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"Grootenboer is interested in art as philosophy, that is, art as a consideration of thinking. She insists that early modern art can be viewed through the lenses of contemporary interest and means. She argues that art is capable of articulating thoughts and shaping concepts in visual terms, and thus directly engages with the development of philosophical ideas. In particular, she explores the ways seventeenth-century paintings, in the wake of the Reformation and the rise of humanism, became sites of speculation about the possibilities and limitations of thinking as such. She focuses not on how thought is expressed in pictorial statements but on what remains unspoken in painting, implicit, and inexpressible--a quality that she calls pensiveness. Different from the self-aware images propounded by W. J. T. Mitchell, which seem in control of the interpretations they elicit, pensive images are speculative, pointing beyond mere interpretation. As an alternative pictorial category, akin to narrative or allegorical painting, pensive images can articulate the complexities of philosophical ideas, and thus gain new relevance in more recent debates on the nature of the image in visual culture"--
Art --- Painting --- Art, Modern --- Painting, Modern --- 7.01 --- Kunsttheorie ; schilderkunst --- kunst --- woord en beeld --- stillevenschilderkunst --- kunst en filosofie --- stillevens --- fotografie --- 75.01 --- esthetica --- schilderkunst --- kunsttheorie --- Modern painting --- Paintings, Modern --- Modern art --- Nieuwe Ploeg (Group of artists) --- Beautiful, The --- Beauty --- Aesthetics --- Art and philosophy --- Philosophy --- History --- Kunst ; theorie, filosofie, esthetica --- Analysis, interpretation, appreciation --- Aesthetics of art --- philosophy of art --- kunstfilosofie --- E-books --- kunstliteratuur --- kunstfilosofie.
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This book examines the art and writings of Wassily Kandinsky, who is widely regarded as one of the first artists to produce non-representational paintings. Crucial to an understanding of Kandinsky's intentions is On the Spiritual in Art, the celebrated essay he published in 1911. Where most scholars have taken its repeated references to "spirit" as signaling quasi-religious or mystical concerns, Florman argues instead that Kandinsky's primary frame of reference was G.W.F. Hegel's Aesthetics, in which art had similarly been presented as a vehicle for the developing self-consciousness of spirit (or Geist, in German). In addition to close readings of Kandinsky's writings, the book also includes a discussion of a 1936 essay on the artist's paintings written by his own nephew, philosopher Alexandre Kojève, the foremost Hegel scholar in France at that time. It also provides detailed analyses of individual paintings by Kandinsky, demonstrating how the development of his oeuvre challenges Hegel's views on modern art, yet operates in much the same manner as does Hegel's philosophical system. Through the work of a single, crucial artist, Florman presents a radical new account of why painting turned to abstraction in the early years of the twentieth century.
Aesthetics --- Kandinsky, Vasili Vassileevich --- Aesthetics. --- Art --- Painting, Modern --- Painting, Abstract. --- Esthétique --- Peinture --- Peinture abstraite --- Philosophy. --- Philosophie --- Hegel, Georg Wilhelm Friedrich, --- Kandinsky, Wassily, --- Painting, Abstract --- Groupe Mémoires (Group of artists) --- Abstract painting --- Non-objective painting --- Painting, Non-objective --- Beautiful, The --- Beauty --- Art and philosophy --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Criticism --- Literature --- Proportion --- Symmetry --- Analysis, interpretation, appreciation --- Psychology --- Kandinski, Vasilij, --- Kandinskiĭ, Vasiliĭ, --- Kandinskiĭ, Vasiliĭ Vasilʹevich, --- Kandinskij, Vasilij Vasil'evič, --- Kandinsky, --- Kandinsky, Basile W., --- Kandinsky, Vasily, --- Kandinsky, Vassily, --- Kandinsky, Wassili, --- Kandinsky, Wassily Wassilyevich, --- Kʻang-ting-ssu-chi, --- Kʻang-ting-ssu-chi, Wa-hsi-li, --- Кандинский, Василий, --- Кандинский, Василий Васильевич, --- קנדינסקי, וסילי, --- Criticism and interpretation. --- Kandinskiĭ, V. V. --- Кандинский, В. В. --- Kangdingsiji, --- 康定斯基, --- Kangdingsiji,, Waxili, --- 康定斯基, 瓦西里, --- Groupe Mémoires (Group of artists) --- Kandinskiĭ, Vasiliĭ, --- Кандинский, Василий, --- Kandinskiĭ, Vasiliĭ Vasilʹevich, --- Кандинский, Василий Васильевич, --- Kandinskiĭ, V. V. --- Кандинский, В. В. --- Kandinskij, Vasilij Vasil'evič, --- Kʻang-ting-ssu-chi, --- 康定斯基, --- Kʻang-ting-ssu-chi, Wa-hsi-li, --- 康定斯基, 瓦西里, --- קנדינסקי, וסילי, --- Art -- Philosophy. --- Hegel, Georg Wilhelm Friedrich, -- 1770-1831. -- Ästhetik. --- Kandinsky, Wassily, -- 1866-1944 -- Criticism and interpretation. --- Painting, Modern -- 20th century. --- Visual Arts --- Art, Architecture & Applied Arts --- Painting --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Modern painting --- Paintings, Modern --- Art, Primitive --- Radio broadcasting Aesthetics --- Kandinsky, Wassily --- Painting, Modern. --- Art.
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