Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

From the key project of the Pamplona Baluarte to the office building for Metrovacesa in Madrid, via the Archaeological Museum of Vitoria, the Fine Arts Museum of Oviedo, the Congress Center in Palma, or the Norvento headquarters in Lugo, the fast-paced production rhythm of Francisco Mangado has not undermined his didactic vocation. This book gathers fifteen of the key works developed by the studio between 2000 and 2020. The architect himself introduces each work, explaining the concepts that are the driving force behind them: context, material, topography, economy, technique, space, program, process, representation, nature, heritage, urbanity, industrialization, energy, and identity.

Architecture --- History --- Histoire --- Mangado, Francisco, --- Mangado, Francisco, - 1957 --- -Architecture --- -Mangado, Francisco, - 1957-

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"La perspective décoloniale est aujourd'hui au cœur du débat public. Si son émergence est le fruit de dynamiques à la fois activistes et académiques, elle invite les chercheur·e·s en sciences sociales à relever le défi de la décolonisation des savoirs. Ce livre propose un "arrêt sur image" sur cette trajectoire dont l'émergence doit beaucoup à l'inspiration d'Achille Mbembe. Il permet aussi de saisir l'influence qu'exercent, sur nos façons de produire de la connaissance, non seulement les penseur·e·s et auteur·e·s racisé·e·s, mais également la mémoire, les témoignages et les luttes des femmes et des hommes ayant vécu et vivant encore les violences raciales. Entre études en développement (development studies) et études postcoloniales (postcolonial studies), un nouvel espace de pensée et d'action se dessine, qui est une invitation à traverser les frontières du savoir et du monde." --

Postcolonialism --- Decolonization --- Mbembe, Achille, --- Influence --- Postcolonialisme. --- Mbembe, Joseph-Achille, --- Mbembe, Achille, - 1957- - Influence --- Mbembe, Achille, - 1957 --- -Postcolonialisme. --- -Colonisation. Decolonisation --- Colonisation. Decolonisation --- -Postcolonialism --- Mbembe, Achille, - 1957-

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Philip Akkerman (1957) has kept a diary since his academy days. This diary describes his struggle with the mystery of existence, his struggle with art and the art world, his struggle with painting technique and his struggle with himself. The question is whether without this diary he would ever have started painting self-portraits and, if he had already started painting, how long he would have maintained it. 'Philip Akkerman. Artist Diary 'takes you into the chaotic flood of contradictory thoughts in Akkerman's head. Slowly but surely, the 'real' Philip Akkerman emerges. In addition to texts about philosophy and painting techniques, the reader also gets a glimpse into the art world where nothing and no one is spared. Philip Akkerman (1957) houdt sinds zijn academietijd een dagboek bij. Dit dagboek beschrijft zijn worsteling met het bestaansmysterie, zijn worsteling met de kunst en de kunstwereld, zijn worsteling met de schildertechniek en zijn worsteling met zichzelf. Het is de vraag of hij zonder dit dagboek ooit met het schilderen van zelfportretten begonnen zou zijn en, indien hij er al mee begonnen zou zijn, hoe lang hij dit dan volgehouden zou hebben. 'Philip Akkerman. Kunstenaarsdagboek' neemt je mee in de chaotische stortvloed van tegenstrijdige gedachten in het hoofd van Akkerman. Langzaam maar zeker komt de 'echte' Philip Akkerman bovendrijven. Naast teksten over filosofie en schildertechniek krijgt de lezer ook een inkijkje in de kunstwereld waarbij niets en niemand gespaard wordt.

Painters --- 75.07 --- Akkerman, Philip °1957 (°Vaassen, Nederland) --- Dagboeken ; dagboeknotities --- Artists --- Schilderkunst ; schilders A-Z --- Akkerman, Philip, --- diaries --- art criticism --- Akkerman, Philip --- artists' books [books]

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Colombian architect Simón Vélez is known for his innovative use of bamboo filled with cement mortar as a structural material, an expression of his belief that architecture should contain more plants. His work often includes a variety of natural materials. Conscientious of both local vegetal materials and site, he continues to create structurally rational buildings today. This issue includes a selection of early works (1973–1997) along with many others built since 1999, plus a conversation between Vélez and Shigeru Ban in which they discuss discovering solutions through repeated experimentation. The two met in 2000, when they designed and built adjacent pavilions at the Expo Hannover.

vernacular architecture --- architects --- Vélez, Simón --- Ecologische bouwmaterialen ; hout ; bamboe ; leem --- Architectuur ; Colombia ; 21ste eeuw --- Ban, Shigeru °1957 (°Tokio, Japan) --- Architectuur ; bamboe ; Colombia ; 1990-2000 ; Simon Vélez --- Vélez, Simón °1949 (°Manizales, Columbia) --- A+U (tijdschrift) --- Architecture and Urbanism ; a+u (tijdschrift) --- 72.07 --- Architecten. Stedenbouwkundigen A - Z

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Mieke Bal develops the idea that exhibiting is a significant form the contemporary can take. There, visitors are in the actual company of the artworks, which can exert their performativity. Framing the essay with a prologue and an epilogue where recent sculptures respond to earlier ones, the essay considers some recent experiences with shows of her own video work. Her usual close look at art as process makes the case that the being-together-in-time of exhibition visits encourages, and if the curation is well thought through, can heighten the sense of contemporaneity with art better than any other form

kunst --- film --- filmregisseurs --- kunstenaars --- twintigste eeuw --- eenentwintigste eeuw --- Akomfrah John --- Groot-Brittannië --- 7.071 AKOMFRAH --- Art --- ecology --- colonization --- migration [function] --- video art --- time --- montage [image-making technique] --- arrivals --- African diaspora --- Akomfrah, John --- Artists --- Colonialisme --- Akomfrah, John, --- Exhibitions --- Exhibition techniques. --- Technique. --- exhibitions [events] --- contemporary [generic time frame] --- philosophy of art --- Classical --- visitors --- Bal, Mieke --- Ausstellung --- Performance --- Videokunst --- Kunst --- Muséologie --- Art vidéo --- Artists - England - Interviews --- Akomfrah, John - Interviews --- Akomfrah, John, 1957 --- -Art --- -Ausstellung --- -Akomfrah, John --- dekolonisatie