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Was ist Information? Auf diese Frage hat jede wissenschaftliche Disziplin eine andere Antwort. Den Unterschieden und Gemeinsamkeiten ging eine interdisziplinäre Kommission der Göttinger Akademie der Wissenschaften nach und präsentiert in diesem Band Sichtweisen aus Mathematik, Physik, Kognitionswissenschaften,Biologie, Informatik und Molekularbiologie.
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Was ist Information? Auf diese Frage hat jede wissenschaftliche Disziplin eine andere Antwort. Den Unterschieden und Gemeinsamkeiten ging eine interdisziplinäre Kommission der Göttinger Akademie der Wissenschaften nach und präsentiert in diesem Band Sichtweisen aus Mathematik, Physik, Kognitionswissenschaften,Biologie, Informatik und Molekularbiologie.
Physics --- Chemistry --- information --- point of view --- scientific discipline --- information --- point of view --- scientific discipline
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Was ist Information? Auf diese Frage hat jede wissenschaftliche Disziplin eine andere Antwort. Den Unterschieden und Gemeinsamkeiten ging eine interdisziplinäre Kommission der Göttinger Akademie der Wissenschaften nach und präsentiert in diesem Band Sichtweisen aus Mathematik, Physik, Kognitionswissenschaften,Biologie, Informatik und Molekularbiologie.
Physics --- Chemistry --- information --- point of view --- scientific discipline
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Sociology of the family. Sociology of sexuality --- Community organization --- Feminism --- Points of view --- Feminist currents --- Book
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Recueil de contributions issues d'un colloque organisé en 2018 à Besançon sur le récit et son objectivation. Les auteurs proposent des points de repère et des éléments de cadrage, notamment sur les ressorts du syndrome narratif ou sur l'identité dans les récits introspectifs, analysent les épisodes tragiques comme la transmission de la Shoah ou étudient l'objectivisation d'événements naturels. ©Electre 2019 Cet ouvrage, conçu dans une perspective pluridisciplinaire, se focalise sur la thématique du récit et de l'objectivation. Une vingtaine de communications, regroupées en quatre grandes parties, structurent la réflexion. Sont tout d'abord proposés des points de repère conceptuels et des éléments de cadrage et de contextualisation ayant trait au syndrome narratif et à l'introspection, aux mythes et aux imaginaires, aux témoignages et aux représentations. Dans un second temps, l'accent est mis sur l'évocation d'épisodes tragiques ou traumatiques où se côtoient drames et souffrances, charge émotionnelle et devoir de mémoire. Un troisième ensemble de textes - se référant à la déviance, aux engagements et aux médiations - prend appui sur divers champs d'investigation comme l'éducation, l'action collective, le monde du travail ou des organisations. Les dernières contributions se rattachent, quant à elles, à l'environnement, aux productions artistiques et à la culture avec, en arrière-plan, la question de la subjectivité et du conflit des interprétations, ou bien encore celle du statut de l'énonciation ou de la construction identitaire.
Communication --- Narration --- Analyse du discours narratif --- Actes de congrès --- communication --- interaction sociale --- Discourse analysis, Narrative --- Point of view (Literature) --- Narration (Rhetoric) --- Social interaction --- Discourse analysis, Narrative - Congresses --- Point of view (Literature) - Congresses
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Vraag: wat heeft Facebook-COO Sheryl Sandberg, die pleit voor meer vrouwelijke bedrijfsleiders, gemeen met de meer dan vijf miljoen dames die Spanje plat legden ‘tegen de alliantie van patriarchaat en kapitalisme’? Antwoord: zowel Sandberg als de Spaanse vrouwen bestempelen zichzelf als feministen. Die vaststelling drijft Cinzia Arruzza, Tithi Bhattacharya en Nancy Fraser, drie monumenten van de Amerikaanse vrouwenbeweging die mee de International Women’s Strike organiseerden, naar hun schrijftafel. Want: wat is er nu zo feministisch aan een multinational met een vrouw aan het roer? En: hoe komt het dat je de Sandbergs van deze wereld nooit hoort spreken over hamburgerjobs, dure gezondheidszorg en slechte huizen? Met dit manifest, bij elkaar getikt op de schouders van andere, beroemde manifestschrijvers, zetten ze de kwestie op scherp: feminisme moet zich bezighouden met de problemen van de overgrote meerderheid van de vrouwen op de wereld. Een vurig pleidooi voor een antikapitalistisch, ecosocialistisch en antiracistisch feminisme.Met een voorwoord van Sofie De Graeve en Fatma Arikoglu.
Political philosophy. Social philosophy --- Sociology of the family. Sociology of sexuality --- feminism --- feminisme --- 396 --- Community organization --- Feminism --- Points of view --- Feminist currents --- Book
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This master’s thesis proposes a method solving multi-person 3D pose estimation with a few calibrated camera views in an outdoor soccer environment. Despite of a significant enhancement in recent years due to the large progress in Deep Learning, the 3D human pose estimation in an outdoor environment still requires a lot of improvement to be considered as resolved. Variations in lighting conditions, the movement of the camera reducing the clearness of the image together with the occlusions between the players on the soccer pitch and the low resolution of them make the 3D pose estimation of the players particularly challenging. To perform accurate results, each step of the multiview 3D human pose estimator is optimized. Human detection and segmentation is improved by eliminating irrelevant detected players via projection-based methods. An efficient 2D pose detector suitable for estimating the skeleton of low resolution players is used. A multi-way matching algorithm accross multiple views is introduced. Whatever the number of players in the visible part of the pitch by the cameras, the bounding boxes of the detected players are gathered in all camera views. The 2D skeletons of a player are triangulated by pairs to form a 3D pose. A 3D pictorial structure (3DPS) is applied to select the best 3D pose combination. In the case of inaccurate 3D skeleton, a bundle adjustement is performed to refine the 3D pose. The proposed approach gives accurate results in an outdoor environment.
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In "Waar we over praten als we over verkrachting praten' doorbreekt Sohaila Abdulali de oorverdovende stilte rondom seksueel geweld. Abdulali vertelt de verhalen van overlevers en bespreekt internationaal onderzoek, ze vertrekt hierbij vanuit haar eigen ervaring. Als tiener werd Abdulali slachtoffer van een groepsverkrachting in Mumbai. Verontwaardigd over het gebrek aan aandacht voor dit thema schreef ze een artikel voor een Indiaas vrouwenblad over haar ervaring. Dertig jaar later dook dit artikel ineens op in de sociale media en ging het wereldwijd viraal. Abdulali houdt zich inmiddels al decennialang professioneel bezig met het onderwerp. Ze onderzoekt hoe we over seksueel misbruik denken, wat we erover zeggen, wat we er níét over zeggen en wat we volgende generaties willen meegeven. "Verkrachting trekt niet alleen het licht weg uit het leven van de slachtoffers, maar ook uit elk zinnig gesprek over dit thema. Ik wil weer wat licht binnenlaten,' schrijft Abdulali. Onbevreesd en bedachtzaam geeft ze de aanzet tot een gesprek dat we met elkaar moeten voeren. What we talk about when we talk about rape
verkrachting --- 343.6 --- Verkrachtingen --- Seksueel misbruik --- Seksueel geweld --- Taboes --- Sociology of the family. Sociology of sexuality --- seksueel misbruik --- Verkrachting --- Taboe --- Sexually transgressive behavior --- Points of view --- Rape --- Book --- Experiences
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"First-person poetry is a familiar genre in Latin literature. Building on the Greek poetic tradition of performed poetry, Latin poets such as Propertius, Catullus, Horace, and Ovid positioned their speakers both as participants in the poem's narrative and as narrators standing outside the poem and shaping its discourse. This book offers a model for understanding the ubiquitous use of a first-person voice in Latin poetry, taking on several of the central debates in the field of Latin literary studies-- including the inheritance of the Greek tradition, the shift from oral performance to written collections, and the status of the poetic "I-voice"--Through close readings of Catullus, Propertius, Horace, and (in the epilogue) Ovid. Moving beyond debates about how closely the textual speaker replicates the historical author, McCarthy analyzes poetic structure, showing how the poet draws the reader in by narrating scenes of address from which the reader is, paradoxically excluded, as if leaning in to listen to an overheard conversation"--
First person narrative. --- Latin poetry --- Point of view (Literature). --- Self in literature. --- History and criticism --- Theory, etc. --- Horace --- Horace. --- Catullus, Gaius Valerius --- Catullus, Gaius Valerius. --- Propertius, Sextus --- Propertius, Sextus. --- Criticism and interpretation. --- First person narrative --- Point of view (Literature) --- Self in literature --- Criticism and interpretation --- Latin poetry - History and criticism - Theory, etc. --- Horace - Criticism and interpretation --- Catullus, Gaius Valerius - Criticism and interpretation --- Propertius, Sextus - Criticism and interpretation --- poetic address, lyric, Hellenistic period, Roman period, Latin poetry.
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Second-person storytelling is a continually present and diverse technique in the history of literature that appears only once in the oeuvre of an author. Based on key narratives of the post-war period, Evgenia Iliopoulou approaches the phenomenon in an inductive way, starting out from the essentials of grammar and rhetoric, and aims to improve the general understanding of second-person narrative within literature. In its various forms and typologies, the second person amplifies and expands the limits of representation, thus remaining a narrative enigma: a small narrative gesture - with major narrative impact.
Literary studies: general --- General Literature Studies. --- Narratology. --- Theory of Literature. --- Theses --- Second Person; Narratology; Theory of Literature; Pronouns; Literature; Language; General Literature Studies; German Literature; French Literature; Literary Studies --- Second person narrative. --- Narrative, Second person --- Fiction --- Narration (Rhetoric) --- Point of view (Literature) --- Technique --- Second Person --- Narratology --- Theory of Literature --- Pronouns --- Literature --- Language --- General Literature Studies --- German Literature --- French Literature --- Literary Studies
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