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This highly-illustrated volume reveals how artists have brought to life mythology, fables, and fairy tales, as well as modern epics.
Art --- drawings [visual works] --- prints [visual works] --- art history --- easel paintings [paintings by form] --- fantasies [visual works] --- digital art [visual works] --- 76:655.5 <064> --- 82-312.9 --- 82-312.9 Fantastische literatuur --- Fantastische literatuur --- 76:655.5 <064> Grafische kunsten. Grafiek. Prentkunst-:-Geïllustreerde boeken (boekillustraties)--Tentoonstellingscatalogi. Museumcatalogi --- Grafische kunsten. Grafiek. Prentkunst-:-Geïllustreerde boeken (boekillustraties)--Tentoonstellingscatalogi. Museumcatalogi
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In this volume, Chris Loker, the proprietor of the Children's Book Gallery, an antiquarian children's bookshop in San Francisco, profiles and reflects on the legacies of iconic American children's books, spanning from 1900 to the present day (with the last title being published in 2015). Being co-published with the Book Club of California as well as Godine, this book was inspired by an exhibition with the Grolier Club in 2015 that profiled "One Hundred Books Famous in Children's Literature.
094:82-93 --- 76:655.5 --- 094:82-93 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Kinderliteratuur. Jeugdliteratuur --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Kinderliteratuur. Jeugdliteratuur --- 76:655.5 Grafische kunsten. Grafiek. Prentkunst-:-Geïllustreerde boeken (boekillustraties) --- Grafische kunsten. Grafiek. Prentkunst-:-Geïllustreerde boeken (boekillustraties) --- Book history --- Graphics industry --- Children's literature. Juvenile literature --- anno 1900-1999 --- anno 2000-2009 --- anno 2010-2019
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For years illustration has lacked a strong critical history in which to frame it, with academics and media alike assessing it as part of design rather than a discipline in its own right. Illustration Research Methods addresses this void and adds to a fast-emerging discipline, establishing a lexicon that is specific to discussing contemporary illustration practice and research. The chapters are broken down into the various roles that exist within the industry and which illustration research can draw from, such as 'Reporting' and 'Education'. In doing so, users are able to explore a diverse range of disciplines that are rich in critical theory and can map these existing research methodologies to their own study and practice. Supported by a wealth of case studies from international educators, student projects sit alongside those of world-renowned illustrators. Thus allowing users the opportunity to put what they have learnt into context and offering insight into the thinking and techniques behind some of illustrations' greats.
766 <03> --- 655.533 --- 76:655.5 <03> --- 655.533 Boekillustratie --- 655.533 Book illustrations. Pictorial matter in books --- Boekillustratie --- Book illustrations. Pictorial matter in books --- 766 <03> Toegepaste grafische kunsten. Gebruiksgrafiek: Commerciële grafiek--Naslagwerken. Referentiewerken --- Toegepaste grafische kunsten. Gebruiksgrafiek: Commerciële grafiek--Naslagwerken. Referentiewerken --- 76:655.5 <03> Grafische kunsten. Grafiek. Prentkunst-:-Geïllustreerde boeken (boekillustraties)--Naslagwerken. Referentiewerken --- Grafische kunsten. Grafiek. Prentkunst-:-Geïllustreerde boeken (boekillustraties)--Naslagwerken. Referentiewerken --- Didactics of the arts --- Graphic arts --- onderzoek in de kunsten --- illustratieve vormgeving
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The livre d’artiste, or ‘artist’s book’, is among the most prized in rare book collections. Henri Matisse (1869–1954) was one of the greatest artists to work in this genre, creating his most important books over a period of eighteen years from 1932 to 1950 – a time of personal upheaval and physical suffering, as well as conflict and occupation for France. Brimming with powerful themes and imagery, these works are crucial to an understanding of Matisse’s oeuvre, yet much of their content has never been seen by a wider audience. In Matisse: The Books, Louise Rogers Lalaurie reintroduces us to Matisse by considering how in each of eight limited-edition volumes, the artist constructs an intriguing dialogue between word and image. She also highlights the books’ profound significance for Matisse as the catalysts for the extraordinary ‘second life’ of his paper cut-outs. In concert with an eclectic selection of poetry, drama and, tantalizingly, Matisse’s own words, the books’ images offer an astonishing portrait of creative resistance and regeneration. Matisse’s books contain some of the artist’s best-known graphic works – the magnificent, belligerent swan from the Poésies de Stéphane Mallarmé, or the vigorous linocut profile from Pasiphaé (1944), reversed in a single, rippling stroke out of a lake of velvety black. In Jazz, the cut-out silhouette of Icarus plummets through the azure, surrounded by yellow starbursts, his heart a mesmerizing dot of red. But while such individual images are well known, their place in an integrated sequence of pictures, decorations and words is not. With deftness and sensitivity, Lalaurie explores the page-by-page interplay of the books, translating key sequences and discussing their distinct themes and creative genesis. Together Matisse’s artist books reveal his deep engagement with questions of beauty and truth; his faith; his perspectives on aging, loss, and inspiration; and his relationship to his critics, the French art establishment and the women in his life. In addition, Matisse: The Books illuminates the artist’s often misunderstood political affinities – in particular, his decision to live in the collaborationist Vichy zone, throughout World War II. Matisse’s wartime books are revealed as a body of work that stands as a deeply personal statement of resistance. --Thames & Hudson
741.07 --- 7.05 --- Matisse, Henri 1869-1954 (°Le Cateau-Cambrésis, Frankrijk) --- Tekeningen ; Henri Matisse --- Kunstenaarsboeken ; Jazz ; Henri Matisse --- Tekenkunst ; tekenkunstenaars A - Z --- Kunst ; het boek als kunstobject ; Kunstenaarsboeken, geïllustreerde boeken, boekbanden --- 75.07 --- Schilderkunst ; schilders A-Z --- MAD-faculty 20 --- schilderkunst 20ste eeuw --- Matisse, Henri --- Graphics industry --- Graphic arts --- prints [visual works] --- lithographs --- artists' books [books] --- illustrations [layout features] --- France --- boeken --- literatuur --- poëzie --- Mallarmé, Stéphane --- De Ronsard, Pierre --- Charles d'Orléans --- Baudelaire, Charles --- Alcaforada, Marianna --- De Montherlant, Henry --- 766.07 --- Boekillustraties ; 1ste helft 20ste eeuw ; Henri Matisse --- Matisse als boekillustrator --- Gebruiksgrafiek ; grafische designers, reclamekunstenaars, typografen, illustrators --- 82:7 "18/19" --- 76:655.5 <44> --- 76:655.5 <44> Grafische kunsten. Grafiek. Prentkunst-:-Geïllustreerde boeken (boekillustraties)--Frankrijk --- Grafische kunsten. Grafiek. Prentkunst-:-Geïllustreerde boeken (boekillustraties)--Frankrijk --- 82:7 "18/19" Literatuur en kunst--Hedendaagse Tijd --- Literatuur en kunst--Hedendaagse Tijd --- 766.32.07 --- Grafische industrie en ontwerp ; beeld ; illustratie ; illustratoren ; cover designers ; concept artists --- boeken. --- literatuur. --- poëzie. --- Matisse, Henri. --- Mallarmé, Stéphane. --- De Ronsard, Pierre. --- Charles d'Orléans. --- Baudelaire, Charles. --- Alcaforada, Marianna. --- de Montherlant, Henry. --- de Montherlant, Henry
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