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Composite materials in architecture Verbundwerkstoffe in der Architektur
Fibra de Carbón --- Arquitectura --- Architecture, Modern. --- Modern architecture
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The history of architecture constantly combines two perspectives: one is panoramic and turned towards urban ensembles so as to reveal social or technical policies, while the other looks in close shot at buildings, their interior, and their reflection of the ideals and engagement of their creators and occupants. By articulating the thoughts of twentieth-century theoreticians, philosophers, writers and architects (such as Mies van der Rohe, Wright, or Le Corbusier), Jean-Louis Cohen offers a new approach to architecture as a subject of inquiry and as a practice – one that is rooted in cultural history and in its human dimension.
Arts & Humanities --- Architecture --- architecture --- city --- history of architecture --- modern architecture --- urban design --- modernism --- urban planning
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How can the fundamental digital change taking place in design and construction be actively used to bring about cultural change in architecture? By exploring robotic production methods and innovative material developments, Achim Menges and Jan Knippers have succeeded in developing genuine digital building systems that combine architectural elegance with effective construction. The book provides an insight into ten years of joint research at the ICD and ITKE Institutes of Stuttgart University. Taking completed pavilions and buildings as examples, the authors demonstrate the viability of the underlying hypotheses that impressively push the limits of construction. Articles from international experts contribute to the current debate on architecture. Wie kann die ergebnisoffene Untersuchung von Planungs- und Fertigungsmethoden zu neuen Konstruktionsformen und architektonischen Ausdrucksmöglichkeiten führen? Seit 2010 haben die Institute ICD und ITKE der Universität Stuttgart 14 gemeinsame experimentelle Bauten realisiert. Bislang gab es wissenschaftliche Veröffentlichungen zu den Einzelprojekten aber keine zusammenhängende Darstellung der übergeordneten Entwicklungslinien.
Architecture, Modern --- Architecture --- History --- Architecture, Modern. --- Building --- Technological innovations. --- Modern architecture
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Das Neue Bauen der Zwischenkriegszeit im östlichen Mitteleuropa ist ein weitgehend weißer Fleck auf der Landkarte der Architekturgeschichte, auf der einige wenige Namen ‒ Schlagwort Bauhaus ‒ dominieren. Dabei ist der Objektbestand groß: Der Architektur kam in den nach Kriegsende 1918 neugegründeten Staaten wie der Tschechoslowakei als Symbol von Aufbruch und Modernisierung eine zentrale Rolle zu, und auch nationale Konkurrenzen spornten die Bauinvestitionen an. Der Band führt zu den Schauplätzen der Moderne von Estland bis Ungarn und rückt deren Akteur*innen in den Fokus. Er geht künstlerischen Netzwerken wie der CIAM Ost nach und fragt nach den transnationalen Verflechtungen, die über die frisch gezogenen Grenzen hinweg bestanden oder neu geknüpft wurden ‒ etwa zwischen der Breslauer und der Warschauer Avantgarde. Die Architekturmoderne der Zwischenkriegszeit erweist sich als vielfältig, auch über die Ideen der radikalen Avantgarde hinaus. Für deren globalen Transfer sorgten die vielen Emigrant*innen aus dem östlichen Europa, hier eindrücklich manifestiert im Ausbau der Stadt Haifa vor 1948 unter britischem Mandat. Mit Beiträgen von Carolin Binder, Ewa Chojecka, Stefanie Fink, Beáta Hock, Alena Janatková, Giedrė Jankevičiūtė, Małgorzata Jędrzejczyk, Mart Kalm, Martin Kohlrausch, Carsten Liesenberg, Christopher Long, Alexandra Panzert, Ágnes Anna Sebestyén, Andrzej Szczerski, Vladimír Šlapeta, Tzafrir Fainholtz und Kai Wenzel. The interwar period in East Central Europe is largely a blank space on the map of architectural history, dominated by a few examples categorized as “Bauhaus”. In this book, an international group of architectural historians examine the sites, protagonists, and transnational networks of the avant-garde in Central Europe and the global dissemination of their ideas.
HISTORY / Europe / Eastern. --- Bauhaus. --- Breslau Academy of Arts. --- Modern architecture. --- Weimar.
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Architect, architectural historian, and preservationist Françoise Bollack presents eighteen projects that use traditional materials to build contemporary forms or use modern materials to build traditional forms, blurring the boundary between tradition and modernity in architecture. Bollack rejects the modernist taboo against imitation and precedent, tracing the history of adaptive and imitative design from the Renaissance to the Greek and Gothic revivals and to the nineteenth-century modular cast-iron facades that Philip Johnson considered "the basis for modern design. The book examines projects in the US, Europe, and Japan, encompassing a broad range of building types: residential, hospitality, commercial and retail, and cultural spaces. All share an intriguing, even radical, approach to reinterpreting traditional forms and materials. Humble thatch moves beyond the farmhouse roof to clad the walls of a Danish environmental center; a photographic image of a Parisian facade becomes a scrim on the facade of a new building; the ghost of an ancient Italian basilica is outlined in wire mesh. Among the featured architects are Kengo Kuma, architect of the Tokyo 2021 Olympic stadium; MVRDV, a highly regarded Dutch firm; Lacaton & Vassal and Chartier/Corbasson in France; Skene Catling de la Peña in the UK; Morris Adjmi in the USA; Max Dudler in Germany; Dortre Mandrup in Denmark; and Herzog & de Meuron in Switzerland.
Construction --- Constructions --- Architecture --- Métaphore en architecture --- Matériaux --- Reconversion --- Architecture, Modern --- Building materials --- 691(03) --- 692.23 --- Gevelconstructies ; buitenmuren --- Gevelbekledingen --- Architectural materials --- Building --- Building supplies --- Buildings --- Construction materials --- Structural materials --- Materials --- Modern architecture --- Bouwmaterialen --- Constructie-elementen van gebouwen ; buitenmuren, gevels --- Building materials. Building technology --- architecture [discipline] --- Métaphore en architecture --- Matériaux
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Staggering skylines and boastful architecture make Dubai famous—this book traces them back to a twentieth-century plan for survival. In 1959, experts agreed that if Dubai was to become something more than an unruly port, a plan was needed. Specifically, a town plan was prescribed to fortify the city from obscurity and disorder. With the proverbial handshake, Dubai's ruler hired British architect John Harris to design Dubai's strategy for capturing the world's attention—and then its investments. Showpiece City recounts the story of how Harris and other hired professionals planned Dubai's spectacular transformation through the 1970s. Drawing on exclusive interviews, private archives, dog-eared photographs, and previously overlooked government documents, Todd Reisz reveals the braggadocio and persistence that sold Dubai as a profitable business plan. Architecture made that plan something to behold. Reisz highlights initial architectural achievements—including the city's first hospital, national bank, and skyscraper—designed as showpieces to proclaim Dubai's place on the world stage. Reisz explores the overlooked history of a skyline that did not simply rise from the sands. In the city's earliest modern architecture, he finds the foundations of an urban survival strategy of debt-wielding brinkmanship and constant pitch making. Dubai became a testing ground for the global city—and prefigured how urbanization now happens everywhere.
Architecture --- Architecture. --- Dubai. --- Expertise. --- John R. Harris. --- Modern architecture. --- Post-colonial urbanism. --- Trucial States. --- United Arab Emirates. --- Urban planning. --- Modernization. --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Design and construction --- Architecture, Primitive --- Harris, John R.,
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Architectural Styles is an incomparable guide to architectural styles across the centuries and around the world. Modeled after an architect's plein air sketchbook, the volume features hundreds of detailed drawings by esteemed architectural illustrator Robbie Polley alongside incisive and informative descriptions. This unique guidebook takes readers from Europe and the Americas to Egypt, China, and India. It covers a host of historical and contemporary architectural styles, from ancient and classical to Pre-Columbian, Romanesque, Renaissance, Palladian, art nouveau, Brutalist, and biomorphic. It describes the histories and characteristics of the building traditions of each era and region of the world, and looks at key architectural elements such as buttresses, spandrels, curtain walls, and oculi. The book also includes a section on building parts-from domes and columns to towers, arches, roofs, and vaulting-along with a detailed glossary and bibliography. Comprehensive and authoritative, 'Architectural Styles' is an essential resource for architects and designers and a must-have illustrated guide for anyone interested in architecture or drawing.
Architecture --- Themes, motives --- Details --- History --- Art Deco. --- Baroque. --- Bauhaus. --- Beaux-Arts. --- Byzantine architecture. --- Georgian architecture. --- Gothic architecture. --- Gothic revival. --- Greek revival. --- History of architecture. --- Islamic architecture. --- Japanese architecture. --- Rococo. --- Soviet architecture. --- architecture of India. --- colonial revival. --- deconstructivism. --- functionalism. --- grammar of style. --- international style. --- modern architecture. --- modernist architecture. --- neoclassical. --- postmodern architecture. --- prehistoric architecture. --- temples. --- world architecture.
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Although race—a concept of human difference that establishes hierarchies of power and domination—has played a critical role in the development of modern architectural discourse and practice since the Enlightenment, its influence on the discipline remains largely underexplored. This volume offers a welcome and long-awaited intervention for the field by shining a spotlight on constructions of race and their impact on architecture and theory in Europe and North America and across various global contexts since the eighteenth century. Challenging us to write race back into architectural history, contributors confront how racial thinking has intimately shaped some of the key concepts of modern architecture and culture over time, including freedom, revolution, character, national and indigenous style, progress, hybridity, climate, representation, and radicalism. By analyzing how architecture has intersected with histories of slavery, colonialism, and inequality—from eighteenth-century neoclassical governmental buildings to present-day housing projects for immigrants—Race and Modern Architecture challenges, complicates, and revises the standard association of modern architecture with a universal project of emancipation and progress.
Architecture, Modern --- Architecture and society --- Architecture and race --- Race and architecture --- Race --- Architecture --- Architecture and sociology --- Society and architecture --- Sociology and architecture --- Modern architecture --- History --- Social aspects --- Human factors --- Architecture, Modern. --- History. --- 72.01.1 --- 72.01 --- 72.035 --- 72.036 --- 72.037 --- Kolonisatie --- Architectuur ; theorie, filosofie, esthetica --- Architectuurgeschiedenis ; 18e eeuw --- Architectuurgeschiedenis ; 19e eeuw --- Architectuurgeschiedenis ; 1900 - 1950 --- Architecture et société --- Architecture et race --- Histoire --- Sociology of minorities --- architecture [discipline] --- architectural history --- discrimination --- slavery --- colonialism --- architectuurtheorie --- Discrimination --- Colonialisme --- Racisme
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"This edited volume, Modern Architecture and the Sacred, presents a timely reappraisal of the manifold engagements that modern architecture has had with 'the sacred'. It comprises fourteen individual chapters arranged in three thematic sections - Beginnings and Transformations of the Modern Sacred; Buildings for Modern Worship; and Semi-Sacred Settings in the Cultural Topography of Modernity. The first interprets the intellectual and artistic roots of modern ideas of the sacred in the post-Enlightenment period and tracks the transformation of these in architecture over time. The second studies the ways in which organized religion responded to the challenges of the new modern self-understanding, and then the third investigates the ways that abstract modern notions of the sacred have been embodied in the ersatz sacred contexts of theatres, galleries, memorials and museums. While centring on Western architecture during the decisive period of the first half of the 20th century - a time that takes in the early musings on spirituality by some of the avant-garde in defiance of Sachlichkeit and the machine aesthetic - the volume also considers the many-varied appropriations of sacrality that architects have made up to the present day, and also in social and cultural contexts beyond the West"--
Architecture --- architecture [discipline] --- sacred space --- 726 --- 726 Religieuze bouwkunst. Kerkelijke bouwkunst. Sacrale architectuur --- Religieuze bouwkunst. Kerkelijke bouwkunst. Sacrale architectuur --- Architecture and religion --- Architecture, Modern. --- Religious architecture. --- Spiritual architecture --- Modern architecture --- Religion and architecture --- Religion --- History --- Sacred space. --- Holy places --- Places, Sacred --- Sacred places --- Sacred sites --- Sacred spaces --- Sites, Sacred --- Space, Sacred --- Holy, The --- Religion and geography --- Architecture, Modern --- Religious architecture --- Sacred space --- Architecture and religion. --- Church architecture --- Themes, motives.
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Les nouvelles générations d'agriculteurs ont réinventé la ferme familiale et ses traditions, en adoptant des pratiques durables et une architecture moderne audacieuse. Cet ouvrage présente seize fermes à travers le monde, mettant en évidence les liens entre l'alimentation, le design, le terrain et le patrimoine agricole. D'après traduction de la 4e de couv. Recent generations of farmers have reinvented the family farm and its traditions, embracing organic practices and sustainability and, along with them, a bold new use of modern architecture. The New Farm profiles sixteen contemporary farms around the globe, accompanied by plans and colorful images that highlight the connections among family, food, design, terrain, and heritage.
Ferme agricole --- Bâtiment agricole --- 21e siècle --- Architecture --- 728.6 --- Farm buildings --- Architecture, Modern --- Modern architecture --- Architecture, Rural --- Buildings, Farm --- Rural architecture --- Buildings --- Livestock --- 728.6 Plattelandsarchitectuur. Boerderijen --- Plattelandsarchitectuur. Boerderijen --- Plattelandsarchitectuur --- Boerderijen --- Landelijke woningen --- Vernaculaire woningbouw --- Themes, motives --- Housing --- Agriculture. Animal husbandry. Hunting. Fishery --- rural housing --- rural life --- farms --- 72.025.4 --- Architectuur ; boerderijen ; stallen ; schuren ; 21ste eeuw --- Woningbouw ; boerderijen --- Architectuur ; renovatie, restauratie, vernieuwing --- Agriculture urbaine --- Architecture écologique --- Architecture durable
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