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The book analyses the role of private bankers who were pivotal in modernizing the economic and financial system of Italy in the XIX century. To achieve this they needed to interact with the international haute banque to organize and place the public loans and the large investments associated with the joint-stock companies. The theme of reputation, which is currently at the centre of the historiographical debate, is fundamental for the study of the private banker figures, whose professional success is linked to the limitless trust accorded to them by their circle of personal contacts. Historiography has studied the role of Italian bankers in the trade, credit and international finance during the modern age (XVI-XVIII centuries), but it has not analysed the banking system in the XIX century and its national and international relations. The case study of Banca Parodi of Genova fills the historiographical gap concerning the role of private bankers and banking institutions in Italy, highlighting the network between the Parodi family and the international haute banque; one of the most emblematic cases is the Rothschild family. The book presents a re-elaborates series of unpublished data, placing them at the disposal of the scientific community and analyses the role of private bankers in the development of Italian banking institutions in the XIX century to launch a scientific debate. Luciano Maffi is Research Fellow in Economic History at the Bocconi University in Milan, Italy. He teaches Economic History at the Catholic University in Milan. He was previously a research fellow at the University of Genoa and at the University of Brescia. He deals with economic, financial and social history, with particular attention to the private bankers in XIX century. .

Economic history. --- Finance—History. --- Economic History. --- Financial History. --- Economic conditions --- History, Economic --- Economics --- Italy --- Italia --- Italian Republic (1946- ) --- Italianska republika --- Italʹi︠a︡nskai︠a︡ Rėspublika --- Italie --- Italien --- Italii︠a︡ --- Italii︠a︡ Respublikasi --- Italiĭsʹka Respublika --- Itālija --- Itālijas Republika --- Italijos Respublika --- Italikē Dēmokratia --- Īṭāliyā --- Italiya Respublikasi --- It'allia --- It'allia Konghwaguk --- İtalya --- İtalya Cumhuriyeti --- Iṭalyah --- Iṭalye --- Itaria --- Itaria Kyōwakoku --- Jumhūrīyah al-Īṭālīyah --- Kgl. Italienische Regierung --- Königliche Italienische Regierung --- Laško --- Lýðveldið Ítalía --- Olasz Köztársaság --- Olaszország --- Regno d'Italia (1861-1946) --- Repubblica italiana (1946- ) --- Republiḳah ha-Iṭalḳit --- Włochy --- Yidali --- Yidali Gongheguo --- Ιταλική Δημοκρατία --- Ιταλία --- Итальянская Республика --- Италианска република --- Италия --- Италия Республикаси --- Італьянская Рэспубліка --- Італія --- Італійська Республіка --- איטאליע --- איטליה --- רפובליקה האיטלקית --- إيطاليا --- جمهورية الإيطالية --- イタリア --- イタリア共和国 --- 意大利 --- 意大利共和国 --- 이탈리아 --- 이탈리아 공화국 --- Sardinia (Italy)

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Widely regarded as one of the most influential fashion and portrait photographers, Mario Testino is responsible for the creation of emblematic images, transmitting emotion and energy in an open and intimate way. Throughout his four-decade career, Testino has been on a journey beyond the world of fashion capturing Earth's traditions and cultures with unparalleled access and an extraordinarily unique point of view. Peruvian by birth, Testino's intimate connection to Italy found its roots in his Italian heritage, but blossomed when he experienced the country for himself. Discovering Italy was, for Testino, synonymous with discovering his passion for fashion. Rome was all about the hottest, latest trends and fresh new styling, and I loved the way Italians could shed the latest look for an even newer thing without ever losing their own identity. In Ciao, Testino handpicks his favorite images of Italy, a country that has featured heavily in his life, from his friendships and breathtaking vistas to quintessentially Italian iconic fashion shoots and Italians' ever-evolving allure to their effervescent lifestyle. Featuring three sections, IN GIRO (out and about), ALLA MODA (in fashion), and AL MARE (at sea), the result is a highly personal journey across the country through Testino's lens paying homage to Italy, and it's culture as well as a chronicle of 40 years of genre-defining photography.Also available in an Art Edition limited to 100 copies, each with a signed print by Mario Testino.

Testino, Mario --- Italië --- Straatfotografie --- Portretfotografie --- Fashionfotografie --- Portrait photography --- Fashion photography --- 761.2 fotografen afzonderlijk --- fotografie --- photography --- portretfotografie --- modefotografen --- modefotografie --- fotografen --- Photography, Fashion --- Advertising photography --- Photography --- Portraiture --- Portraits --- Testino, Mario. --- Tesidinuo, Mali'ao --- Italy --- Italia --- Italian Republic (1946- ) --- Italianska republika --- Italʹi︠a︡nskai︠a︡ Rėspublika --- Italie --- Italien --- Italii︠a︡ --- Italii︠a︡ Respublikasi --- Italiĭsʹka Respublika --- Itālija --- Itālijas Republika --- Italijos Respublika --- Italikē Dēmokratia --- Īṭāliyā --- Italiya Respublikasi --- It'allia --- It'allia Konghwaguk --- İtalya --- İtalya Cumhuriyeti --- Iṭalyah --- Iṭalye --- Itaria --- Itaria Kyōwakoku --- Jumhūrīyah al-Īṭālīyah --- Kgl. Italienische Regierung --- Königliche Italienische Regierung --- Laško --- Lýðveldið Ítalía --- Olasz Köztársaság --- Olaszország --- Regno d'Italia (1861-1946) --- Repubblica italiana (1946- ) --- Republiḳah ha-Iṭalḳit --- Włochy --- Yidali --- Yidali Gongheguo --- Ιταλική Δημοκρατία --- Ιταλία --- Итальянская Республика --- Италианска република --- Италия --- Италия Республикаси --- Італьянская Рэспубліка --- Італія --- Італійська Республіка --- איטאליע --- איטליה --- רפובליקה האיטלקית --- إيطاليا --- جمهورية الإيطالية --- イタリア --- イタリア共和国 --- 意大利 --- 意大利共和国 --- 이탈리아 --- 이탈리아 공화국 --- Sardinia (Italy) --- Social life and customs --- Modefotografie

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This book sheds new light on the role of the military in Italian society and culture during war and peacetime by bringing together a whole host of contributors across the interdisciplinary spectrum of Italian Studies. Divided into five thematic units, this volume examines the continuous and multifaceted impact of the military on modern and contemporary Italy. The Italian context offers a particularly fertile ground for studying the cultural impact of the military because the institution was used not only for defensive/offensive purposes, but also to unify the country and to spread ideas of socio-cultural and technological development across its diverse population. .

Italy—History. --- Military history. --- Civilization—History. --- History of Italy. --- History of Military. --- Cultural History. --- Military historiography --- Military history --- Wars --- Historiography --- History --- Naval history --- Italy --- History, Military. --- Military policy. --- Armed Forces. --- Italia --- Italian Republic (1946- ) --- Italianska republika --- Italʹi︠a︡nskai︠a︡ Rėspublika --- Italie --- Italien --- Italii︠a︡ --- Italii︠a︡ Respublikasi --- Italiĭsʹka Respublika --- Itālija --- Itālijas Republika --- Italijos Respublika --- Italikē Dēmokratia --- Īṭāliyā --- Italiya Respublikasi --- It'allia --- It'allia Konghwaguk --- İtalya --- İtalya Cumhuriyeti --- Iṭalyah --- Iṭalye --- Itaria --- Itaria Kyōwakoku --- Jumhūrīyah al-Īṭālīyah --- Kgl. Italienische Regierung --- Königliche Italienische Regierung --- Laško --- Lýðveldið Ítalía --- Olasz Köztársaság --- Olaszország --- Regno d'Italia (1861-1946) --- Repubblica italiana (1946- ) --- Republiḳah ha-Iṭalḳit --- Włochy --- Yidali --- Yidali Gongheguo --- Ιταλική Δημοκρατία --- Ιταλία --- Итальянская Республика --- Италианска република --- Италия --- Италия Республикаси --- Італьянская Рэспубліка --- Італія --- Італійська Республіка --- איטאליע --- איטליה --- רפובליקה האיטלקית --- إيطاليا --- جمهورية الإيطالية --- イタリア --- イタリア共和国 --- 意大利 --- 意大利共和国 --- 이탈리아 --- 이탈리아 공화국 --- Sardinia (Italy)

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Que les Balkans soient mal connus, c’est incontestable. Que certains épisodes de la Seconde Guerre mondiale soient tombés dans l’oubli, cela est un fait. Antoine Sidoti raconte ici deux épisodes de la Seconde Guerre mondiale. Le premier est l’occupation par l’Italie fasciste du Monléiiégio, historiquement îlot de résistance face à la puissance ottomane. Le second est l’institution de la « Provincia di Cattaro » (Province de Kotor) et le rattachement au sol de la péninsule italienne de cette véritable forteresse naturelle de la côte monténégrine, dont l’intérêt stratégique a attisé les convoitises des grandes puissances successives, depuis des temps immémoriaux. Mais l’ouvrage d’Antoine Sidoti dépasse le cadre du simple récit traditionnel d’une invasion d’un pays (le Monténégro) par un autre (l’Italie fasciste, d’avril 1941 à septembre 1943, et l’Allemagne nazie, de septembre 1943 à fin 1944). L’utilisation de très nombreuses sources, qui pour certaines n’avaient jamais été exploitées, et la prise en compte des dimensions culturelle et symbolique, révélées notamment dans les domaines de la littérature, de l’héraldique, de la peinture, des timbres-poste, permettent au lecteur de mieux cerner la complexité de l’histoire monténégrine en particulier et, plus généralement balkanique, sans oublier la politique impérialiste fasciste. Cet ouvrage de référence permet, de par son importance documentaire et son éclairage inédit, d’apporter une vision nouvelle sur les Balkans.

World War, 1939-1945 --- Italy --- Montenegro --- Relations --- European War, 1939-1945 --- Second World War, 1939-1945 --- World War 2, 1939-1945 --- World War II, 1939-1945 --- World War Two, 1939-1945 --- WW II (World War, 1939-1945) --- WWII (World War, 1939-1945) --- History, Modern --- Crna Gora --- Chernogorii︠a︡ --- Montenegro (Kingdom) --- Knjaževina Crna Gora --- Socijalistička Republika Crna Gora --- Republika Crna Gora --- Republic of Montenegro --- Mali i Zi --- Černá Hora --- Muntenegru --- Karadağ --- Melnkalne --- Juodkalnija --- Svartfjallaland --- Socialist Republic of Montenegro --- People's Republic of Montenegro --- Црна Гора --- Чарнагорыя --- Charnahoryi︠a︡ --- Черна гора --- Cherna gora --- Черногория --- Чорногорія --- Chornohorii︠a︡ --- Jabal al-Aswad --- جبل الأسود --- Kraljevina Crna Gora --- Serbia and Montenegro --- Italia --- Italian Republic (1946- ) --- Italianska republika --- Italʹi︠a︡nskai︠a︡ Rėspublika --- Italie --- Italien --- Italii︠a︡ --- Italii︠a︡ Respublikasi --- Italiĭsʹka Respublika --- Itālija --- Itālijas Republika --- Italijos Respublika --- Italikē Dēmokratia --- Īṭāliyā --- Italiya Respublikasi --- It'allia --- It'allia Konghwaguk --- İtalya --- İtalya Cumhuriyeti --- Iṭalyah --- Iṭalye --- Itaria --- Itaria Kyōwakoku --- Jumhūrīyah al-Īṭālīyah --- Kgl. Italienische Regierung --- Königliche Italienische Regierung --- Laško --- Lýðveldið Ítalía --- Olasz Köztársaság --- Olaszország --- Regno d'Italia (1861-1946) --- Repubblica italiana (1946- ) --- Republiḳah ha-Iṭalḳit --- Włochy --- Yidali --- Yidali Gongheguo --- Ιταλική Δημοκρατία --- Ιταλία --- Итальянская Республика --- Италианска република --- Италия --- Италия Республикаси --- Італьянская Рэспубліка --- Італія --- Італійська Республіка --- איטאליע --- איטליה --- רפובליקה האיטלקית --- إيطاليا --- جمهورية الإيطالية --- イタリア --- イタリア共和国 --- 意大利 --- 意大利共和国 --- 이탈리아 --- 이탈리아 공화국 --- Sardinia (Italy)

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Based upon the conference Rome in a Global World: Visual Cultures During the Carolingian Transition (Brno, 14th–15th October 2019), this Supplementum volume of Convivium collects eleven articles that look at Rome’s artistic production in the Carolingian era across historiographical, disciplinary, methodological and geopolitical borders.

Church architecture --- Architecture, Medieval --- Mural painting and decoration, Carolingian --- Mosaics, Carolingian --- Illumination of books and manuscripts, Carolingian --- Rome (Italy) --- Italy --- Church history --- History --- Art --- Christian art and symbolism --- Religious architecture --- Spiritual architecture --- Architecture --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Art, Occidental --- Art, Primitive --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Italia --- Italian Republic (1946- ) --- Italianska republika --- Italʹi︠a︡nskai︠a︡ Rėspublika --- Italie --- Italien --- Italii︠a︡ --- Italii︠a︡ Respublikasi --- Italiĭsʹka Respublika --- Itālija --- Itālijas Republika --- Italijos Respublika --- Italikē Dēmokratia --- Īṭāliyā --- Italiya Respublikasi --- It'allia --- It'allia Konghwaguk --- İtalya --- İtalya Cumhuriyeti --- Iṭalyah --- Iṭalye --- Itaria --- Itaria Kyōwakoku --- Jumhūrīyah al-Īṭālīyah --- Kgl. Italienische Regierung --- Königliche Italienische Regierung --- Laško --- Lýðveldið Ítalía --- Olasz Köztársaság --- Olaszország --- Regno d'Italia (1861-1946) --- Repubblica italiana (1946- ) --- Republiḳah ha-Iṭalḳit --- Włochy --- Yidali --- Yidali Gongheguo --- Ιταλική Δημοκρατία --- Ιταλία --- Итальянская Республика --- Италианска република --- Италия --- Италия Республикаси --- Італьянская Рэспубліка --- Італія --- Італійська Республіка --- איטאליע --- איטליה --- רפובליקה האיטלקית --- إيطاليا --- جمهورية الإيطالية --- イタリア --- イタリア共和国 --- 意大利 --- 意大利共和国 --- 이탈리아 --- 이탈리아 공화국 --- Sardinia (Italy) --- Rome (Italy : Comune) --- Rome (Italy : Governatorato) --- Rūmah (Italy) --- Roma (Italy) --- Rom (Italy) --- Rím (Italy) --- Rzym (Italy) --- Comune di Roma (Italy) --- Rome --- 945.02 --- 945.02 Geschiedenis van Italië: Frankische koningen en keizers--(774-961) --- Geschiedenis van Italië: Frankische koningen en keizers--(774-961)