duchamp and the Women" introduces readers to the cultural circles and artistic movements in which the women presented were active and played a formative role. In addition to chronologically-grouped short biographies, comprehensive essays by Renate Wiehager and Katharina Neuburger—supplemented by a guest contribution from the literary scholar Sandro Zanetti—trace the paths of these protagonists as leading figures of early modernism and spokeswomen of a qualitatively new feminism. These essays deal with: Louise Arensberg (1879–1953), Gabrielle Buffet-Picabia (1881–1985) Katherine S. Dreier (1877–1952), Suzanne Duchamp (1889–1963), Elsa von Freytag-Loringhoven (1874–1927), Peggy Guggenheim (1898–1979), Mina Loy (1882–1966), Maria Martins (1894–1973), Mary Reynolds (1891–1950), Rrose Sélavy (“created” in 1920), Gertrude Stein (1874–1946), Carrie, Ettie, and Florine Stettheimer (1870–1944), and Beatrice Wood (1893–1998). Original texts by and about the women, some of which appear here for the first time in German and English, broaden the scope of the book by incorporating contemporary historical voices. A comprehensive bibliography also provides researchers from various fields with an important basis for further investigations into the lives and works of the people gathered in Duchamp and the Women—including Duchamp himself.
Women in art --- Women artists --- Women authors --- Art, Modern --- Intellectual life --- Biography --- History --- Duchamp, Marcel, --- Friends and associates. --- Art --- art [fine art] --- women [female humans] --- Arensberg, Louise --- Duchamp, Marcel --- Martins, Maria --- Reynolds, Mary --- Freytag-Loringhoven, von, Elsa --- Stein, Gertrude --- Stettheimer, Ettie --- Stettheimer, Carrie --- Guggenheim, Peggy --- Loy, Mina --- Wood, Beatrice --- Duchamp, Suzanne --- Dreier, Katherine Sophie --- Stettheimer, Florine --- Buffet-Picabia, Gabrielle --- kunst --- 7.071 DUCHAMP --- Duchamp Marcel --- conceptuele kunst --- dadaïsme --- futurisme --- kubisme --- concept art --- feminisme --- gender studies --- twintigste eeuw --- Sélavy, Rrose, --- Duchamp-Villon, Marcel, --- Villon, Marcel Duchamp-, --- Duchamp, Henri Robert Marcel, --- Dushan, Marsel, --- דושאן, מרסל --- デユシヤンマルセル, --- Duxiang, --- Sélavy, Rose, --- Friends and associates --- Relations with women --- Exhibitions --- Frau. --- Sélavy, Rrose --- Villon, Marcel Duchamp --- -Duchamp, Henri Robert Marcel --- Dushan, Marsel --- Duxiang --- Sélavy, Rose --- art [discipline]
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Staged bodies is gewijd aan de talrijke manieren waarop de kunstfotografie sinds 1970 het lichaam ensceneert. De interesse van de postmoderne cultuur voor bepaalde vormen van fictie, hybridisatie en simulatie, leidde tot ingrijpende veranderingen in de benadering van het lichaam. Dit laatste wordt niet langer gezien als een gesloten en stabiele entiteit, maar veeleer als een flexibel projectiescherm, dat toelaat om fundamentele vragen te stellen over representatie, identiteit en de relatie tussen de geslachten. In plaats van een onveranderlijk biologisch gegeven, is het lichaam voortaan een sociale constructie, die we moeten bekijken doorheen het prisma van diverse ensceneringen in bepaalde historische en culturele contexten. In de fotografie komt deze overgang van een natuurlijk en permanent lichaam naar een ideologisch bepaald en modelleerbaar lichaam neer op het loslaten van een documentaire benadering en het vervangen daarvan door een ‘staged photography’, een geënsceneerde fotografie. Deze pretendeert niet langer dat ze de realiteit reproduceert, maar maakt ze tot theater en fictie. Staged bodies toont werk van beroemde kunstenaars als Eleanor Antin, Balthasar Burkhard, Victor Burgin, Lili Dujourie, Valie Export, Patrick Faigenbaum, Nan Goldin, Michel Journiac, Jürgen Klauke, Les Krims, Zoe Leonard, Urs Lüthi, Duane Michals, Shirin Neshat, Orlan, Luigi Ontani, Martin Parr, Cindy Sherman, Hiroshi Sugimoto en Jan Vercruysse.
fotografie --- portretfotografie --- enscenering --- zelfportret --- zelfportretten --- performances --- twintigste eeuw --- Burkhard Balthasar --- Dujourie Lili --- Leonard Zoe --- Orlan --- Sherman Cindy --- Sugimoto Hiroshi --- Vercruysse Jan --- Antin Eleanor --- Valie Export --- Goldin Nan --- Journiac Michel --- Klauke Jürgen --- Lüthi Urs --- Michals Duane --- Ontani Luigi --- Faigenbaum Patrick --- Krims Les --- Neshat Shirin --- Parr Martin --- Burgin Victor --- 77.041 --- Exhibitions --- 760.4 --- 766.2 --- lichaamstaal --- lichaam in de kunst --- LGBTQ+ (lesbian, gay, bisexual, transgender, queer and others) --- LGBT (lesbian, gay, bisexual, transgender) --- genderexpressie --- seksualiteit --- Burgin, Victor --- Parr, Martin --- Neshat, Shirin --- Krims, Leslie --- performance --- conceptuele kunst --- Faigenbaum, Patrick --- Ontani, Luigi --- Michals, Duane --- Lüthi, Urs --- Klauke, Jürgen --- Journiac, Michel --- Goldin, Nan --- Export, Valie --- Antin, Eleanor --- Vercruysse, Jan --- Sugimoto, Hiroshi --- Sherman, Cindy --- Leonard, Zoe --- Dujourie, Lili --- Burkhard, Balthasar --- fotografie als kunst --- portretfotografie - kinderfotografie, naaktfotografie --- Photography --- self-portraits --- commercial portraiture --- body arts [discipline] --- anno 1900-1999 --- artistieke fotografie
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In the early 1970s, Lew Thomas set out to disrupt photography in San Francisco. Tired of the mystical thinking and emotionalism that had underscored Bay Area photography since the 1940s, Thomas pursued a photographic practice grounded in ideas gleaned from conceptual art and Structuralist philosophy. A cohort of other photographers, including Donna-Lee Phillips and Hal Fischer, embraced Thomas' mission, joining him in what became known as the ?Photography and Language? movement, named after a book and group exhibition of the same title produced by Thomas in 1976.0Thomas, Phillips and Fischer were all extremely active in the mid to late 1970s. In addition to making their own artwork, they published essays, reviewed shows and organized exhibitions. Under the name NFS Press, Thomas published a number of books designed by Phillips, including 'Structural(ism) and Photography' (1978), which featured Thomas? work; 'Eros and Photography' (1977), which was edited by Phillips, and two books of Fischer?s work: 'Gay Semiotics' (1978) and '18th Near Castro Street x 24' (1979).0Published in conjunction with an exhibition featuring photographs by these three artists that will be on view at the San Francisco Museum of Modern Art January 4 ? August 9, 2020, this volume assesses their work, their relationship to one another and their place in the history of photography in the 1970s.00Exhibition: SFMoMA, San Francisco, USA (04.01.-09.08.2020).
Photography, Artistic --- Literature and photography --- Photography --- Photography and literature --- Artistic photography --- Photography, Pictorial --- Pictorial photography --- Art --- History --- Exhibitions --- Aesthetics --- fotografie --- Verenigde Staten --- conceptuele fotografie --- conceptuele kunst --- twintigste eeuw --- gender studies --- homoseksualiteit --- Lew Thomas --- Phillips Donna-Lee --- Fischer Hal --- portretfotografie --- zelfportret --- woord en beeld --- fotografiegeschiedenis --- 77.038 --- Photograph collections --- Années 1970 --- Photographie --- Interview --- Thomas, Lew --- Phillips, Donna-Lee, --- Fischer, Hal, --- Phillips, Donna-Lee --- Photography, Artistic - 20th century - Exhibitions --- Literature and photography - Exhibitions --- Photography - California - San Francisco - Exhibitions --- Photograph collections - California - San Francisco - Exhibitions --- Phillips, Donna-Lee, 1941 --- -Fischer, Hal, 1950 --- -Thomas, Lew - Exhibitions --- Thomas, Lew - Interviews --- Phillips, Donna-Lee - Exhibitions --- Fischer, Hal, - 1950- - Exhibitions --- Fischer, Hal, - 1950- - Interviews --- -Thomas, Lew --- Fischer, Hal, - 1950 --- -Fischer, Hal, - 1950 --- -Photography --- kunstgeschiedenis --- anno 1970-1979 --- San Francisco [California]
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