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This book explores the work of Thomas Seebohm (1934-2014), a leading phenomenologist and hermeneuticist. It features papers that offer a critical and constructive dialogue about Seebohm’s analyses and their implications for the sciences. The net result is an in-depth study and a helpful overview of Seebohm’s general approach and his specific views on various areas of modern science. The contributors focus especially upon his final text, History as a Science and the System of the Sciences. They view this as the culmination and summary of his historical and phenomenological investigations into the foundations, nature, and limits of modern sciences. This includes not just history but the Geisteswissenschaften more generally, along with the social and natural sciences as well. The essays in this volume reflect that range. This volume presents insightful discussions about the nature and legitimacy of the human sciences as sciences and the unique character of the social sciences. It will be of interest not just as a matter of historical scholarship, but also and above all as an important contribution to phenomenology and to the philosophy of science and the sciences as such. It deserves attention by scholars from any philosophical tradition interested in thinking about the foundations of their disciplines and a philosophy of science that includes, but is not limited to, the natural sciences.
Philosophy --- Philosophy of nature --- Theory of knowledge --- Philosophy of science --- History of philosophy --- Pure sciences. Natural sciences --- History --- filosofie --- geschiedenis --- wetenschapsfilosofie --- kennisleer --- existentialisme --- wetenschappen
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This book explores the work of Thomas Seebohm (1934-2014), a leading phenomenologist and hermeneuticist. It features papers that offer a critical and constructive dialogue about Seebohm’s analyses and their implications for the sciences. The net result is an in-depth study and a helpful overview of Seebohm’s general approach and his specific views on various areas of modern science.The contributors focus especially upon his final text, History as a Science and the System of the Sciences. They view this as the culmination and summary of his historical and phenomenological investigations into the foundations, nature, and limits of modern sciences. This includes not just history but the Geisteswissenschaften more generally, along with the social and natural sciences as well. The essays in this volume reflect that range.This volume presents insightful discussions about the nature and legitimacy of the human sciences as sciences and the unique character of the social sciences. It will be of interest not just as a matter of historical scholarship, but also and above all as an important contribution to phenomenology and to the philosophy of science and the sciences as such. It deserves attention by scholars from any philosophical tradition interested in thinking about the foundations of their disciplines and a philosophy of science that includes, but is not limited to, the natural sciences.
Science --- Normal science --- Philosophy of science --- Philosophy. --- Phenomenology . --- Philosophy of nature. --- History—Philosophy. --- Hermeneutics. --- Science—Philosophy. --- Science—History. --- Phenomenology. --- Philosophy of Nature. --- Philosophy of History. --- Philosophical and Historical Foundations of Science. --- Philosophy, Modern --- Interpretation, Methodology of --- Criticism --- Nature --- Nature, Philosophy of --- Natural theology --- Philosophy --- Phenomenology --- Science - Philosophy --- Seebohm, Thomas M. --- History --- Philosophy of Science.
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Philosophy --- Philosophy of nature --- Theory of knowledge --- Philosophy of science --- History of philosophy --- Pure sciences. Natural sciences --- History --- filosofie --- geschiedenis --- wetenschapsfilosofie --- kennisleer --- existentialisme --- wetenschappen
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This volume examines the great varieties of artistic experience from first hand phenomenological descriptions. It features detailed and concrete analyses which provides readers with in-depth insights into each specific domain of artistic experience. Coverage includes phenomenological elucidation of the aesthetic attitude, the power of imagination, and the logic of sensibility. The essays also detail concrete phenomenological analyses of aesthetic experiences in poetry, painting, photography, drama, architecture, and urban aesthetics. The book contains essays from "Logos and Aisthesis : Phenomenology and the Arts," an international conference held at the Chinese University of Hong Kong. It brings together a team of top scholars from both the East and the West and offers readers a global perspective on this interesting topic. These innovative, yet accessible, essays, will benefit students and researchers in philosophy, aesthetics, the arts, and the humanities. They will also be of interest to specialists in phenomenology.
Aesthetics --- Phenomenology --- Continental philosophy --- Aesthetics. --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Psychology --- Phenomenology . --- Continental Philosophy. --- Phenomenology. --- Philosophy, Continental --- Philosophy, Modern --- Radio broadcasting Aesthetics
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Il volume raccoglie alcune riflessioni composte da Husserl nel 1927. Nei testi, l'autore insiste sull'importanza del "mondo-della-vita" soggettivo-relativo, utile "terreno di fondazione" anche per il mondo oggettivo delle scienze. Le teorie scientifiche conservano, infatti, un loro contenuto positivo, un riferimento oggettivo alla realtà, proprio mediante nozioni pre-scientifiche che cercano invece di naturalizzare; di fatto, quando si verifica una crisi, il ricorso a questo "mondo-della-vita" pre-scientifico, come si manifesta nelle nostre esperienze intuitive, diviene necessario. Questa visione offre un'alternativa filosofica valida alla posizione naturalistica adottata ancora oggi da molti filosofi analitici. Prefazione di Thomas Nenon.
Phenomenology --- Philosophy of nature --- Husserl, Edmund, - 1859-1938
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This volume examines the great varieties of artistic experience from first hand phenomenological descriptions. It features detailed and concrete analyses which provides readers with in-depth insights into each specific domain of artistic experience. Coverage includes phenomenological elucidation of the aesthetic attitude, the power of imagination, and the logic of sensibility. The essays also detail concrete phenomenological analyses of aesthetic experiences in poetry, painting, photography, drama, architecture, and urban aesthetics. The book contains essays from "Logos and Aisthesis: Phenomenology and the Arts," an international conference held at the Chinese University of Hong Kong. It brings together a team of top scholars from both the East and the West and offers readers a global perspective on this interesting topic. These innovative, yet accessible, essays, will benefit students and researchers in philosophy, aesthetics, the arts, and the humanities. They will also be of interest to specialists in phenomenology.
Philosophy --- Aesthetics --- esthetica --- filosofie --- existentialisme --- Europe
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