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Art --- photography [process] --- documentary photography --- spectators [event observers]

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This book focuses on how rivalry influences fan perceptions and behaviors, the role of organizations to responsibly promote rivalries, and discusses how to decrease negative and group-member deviance surrounding sport rivalry. Rivalry is a phenomenon that helps organizations and participants increase their output while also engaging fans. The author argues that the goal of rivalry should be to increase engagement and interest in the product without stepping over a sometimes invisible line resulting in fan or group member negativity, deviance, and violence. Through the introduction of two scales that specifically measure how group members react to out-groups in the sport setting, this book offers scholars deeper insights into what rivalry means and how it can be used to responsibly promote the sport product. Cody T. Havard is Associate Professor of Sport Commerce and the Coordinator of Research in the Kemmons Wilson School of Hospitality and Resort Management at The University of Memphis, USA. He is the Director of the Bureau of Sport and Leisure Commerce and the KWS Coordinator of Research at The University of Memphis. Dr. Havard researches the rivalry phenomenon in and out of sport to better understand group member behavior.

Sports spectators --- Sports rivalries. --- Sports spectators. --- Spectators, Sports --- Sports --- Sports fans --- Audiences --- Fans (Persons) --- Rivalries, Sports --- Spectators --- Marketing. --- Management. --- Personnel management. --- Industries. --- Human Resource Management. --- Industrial production --- Industry --- Economics --- Corporations --- Employment management --- Human resource management --- Human resources management --- Manpower utilization --- Personnel administration --- Management --- Public administration --- Employees --- Employment practices liability insurance --- Supervision of employees --- Administration --- Industrial relations --- Organization --- Consumer goods --- Domestic marketing --- Retail marketing --- Retail trade --- Industrial management --- Aftermarkets --- Selling --- Personnel management --- Marketing --- Industries, Primitive

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Doing Fandom presents a body of knowledge essential to football fandom research, and the study of gender, space, emotions and culture more generally. The analytical framework follows the theory of practice, drawing on three acclaimed sociological concepts to expand current scholarship on fandom: habitus, doing gender, and claiming the right to space. The authors apply these perspectives to interrogate the development, performative and experiential aspects of fandom, and inform analysis of fans' social and political activism beyond the stadium. Drawing on several case studies conducted among fans in the Middle East, North Africa, and Europe, the anthology provides substantial insight into the construction of fandom, and will be invaluable for students and scholars across sociology, anthropology of sport, and cultural studies.

Soccer fans --- Women soccer fans --- Sports --- Soccer --- Soccer spectators --- Sports spectators --- Social conditions. --- Sociological aspects. --- Fans --- HaPoel Katamon Jerusalem (Soccer team). --- Sports—Sociological aspects. --- Culture. --- Sociology. --- Cultural geography. --- Sociology of Sport and Leisure. --- Sociology of Culture. --- Gender Studies. --- Cultural Geography. --- Human geography --- Social theory --- Social sciences --- Cultural sociology --- Culture --- Sociology of culture --- Civilization --- Popular culture --- Social aspects --- Women soccer fans.

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Chinatown Film Culture provides the first comprehensive account of the emergence of film and moviegoing in the transpacific hub of San Francisco in the early twentieth century. Working with materials previously left in the margins of grand narratives of history, Kim K. Fahlstedt uncovers the complexity of a local entertainment culture that offered spaces where marginalized Chinese Americans experienced and participated in local iterations of modernity. At the same time, this space also fostered a powerful Orientalist aesthetic that would eventually be exported to Hollywood by San Francisco showmen such as Sid Grauman. Instead of primarily focusing on the screen-spectator relationship, Fahlstedt suggests that immigrant audiences' role in the proliferation of cinema as public entertainment in the United States saturated the whole moviegoing experience, from outside on the street to inside the movie theater. By highlighting San Francisco and Chinatown as featured participants rather than bit players, Chinatown Film Culture provides an historical account from the margins, alternative to the more dominant narratives of U.S. film history.

Chinese in motion pictures. --- Chinese --- Motion picture audiences --- Motion picture theaters --- Motion pictures --- PERFORMING ARTS / General. --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Cinemas --- Movie theaters --- Moving-picture theaters --- Theaters, Motion picture --- Theaters --- Film audiences --- Filmgoers --- Moviegoers --- Moving-picture audiences --- Ethnology --- Social life and customs. --- History. --- Social aspects --- History and criticism --- Audiences --- Chinatown, Film, Culture, Chinese, San Francisco, Chinese Americans, early twentieth century, Kim K. Fahlstedt, History, Hollywood, Entertainment, historical, emergence, Revolutions, Movie, Theaters, Chinatown Audiences, Chinatown Spectators, Post-Quake, Media Studies, United States, American Studies, Communications, Ethnic Studies, Asian American Studies, Social Science, Performing, Arts, Video, Crititism.