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Fred Bervoets 2015-2019
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ISBN: 9789492677907 Year: 2019 Publisher: Lichtervelde Hannibal

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¿Por qué el Greco pintó así? II: la pintura del maestro cretense rompió con los postulados estéticos imperantes
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Year: 2019

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¿Por qué el Greco pintó así? Demencia, astigmatismo, impulso mistico...
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Year: 2019

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The Gouda windows revisited : an unexecuted design by Wouter Crabeth
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Year: 2019

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Una pinacoteca en un libro : una aproximación a la pintura holandesa y flamenca a través de la edición de las Metamorfosis de F. Foppens (Bruselas, 1677)
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Year: 2019 Publisher: Zaragoza Prensas de la Universidad de Zaragoza

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Dutch painting in the seventeenth century.
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ISBN: 9780367094928 0367094924 9780064302197 Year: 2019 Publisher: Abingdon Routledge

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This new edition of an established survey of the Golden Age of Dutch painting has been revised, corrected, and updated in the text, notes, and bibliography as a result of new scholarship. The author has written a new preface to this edition. Rembrandt, Vermeer, Hals, Ruisdael, Cuyp, de Witte, van Goyen, van de Velde, Hobbema, Fabritius, de Hooch, and Saenrendam are some of the painters included and discussed.


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Pieter Bruegel d.Ä. "Der Sturz der Blinden" 1568. Gedeutet nach der rituellen verborgenen Geometrie. Hieroglyphen in der verborgenen Geometrie. Cot Li us ea oc bal Li stico na Min.
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ISBN: 9783752853728 Year: 2019 Publisher: Norderstedt Books on Demand

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Luc Dondeyne : third eye
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ISBN: 9789463931144 Year: 2019 Publisher: Ghent Mechelen Borgerhoff & Lamberigts MER Galerie Transit

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Through his work, Luc Dondeyne offers us his view of the world. He gives us the opportunity to look together with him by showing us sometimes literally that he looks at the world through a lens. This looking together results in special and unusual compositions, such as portraits without face or with the face turned away, as well as people who are portrayed from the back. The spectator thus becomes part of the triangular relationship Dondeyne deliberately involves himself and ourselves in: the triangle between the artist as viewer, spectator and maker. Those looking at the works are in the middle of this triangle, and consequently they become part of the artist’s gaze and therefore also of the work. The intuition, imagination and inner wisdom with which the third eye or the sixth chakra fills us, may also open the gate to the collective memory, on which not only Dondeyne relies but also the spectator who looks at the artist’s works. Frequently, Dondeyne refers in his titles and images consciously or subconsciously to the history of art and culture. He invites us to open our own third eye and to join him to tap into his huge source of knowledge and associations that allows him to connect that which he sees through the third eye with that which he depicts thereof on the canvas or on paper, and with the spectator who contemplates the final result.


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[Boekbespr.] "Paolo Veronese and the practice of painting in late renaissance Venice", Diana Gisolfi
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Year: 2019

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Tricky, fine and trapped : painting the Femme Forte in early seventeenth-century France
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Year: 2019

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