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"'PHILOSOPHY, or the doctrine and discipline of ideas' as S. T. Coleridge understood it, is the theme of this book. It considers the most vital and mature vein of Coleridge's prose writings to be 'the contemplation of ideas objectively, as existing powers'. A theory of ideas emerges in critical engagement with thinkers including Plato, Plotinus, Böhme, Kant, and Schelling. A commitment to the transcendence of reason, central to what he calls 'the spiritual platonic old England', distinguishes him from his German contemporaries. This book pursues a theory of contemplation that draws from Coleridge's theories of imagination and the 'Ideas of Reason' in his published texts and extensively from his thoughts as they developed throughout published works, fragments, letters, and notebooks. He posited a hierarchy of cognition from basic sense intuition to the apprehension of scientific, ethical, and theological ideas. The structure of the book follows this thesis, beginning with sense data, moving upwards into aesthetic experience, imagination, and reason, with final chapters on formal logic and poetry that constellate the contemplation of ideas. Coleridge's Contemplative Philosophy is not just a work of history of philosophy, it addresses a figure whose thinking is of continuing interest, arguing that contemplation of ideas and values has consequences for everyday morality and aesthetics, as well as metaphysics. The book also illuminates Coleridge's prose by analysis of his poetry, notably the 'Limbo' sequence. The volume will be of interest to philosophers, intellectual historians, scholars of religion, and of literature"--
Contemplation --- Philosophy --- Coleridge, Samuel Taylor, - 1772-1834
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Religious studies --- English literature --- Coleridge, Samuel Taylor
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"Lyrical Ballads (1798) is a work of huge cultural and literary significance. This volume of poetry in which Coleridge's The Rime of the Ancyent Marinere and Wordsworth's Lines written above Tintern Abbey were first published lies at the heart of British Romanticism, establishing a poetics of powerful feeling that is, nonetheless, expressed in direct, conversational language and explores the everyday realities of common life. This engaging, accessible collection provides a comprehensive overview of current approaches to Lyrical Ballads, enabling readers to find fresh ways of understanding and responding to the volume. Sally Bushell's introduction explores how the Preface to the second edition (1800) became a potent manifesto for the Romantic movement. Broad in scope, the Companion includes accessible essays on Wordsworth's experiments with language and metre, ecocritical approaches, the reception of the volume in America and more, furnishing students and scholars with a range of entry points to this seminal text"--
Wordsworth, William, --- Coleridge, Samuel Taylor, --- Criticism and interpretation. --- Coleridge, S. T. --- Kolʹridzh, Samuil, --- Кольридж, Самуил, --- Kolʹridzh, Samuil Teĭlor, --- Кольридж, Самуил Тейлор, --- Kūlīridzh, Ṣāmwīl Tīlūr, --- קולרידג׳, סמיואל טיילור --- Kūlīridj, Ṣāmwīl Tīlūr, --- كولردج، صمويل تيلور, --- קאָלרידש, ס. ט., --- Wœ̄tsawœ̄t, Winlīam, --- Wurdzwurth, Wilyam, --- Varḍsavartha Viliyama, --- Axiologus, --- 820 "18" WORDSWORTH, WILLIAM --- 820 "18" COLERIDGE, SAMUEL TAYLOR --- 820 "18" COLERIDGE, SAMUEL TAYLOR Engelse literatuur--19e eeuw. Periode 1800-1899--COLERIDGE, SAMUEL TAYLOR --- Engelse literatuur--19e eeuw. Periode 1800-1899--COLERIDGE, SAMUEL TAYLOR --- 820 "18" WORDSWORTH, WILLIAM Engelse literatuur--19e eeuw. Periode 1800-1899--WORDSWORTH, WILLIAM --- Engelse literatuur--19e eeuw. Periode 1800-1899--WORDSWORTH, WILLIAM
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'Tom Marshall’s erudite study provides what is by some distance the most comprehensive treatment of Coleridge’s relation to the phenomenological tradition. Marshall’s lucid and provocative analysis defends both the individual poet, and the wider idealist tradition to which he belongs, from the common charge of abstraction. Coleridge stands revealed to us rather as a thinker for whom the most profound philosophical questions turn on the question—and the experience—of sensuous immediacy.' - Dr Ewan James Jones, University of Cambridge, UK This book re-evaluates the philosophical status of Samuel Taylor Coleridge by providing an extended comparison between his work and the phenomenological theory of Edmund Husserl. Examining Coleridge’s accounts of the imagination, perception, poetic creativity and literary criticism, it draws a systematic and coherent structure out of a range of Coleridge’s philosophical writing. In addition, it also applies the principles of Coleridge’s philosophy to an interpretation of his own poetic output.
British literature. --- Poetry. --- Literature, Modern—18th century. --- Phenomenology . --- British and Irish Literature. --- Poetry and Poetics. --- Eighteenth-Century Literature. --- Phenomenology. --- Philosophy, Modern --- Poems --- Poetry --- Verses (Poetry) --- Literature --- Philosophy --- Aesthetics. --- Coleridge, Samuel Taylor, --- Philosophy. --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Art --- Criticism --- Proportion --- Symmetry --- Psychology --- Coleridge, S. T. --- Kolʹridzh, Samuil, --- Кольридж, Самуил, --- Kolʹridzh, Samuil Teĭlor, --- Кольридж, Самуил Тейлор, --- Kūlīridzh, Ṣāmwīl Tīlūr, --- קולרידג׳, סמיואל טיילור --- Kūlīridj, Ṣāmwīl Tīlūr, --- كولردج، صمويل تيلور, --- קאָלרידש, ס. ט., --- Radio broadcasting Aesthetics --- Aesthetics
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