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"Dada magazines made Dada what it was: diverse, non-hierarchical, transnational, and defiant of the most fundamental artistic conventions. This authoritative, first volume entirely devoted to critical analysis of Dada periodicals retells the story of Dada by demonstrating the centrality of these graphically inventive, provocative periodicals: Dada, New York Dada, Dada Jok, and dozens more that began crossing enemy lines during World War I. The book includes well-known Dada centres like New York and Paris as well as cities such as Zagreb and Bucharest, and reveals that Dada continued to inspire art journals into the 1920s, years after most accounts of the movement end. Anchored in close material analysis within a historical and theoretical framework, Dada Magazines models a novel, multifaceted methodology for assessing all kinds of periodicals. Borrowing from Actor-Network Theory, it recognizes the journals as active agents that engendered the Dada network, and its thematic, chronological structure captures the constant exchanges that took place in this network, something missed in the city-by-city approach typically used. The book employs evidence such as postmarks, page proofs, and censors' stamps to detail how the Dadaists-Marcel Duchamp, Tristan Tzara, Dragan Aleksic, Hannah Höch, and many others-funded, compiled, printed, distributed, and exchanged these publications. Combining in-depth scrutiny of these magazines - and 1970s "Dadazines" inspired by them - with a comprehensive appendix of Dada-affiliated periodicals, Dada Magazines is a vital source in the histories of art and design, periodical studies, and modernist studies"--
Dadaism --- Periodicals --- Dadaism. --- Periodicals.
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Dada is often celebrated for its strategies of shock and opposition, but in Dada Presentism, Maria Stavrinaki provides a new picture of Dada art and writings as a lucid reflection on history and the role of art within it. The original (Berlin-based) Dadaists' acute historical consciousness and their modern experience of time, she contends, anticipated the formulations of major historians such as Reinhart Koselleck and, more recently, François Hartog. The book explores Dada temporalities and concepts of history in works of art, artistic discourse, and in the photographs of the Berlin Dada movement. These photographs—including the famous one of the First International Dada Fair—are presented not as simple, transparent documents, but as formal deployments conforming to a very concrete theory of history. This approach allows Stavrinaki to link Dada to more contemporary artistic movements and practices interested in history and the archive. At the same time, she investigates what seems to be a real oxymoron of the movement: its simultaneous claim to the ephemeral and its compulsive writing of its own history. In this way, Dada Presentism also interrogates the limits between history and fiction.
Dadaism --- Arts, Modern --- Arts and history. --- History and the arts --- History --- Dada --- Tabu-Dadaism --- Arts, Modern. --- Dadaism. --- 1900 - 1999 --- Germany --- Dadaïsme --- Arts --- Arts et histoire
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Dadaism and music --- Intermediality --- Music --- History and criticism
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Artists --- Poets, German --- Dadaism --- Ball-Hennings, Emmy, --- Ball-Hennings, Emmy
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Dadaist literature, German --- Dadaist poetry --- Dadaism --- Telegraph in literature --- History and criticism --- History and criticism
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Richard Hamilton was the most influential British artist of his generation. Often described as "the father of Pop art", he produced experimental and multilayered work in a range of media that both explored and crystallized the postwar world of consumer capitalism and popular culture in an attempt to "get all of living" into his art. Seminal works such as his collage ; Just what is it that makes today's homes so different, so appealing"' from 1956 and his silkscreen and related series based on a news photograph of Mick Jagger Swingering 'London 67' came to define an era in which new commodities and technologies, mass production, mass media, and celebrity came to the fore, and challenged the hierarchical values of "high" and "low" art. And his importance to fields beyond contemporary art was demonstrated when he was asked to design the cover of the Beatles" so-called White Album in 1968. In this book, acclaimed cultural commentator and writer Michael Bracewell presents a concise introduction to this deeply complex artist. Written from a personal perspective, it discusses Hamilton"s all-embracing work in relation to the music, film, and popular culture of the day in a rich new interpretation of his art and ideas. The book covers the full scope of Hamilton"s practice, and includes examples from the various media in which he worked, from collage, print and painting to sculpture and photography. With photographs and quotes from Hamilton throughout, this attractive volume will appeal to anyone wanting to understand his iconic and pioneering work and its lasting cultural legacy
Pop art - Great Britain --- Art and popular culture --- Popular culture in art --- Hamilton, Richard, 1922-2011 - Criticism and interpretation --- Pop art --- 75.07 --- 7.07 --- Hamilton, Richard 1922-2011 (°Londen, Groot-Brittannië) --- Pop-Art ; Groot-Brittannië --- Popular culture and art --- Popular culture --- Art, Pop --- Neo-Dadaism --- New super-realism --- Art, Modern --- Dadaism --- Surrealism --- Schilderkunst ; schilders A-Z --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Hamilton, Richard, --- Hamilton, Richard William, --- Criticism and interpretation.
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En 1918, un groupe de jeunes poètes traumatisés par la guerre se lance dans l'exploration ardente d'une matière mentale jusqu'alors ignorée. C'est la naissance du surréalisme.
Surrealism --- Surrealism (Literature) --- Dadaism --- Exhibitions. --- Surréalisme --- Surréalisme (littérature) --- c Surrealism (Literature) --- Origines. --- Surréalisme --- Surréalisme (littérature) --- Exhibitions --- surrealisme --- literatuur --- briefwisseling --- Breton, André --- Soupault, Philippe --- Éluard, Paul --- Aragon, Louis --- 20ste eeuw --- surrealisme. --- literatuur. --- briefwisseling. --- Breton, André. --- Soupault, Philippe. --- Éluard, Paul. --- Aragon, Louis. --- 20ste eeuw.
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Published by the CAPC musée d’art contemporain de Bordeaux in collaboration with BOM DIA BOA TARDE BOA NOITE, this reference book surveys the history of the independent publishing house Beau Geste Press (BGP) through the publications of its founding members Felipe Ehrenberg, Martha Hellion, David Mayor and Chris Welch, and of the numerous visitors to its rural outpost – visual poets, neo-Dadaists and artists affiliated with the Fluxus movement – from 1971 to 1976. A ‘catalogue dé-raisonné’ of all the printed matter produced by BGP, it is complemented by critical essays and first-hand texts that explore the working methods (economy and autonomy of production, distribution of books via post) and document the international influence of this short-lived ‘community of duplicators, printers, and artisans’.
Fluxus (Group of artists) --- Small presses --- Beau Geste Press --- Hellion, Martha --- Ehrenberg, Felipe --- Mayor, David --- Welch, Chris --- Gallard, Madeleine --- Private presses --- Schneemann, Carolee, --- Beau Geste Press, --- Exhibitions --- Edition --- Presse --- Poésie --- Neo dadaisme --- Fluxus --- Livre --- Private presses - England - 20th century --- Schneemann, Carolee, - 1939-2019 --- Pop art --- Artists' books --- kunst --- twintigste eeuw --- uitgevers --- kunstenaarsgeschriften --- kunstenaarsboeken --- fluxus --- kunstenaarscollectieven --- drukkerijen --- catalogue raisonné --- Groot-Brittannië --- 7.038 --- 766.036 --- grafisch ontwerp --- grafische vormgeving --- grafisch design --- Ehrenberg Felipe --- Helion Martha --- Mayor David --- Welch Chris --- Wright Terry --- neodadaïsme --- Schneemann Carolee --- Ehrenberg Yaël --- Ehrenberg Matthias --- McCall Anthony --- Cazazza Monte --- Chaimowicz Marc --- Gibbs Mick --- Kriesche Richard --- Kunz Milan --- Nations Opal L --- Gudmundsson Kristján --- Gudmundsson Sigurdur --- Fridfinsson Hrrein --- Svavarsdóttir Hlíf --- Andersen Eric --- Ay-O --- Breakwell Ian --- Brecht George --- Chiari Giuseppe --- Crozier Robin --- Diacono Mario --- Fox Terry --- Friedman Ken --- Gáyor Tibor --- Groh Klaus --- Hayashi Myor --- Hompson Davi Det --- Jones Joe --- Knížák Milan (Aktual) --- Maciunas George --- Matheuws Joan --- Moineau Jean-CLaude --- Ono Yoko --- Patterson Ben --- Saito Takako --- Sharits Paul --- Shiomi Mieko --- Tót Endre --- Vostell Wolf --- Watts Bob --- ZAJ --- Fisher Allen --- Koike Ryo --- Koike Hiroko --- Tsuchiya Yukio --- kunst en literatuur --- conceptuele kunst --- concept art --- Maurer Dóra --- Attalai Gábor --- Bak Imre --- Bálint István --- Donáth Péter --- Erdély Miklós --- Eötvös Peter --- Hap Béla --- Hay Agnes --- Hencze Tamás --- Jovánovics György --- Konkoly Guyla --- Legéndy Péter --- Lajtai Péter --- Major János --- Pauer Gyula --- Perneczky Géza --- Szentjóby Tamás --- Türk Peter --- Urbân János --- Haut Woody --- Hardin Mary --- Joris Pierre --- Jefferies Marc --- Miller Dick --- Carr-Jones Graham --- López Rafael --- Leggett Michael --- Nyman Michael --- Chadwick Helen --- Carrión Ulises --- Rook GJ de --- Bertoni Claudio --- Vicuña Cecilia --- Maya Pepe --- Hendrix Jan --- Knížák Milan --- Korejs Milan --- Mach Jan Maria --- Patočka Jan --- Pospíšilová Helena --- Tichy Pavel --- Švecová Sona --- Wittmann Robert --- Žižkova Zdenka --- Marroquin Raùl --- Burwell Paul --- Murgrave Victor --- Naylor Colin --- Robertson Clive --- Woodrow Paul --- Landau Myra --- Albrecht Dietrich --- Bulkowski Hansjürgen --- Feelisch Wolfang --- Gosewitz Ludwig --- Gramse Tom --- Hagenberg Helfried --- Hein Birgit --- Hein Wilhelm --- Iannone Dorothy --- C.O. Paeffgen --- Voss Jan --- Wewerka Stefan --- Agullo Thierry --- Alocca Marcel --- Anseeuw Alin --- Boltanski Christian --- Borgeaud Bernard --- Broodthaers Marcel --- Cazes Liu --- Chopin Henri --- Dolla Noël --- Dotremont Christian --- Filliou Robert --- Fleisher Alain --- Flexner Roland --- Galli Emilio --- Gerz Jochen --- Gette Paul-Armand --- Jassaud Gervais-Bernard --- Le Gac Jean --- Lemaître Maurice --- Moineau Jean-Claude --- Vautier Ben --- Würz Hervé --- Yoshida Hideki --- Fujiwara K --- Hayashi M --- Kaneko S --- Kobayashi K --- Kuriyama K --- Lee U-Fan --- Matsuzawa Y --- Nakajima Y --- Saito T --- Sekido R --- Shiomi M --- Art, Modern --- Presses, Private --- Printing --- Publishers and publishing --- Ehrenberg, Felipe. --- Erember, Felipe --- Beau Geste Press. --- Exhibitions. --- Art, Pop --- Neo-Dadaism --- New super-realism --- Dadaism --- Surrealism
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