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"A definitive selection of prose and poetry from the self-described "black, lesbian, mother, warrior, poet," for a new generation of readers. Audre Lorde is an unforgettable voice in twentieth-century literature, one of the first to center the experiences of black, queer women. Her incisive essays and passionate poetry-alive with sensuality, vulnerability, and rage-remain indelible contributions to intersectional feminism, queer theory, and critical race studies. This essential reader showcases twelve landmark essays and more than sixty poems, selected and introduced by one of our most powerful contemporary voices on race and gender, Roxane Gay. The essays include "The Master's Tools Will Never Dismantle the Master's House," "I Am Your Sister," and excerpts from the National Book Award-winning A Burst of Light. The poems are drawn from Lorde's nine volumes, including National Book Award nominee The Land Where Other People Live. As Gay writes in her astute introduction, The Selected Works of Audre Lorde celebrates "an exemplar of public intellectualism who is as relevant in this century as she was in the last.""--

Lesbianism --- African American women --- Homosexuality, Female --- essays --- Afro-Amerikanen --- Zwarten --- LGBTQ+ (lesbian, gay, bisexual, transgender, queer and others) --- lesbisch --- queer --- feminisme --- gender --- intersectionaliteit --- racisme --- seksisme --- 20e eeuw (twintigste eeuw) --- 307.9 --- Female Homosexuality --- Sexual and Gender Minorities --- Female homosexuality --- Lesbian love --- Sapphism --- Homosexuality --- Women --- Afro-American women --- Women, African American --- Women, Negro --- Sociologie ; overige bijzondere onderwerpen --- Sexual behavior

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Whitewalling: Art, Race & Protest in 3 Acts reflects on these three incidents in the long and troubled history of art and race in America. It lays bare how the art world—no less than the country at large—has persistently struggled with the politics of race, and the ways this struggle has influenced how museums, curators and artists wrestle with notions of free speech and the specter of censorship. Whitewalling takes a critical and intimate look at these three “acts” in the history of the American art scene and asks: when we speak of artistic freedom and the freedom of speech, who, exactly, is free to speak?

Art and race --- Freedom and art --- African Americans in art --- Aesthetics of art --- racial discrimination --- museums [buildings] --- art criticism --- African American --- minorities --- #breakthecanon --- United States --- kunst --- kunstgeschiedenis --- kunsttheorie --- twintigste eeuw --- eenentwintigste eeuw --- racisme --- museologie --- censuur --- Verenigde Staten --- Afro-Amerikanen --- 7.01 --- Art and freedom --- Artistic freedom --- Art --- Communication in art --- Creation (Literary, artistic, etc.) --- Afro-Americans in art --- Negroes in art --- Race and art --- Ethnopsychology --- History --- Censorship --- United States of America

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In recent years, the world has seen the rise of white nationalism in America and the tragic persistence of violence against African-Americans. Featuring works by more than 30 artists and writings by scholars and art historians, this book - and its accompanying exhibition - gives voice to artists addressing concepts of mourning, commemoration, and loss and considers their engagement with the social movements, from Civil Rights to Black Lives Matter, that Black grief has galvanized. Artists included: Terry Adkins, Jean-Michel Basquiat, Kevin Beasley, Dawoud Bey, Mark Bradford, Garrett Bradley, Melvin Edwards, LaToya Ruby Frazier, Charles Gaines, Theaster Gates, Ellen Gallagher, Arthur Jafa, Daniel LaRue Johnson, Rashid Johnson, Jennie C. Jones, Kahlil Joseph, Deana Lawson, Simone Leigh, Glenn Ligon, Kerry James Marshall, Julie Mehretu, Tiona Nekkia McClodden, Okwui Okpokwasili, Adam Pendleton, Julia Phillips, Howardena Pindell, Cameron Rowland, Lorna Simpson, Sable Elyse Smith, Tyshawn Sorey, Diamond Stingily, Henry Taylor, Hank Willis Thomas, Kara Walker, Nari Ward, Carrie Mae Weems, and Jack Whitten. Essays by Elizabeth Alexander, Naomi Beckwith, Judith Butler, Ta-Nehisi Coates, Massimiliano Gioni, Saidiya Hartman, Juliet Hooker, Glenn Ligon, Mark Nash, Claudia Rankine, and Christina Sharpe.

Art --- photographs --- sculpture [visual works] --- installations [visual works] --- grief --- racial discrimination --- civil rights --- video art --- performance art --- easel paintings [paintings by form] --- commemorations [events] --- mourning --- race [group of people] --- sound art --- African Americans in art --- Grief in art --- Art, American --- African Americans --- kunst --- eenentwintigste eeuw --- Verenigde Staten --- racisme --- afro-amerikanen --- kunst en samenleving --- kunst en maatschappij --- 7.039 --- Afro-Americans --- Black Americans --- Colored people (United States) --- Negroes --- Africans --- Ethnology --- Blacks --- Violence against --- Exhibitions --- Black people --- Racisme --- Colonialisme --- Noirs américains --- Chagrin --- Catalogues d'exposition --- African Americans in art. --- Art américain --- Art, American. --- Black lives matter movement --- Chagrin dans l'art --- Grief in art. --- Noirs américains dans l'art --- Violence against. --- 2000-2099. --- United States --- Race relations --- Psychological aspects --- paintings [visual works]