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In 1963, the writer Marcel Broodthaers decided to embark on a career in the visual arts. Yet he never severed his ties to poetry and language, whose systems of meaning make up an integral aspect of his work. Retaining a certain distance to the art world, he posed fundamental questions about art, its mediums, its conceptions of what constitutes an artwork, its representation in museums. To this day, his oeuvre takes a critical stand on art's commercialization strategies. Exhibition-making itself was a key element of Broodthaers's artistic approach. Documenting all of the artist's solo exhibitions that took place during his lifetime, the catalogue is the 1rst ever to highlight that praxis. The extensive chronology and the accompanying detailed pictorial documentation of the most important works of every year together offer a systematic overview of his oeuvre. In addition to scholarly essays and many texts by Marcel Broodthaers himself, the publication also features an extensive series of photographic views of the major retrospective at the Fridericianum.

Broodthaers, Marcel --- kunst --- twintigste eeuw --- 7.071 BROODTHAERS --- pop art --- concept art --- conceptuele kunst --- België --- Broodthaers Marcel --- Exhibitions --- Art --- assemblages [sculpture] --- installations [visual works] --- humor --- video art --- performance art --- artists' books [books] --- environments [sculpture] --- texts [documents] --- philosophy of art

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Using cut-outs from National Geographic, tourist catalogues, and porn magazines from the 1960s and 1970s, Greek-Armenian artist Aikaterini Gegisian creates collages that present alternative, often humorous narratives about nature, female desire and pleasure.

Conceptual art --- Art, Modern --- fotografie --- kunst --- collages --- erotike --- pornografie --- eenentwintigste eeuw --- Gegisian Aikaterini --- 7.071 GEGISIAN --- 705.9 --- erotiek --- seksualiteit --- Gegisian, Aikaterini --- 21ste eeuw --- Contemporary art --- Modernism (Art) --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Performance art --- Earthworks (Art) --- Sky art --- kunstgeschiedenis, 21e eeuw --- Gegisian, Aikaterini. --- Artist-in-residence programs --- Photographie --- Collage --- Artist-in-residence programs - Scotland - 21st century --- Art, Modern - 21st century

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This volume for the first time examines the women in and around Duchamp's life and work, focusing on contacts and convergences from Duchamp's youth up until his death in 1968. Some of the women gathered here were central figures in early twenty-century modernism, while others were part of fascinating intellectual and artistc networks that were, until now, in need of discovery. "Duchamp and the Women" introduces readers to the cultural circles and artistic movements in which the women presented were active and played a formative role. In addition to chronologically-grouped short biographies, comprehensive essays by Renate Wiehager and Katharina Neuburger—supplemented by a guest contribution from the literary scholar Sandro Zanetti—trace the paths of these protagonists as leading figures of early modernism and spokeswomen of a qualitatively new feminism. These essays deal with: Louise Arensberg (1879–1953), Gabrielle Buffet-Picabia (1881–1985) Katherine S. Dreier (1877–1952), Suzanne Duchamp (1889–1963), Elsa von Freytag-Loringhoven (1874–1927), Peggy Guggenheim (1898–1979), Mina Loy (1882–1966), Maria Martins (1894–1973), Mary Reynolds (1891–1950), Rrose Sélavy (“created” in 1920), Gertrude Stein (1874–1946), Carrie, Ettie, and Florine Stettheimer (1870–1944), and Beatrice Wood (1893–1998). Original texts by and about the women, some of which appear here for the first time in German and English, broaden the scope of the book by incorporating contemporary historical voices. A comprehensive bibliography also provides researchers from various fields with an important basis for further investigations into the lives and works of the people gathered in Duchamp and the Women—including Duchamp himself.

Women in art --- Women artists --- Women authors --- Art, Modern --- Intellectual life --- Biography --- History --- Duchamp, Marcel, --- Friends and associates. --- Art --- art [fine art] --- women [female humans] --- Arensberg, Louise --- Duchamp, Marcel --- Martins, Maria --- Reynolds, Mary --- Freytag-Loringhoven, von, Elsa --- Stein, Gertrude --- Stettheimer, Ettie --- Stettheimer, Carrie --- Guggenheim, Peggy --- Loy, Mina --- Wood, Beatrice --- Duchamp, Suzanne --- Dreier, Katherine Sophie --- Stettheimer, Florine --- Buffet-Picabia, Gabrielle --- kunst --- 7.071 DUCHAMP --- Duchamp Marcel --- conceptuele kunst --- dadaïsme --- futurisme --- kubisme --- concept art --- feminisme --- gender studies --- twintigste eeuw --- Sélavy, Rrose, --- Duchamp-Villon, Marcel, --- Villon, Marcel Duchamp-, --- Duchamp, Henri Robert Marcel, --- Dushan, Marsel, --- דושאן, מרסל --- デユシヤンマルセル, --- Duxiang, --- Sélavy, Rose, --- Friends and associates --- Relations with women --- Exhibitions --- Frau. --- Sélavy, Rrose --- Villon, Marcel Duchamp --- -Duchamp, Henri Robert Marcel --- Dushan, Marsel --- Duxiang --- Sélavy, Rose --- art [discipline]

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Published by the CAPC musée d’art contemporain de Bordeaux in collaboration with BOM DIA BOA TARDE BOA NOITE, this reference book surveys the history of the independent publishing house Beau Geste Press (BGP) through the publications of its founding members Felipe Ehrenberg, Martha Hellion, David Mayor and Chris Welch, and of the numerous visitors to its rural outpost – visual poets, neo-Dadaists and artists affiliated with the Fluxus movement – from 1971 to 1976. A ‘catalogue dé-raisonné’ of all the printed matter produced by BGP, it is complemented by critical essays and first-hand texts that explore the working methods (economy and autonomy of production, distribution of books via post) and document the international influence of this short-lived ‘community of duplicators, printers, and artisans’.

Fluxus (Group of artists) --- Small presses --- Beau Geste Press --- Hellion, Martha --- Ehrenberg, Felipe --- Mayor, David --- Welch, Chris --- Gallard, Madeleine --- Private presses --- Schneemann, Carolee, --- Beau Geste Press, --- Exhibitions --- Edition --- Presse --- Poésie --- Neo dadaisme --- Fluxus --- Livre --- Private presses - England - 20th century --- Schneemann, Carolee, - 1939-2019 --- Pop art --- Artists' books --- kunst --- twintigste eeuw --- uitgevers --- kunstenaarsgeschriften --- kunstenaarsboeken --- fluxus --- kunstenaarscollectieven --- drukkerijen --- catalogue raisonné --- Groot-Brittannië --- 7.038 --- 766.036 --- grafisch ontwerp --- grafische vormgeving --- grafisch design --- Ehrenberg Felipe --- Helion Martha --- Mayor David --- Welch Chris --- Wright Terry --- neodadaïsme --- Schneemann Carolee --- Ehrenberg Yaël --- Ehrenberg Matthias --- McCall Anthony --- Cazazza Monte --- Chaimowicz Marc --- Gibbs Mick --- Kriesche Richard --- Kunz Milan --- Nations Opal L --- Gudmundsson Kristján --- Gudmundsson Sigurdur --- Fridfinsson Hrrein --- Svavarsdóttir Hlíf --- Andersen Eric --- Ay-O --- Breakwell Ian --- Brecht George --- Chiari Giuseppe --- Crozier Robin --- Diacono Mario --- Fox Terry --- Friedman Ken --- Gáyor Tibor --- Groh Klaus --- Hayashi Myor --- Hompson Davi Det --- Jones Joe --- Knížák Milan (Aktual) --- Maciunas George --- Matheuws Joan --- Moineau Jean-CLaude --- Ono Yoko --- Patterson Ben --- Saito Takako --- Sharits Paul --- Shiomi Mieko --- Tót Endre --- Vostell Wolf --- Watts Bob --- ZAJ --- Fisher Allen --- Koike Ryo --- Koike Hiroko --- Tsuchiya Yukio --- kunst en literatuur --- conceptuele kunst --- concept art --- Maurer Dóra --- Attalai Gábor --- Bak Imre --- Bálint István --- Donáth Péter --- Erdély Miklós --- Eötvös Peter --- Hap Béla --- Hay Agnes --- Hencze Tamás --- Jovánovics György --- Konkoly Guyla --- Legéndy Péter --- Lajtai Péter --- Major János --- Pauer Gyula --- Perneczky Géza --- Szentjóby Tamás --- Türk Peter --- Urbân János --- Haut Woody --- Hardin Mary --- Joris Pierre --- Jefferies Marc --- Miller Dick --- Carr-Jones Graham --- López Rafael --- Leggett Michael --- Nyman Michael --- Chadwick Helen --- Carrión Ulises --- Rook GJ de --- Bertoni Claudio --- Vicuña Cecilia --- Maya Pepe --- Hendrix Jan --- Knížák Milan --- Korejs Milan --- Mach Jan Maria --- Patočka Jan --- Pospíšilová Helena --- Tichy Pavel --- Švecová Sona --- Wittmann Robert --- Žižkova Zdenka --- Marroquin Raùl --- Burwell Paul --- Murgrave Victor --- Naylor Colin --- Robertson Clive --- Woodrow Paul --- Landau Myra --- Albrecht Dietrich --- Bulkowski Hansjürgen --- Feelisch Wolfang --- Gosewitz Ludwig --- Gramse Tom --- Hagenberg Helfried --- Hein Birgit --- Hein Wilhelm --- Iannone Dorothy --- C.O. Paeffgen --- Voss Jan --- Wewerka Stefan --- Agullo Thierry --- Alocca Marcel --- Anseeuw Alin --- Boltanski Christian --- Borgeaud Bernard --- Broodthaers Marcel --- Cazes Liu --- Chopin Henri --- Dolla Noël --- Dotremont Christian --- Filliou Robert --- Fleisher Alain --- Flexner Roland --- Galli Emilio --- Gerz Jochen --- Gette Paul-Armand --- Jassaud Gervais-Bernard --- Le Gac Jean --- Lemaître Maurice --- Moineau Jean-Claude --- Vautier Ben --- Würz Hervé --- Yoshida Hideki --- Fujiwara K --- Hayashi M --- Kaneko S --- Kobayashi K --- Kuriyama K --- Lee U-Fan --- Matsuzawa Y --- Nakajima Y --- Saito T --- Sekido R --- Shiomi M --- Art, Modern --- Presses, Private --- Printing --- Publishers and publishing --- Ehrenberg, Felipe. --- Erember, Felipe --- Beau Geste Press. --- Exhibitions. --- Art, Pop --- Neo-Dadaism --- New super-realism --- Dadaism --- Surrealism