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"Ida B. Wells (1862-1931) is now a Chicago icon and a shining example of fearless grit and truth-telling. Born into slavery, she lost both parents at the age of sixteen and supported five siblings by teaching school. As perhaps the first investigative journalist, she crusaded against lynching and for women's suffrage. She worked with Frederick Douglass and Susan B. Anthony; she co-founded the NAACP and started the Alpha Suffrage Club here in Chicago; she is the first African American woman to have a street named after her in Chicago. This autobiography, edited by Ida B.'s daughter, Afreda Duster, was first published 1970 in a series edited by John Hope Franklin. Alfreda's daughter, Michelle Duster, who has spent years championing her grandmother's memory, has provided a new afterword. We are bringing out the Second Edition to mark the centennial (June, 2020) of Illinois ratifying the 19th amendment, giving women the vote. Wells was active in the suffrage movement. The new edition has been re-designed and includes four new halftones and a new foreword by Eve Ewing"--

African American women --- African American women. --- Wells-Barnett, Ida B., --- Sociology of minorities --- Wells, Ida B. --- United States --- United States of America --- Slavery --- Autobiography --- Women --- Blackness --- Book --- Abolitionism

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"Florence B. Price (1887-1953) was the first African American woman composer to achieve national recognition. She grew up in Little Rock, Arkansas, studied at the new England Conservatory, and spent her professional career in Chicago (1927-53), where her Symphony in E Minor, premiered by the Chicago Symphony Orchestra in 1933 under the direction of Frederick Stock, marks the first large-scale work by an African American woman composer (and the second work by an African American composer) to be performed by a major American orchestra. A prolific composer, she wrote more than 300 works in all genres: orchestra music (symphonies, orchestral suites, and concerti), vocal music, art songs and arrangements of spirituals, piano music (including teaching pieces), organ music, chamber music, and music for chorus. Her compositions reflect not only her cultural heritage, but also the romantic nationalist style of the period in which she was most active (beginning in the 1920s). Brown discusses Price in the context of the Harlem Renaissance and deals with issues of race, gender, and class. She draws on interviews with Price's colleagues, on music manuscripts located in major repositories of African American material and in private collections, on contemporary black newspapers and journals, on census records, and on archival materials as well as the relevant published sources. An appendix lists Price's compositions by genre"--

African American composers --- African American composers. --- African American women composers --- African American women composers. --- Composers --- Composers. --- Women composers --- Women composers. --- Price, Florence, --- Price, Florence, --- Price, Florence,

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La quatrième de couverture indique : "Dans Femmes, race et classe, Angela Davis, historienne et militante, développe une analyse critique des liens parfois conflictuels ayant existé au cours des XIXe et XXe siècles entre féminisme et luttes d'émancipation du peuple noir. Elle démontre que les luttes ont porté leurs fruits à chaque fois qu'elles ont été solidaires. Se refusant à mettre en concurrence les différents éléments constitutifs de sa propre identité, elle affirme que les oppressions spécifiques doivent être articulées à égalité pour dépasser les contradictions et mener un combat global contre le système capitaliste au fondement de toutes les exploitations. Cet essai dense et fondateur, écrit en 1980, trouve aujourd'hui une actualité centrale avec les débats contemporains sur le féminisme dit « intersectionnel »."

Feminism --- African American women --- Women, Black --- African Americans --- Civil rights. --- Civil rights --- Social conditions.

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"Florence B. Price (1887-1953) was the first African American woman composer to achieve national recognition. She grew up in Little Rock, Arkansas, studied at the new England Conservatory, and spent her professional career in Chicago (1927-53), where her Symphony in E Minor, premiered by the Chicago Symphony Orchestra in 1933 under the direction of Frederick Stock, marks the first large-scale work by an African American woman composer (and the second work by an African American composer) to be performed by a major American orchestra. A prolific composer, she wrote more than 300 works in all genres: orchestra music (symphonies, orchestral suites, and concerti), vocal music, art songs and arrangements of spirituals, piano music (including teaching pieces), organ music, chamber music, and music for chorus. Her compositions reflect not only her cultural heritage, but also the romantic nationalist style of the period in which she was most active (beginning in the 1920s). Brown discusses Price in the context of the Harlem Renaissance and deals with issues of race, gender, and class. She draws on interviews with Price's colleagues, on music manuscripts located in major repositories of African American material and in private collections, on contemporary black newspapers and journals, on census records, and on archival materials as well as the relevant published sources."--

African American women composers --- African American composers --- Women composers --- Composers --- Price, Florence,

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"A Second Helping of Gumbo for the Soul is a collection of essays, stories, and narratives designed to inspire and empower women of color through the use of storytelling and narratives. This second edition is a sequel to the first Gumbo for the Soul and includes more..."--Provided by publisher.

African American women --- Conduct of life --- Social life and customs --- Social conditions