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In 1964 Lucian Freud set his students at the Norwich College of Art an assignment: to paint naked self-portraits and to make them revealing, telling, believable ... really shameless. It was advice that the artist was often to follow himself. Visceral, unflinching and often nude, Freud's self-portraits chart his biography and give us an insight into the development of his style. These paintings provide the viewer with a constant reminder of the artist's overwhelming presence, whether he is confronting the viewer directly or only present as a shadow or in a reflection. Freud's exploration of the self-portrait is unexpected and wide-ranging. In this volume, essays by leading authorities, including those who knew him, explore Freud's life and work, and analyze the importance of self-portraiture in his practice. Exhibition: Royal Academy of Arts, London, UK (27.10.2019-26.01.2020) / Museum of Fine Arts, Boston, USA (22.02.-25.05.2020).

self-portraits --- painters [artists] --- Freud, Lucian

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Painting --- figures [representations] --- Hollandse school --- painters [artists] --- Maes, Nicolaes

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Painting, American --- Exhibitions. --- Sillman, Amy --- Criticism and interpretation. --- Painting --- Contemporary [style of art] --- painters [artists]

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Baldung Grien, Hans --- graphic artists --- draftsmen [people in engineering] --- painters [artists] --- Aesthetics of art --- Drawing --- Graphic arts --- drawings [visual works] --- prints [visual works] --- art criticism --- Dürer, Albrecht --- Grünewald, Matthias --- 16de eeuw --- Baldung Grien, Hans. --- Dürer, Albrecht. --- Grünewald, Matthias. --- 16de eeuw.

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This monograph accompanies the first European retrospective of the work of Lee Krasner (1908-1984). One of the original abstract expressionists, Krasner's importance has for too long been eclipsed by her marriage to Jackson Pollock. In fact, his death in 1956 marked her renaissance as an artist. Over the course of more than five decades, Krasner continually scrutinized and reinvented her practice, giving her work formidable energy and impact. Her accomplishments began to be recognized toward the end of her life and in 1984 she became one of the few women artists to be given a solo exhibition at MoMA. As Krasner quipped about her belated recognition: "I was a woman, Jewish, a widow, a damn good painter, thank you, and a little too independent". This volume features an outstanding selection of her most important paintings, collages and drawings, contextualized by photography from the post-war period, an illustrated chronology, and includes an unpublished interview with her biographer Gail Levin. Tracing her evolution as an artist - from her earliest self-portraits to the acclaimed 'little image' series, from her 1950s collages to epic painterly canvases - this book offers a vivid impression of one of the most tenacious women artists of the 20th century, whose work and life feels more relevant than ever today.

Painting, American --- 75.07 --- Schilderkunst ; 20ste eeuw ; Abstract Expressionisme --- Schilderkunst ; schilders --- Krasner, Lee, --- Krasner, Lenore, --- Pollock, Lee Krasner, --- Criticism and interpretation. --- Exhibitions --- Schilderkunst ; 20ste eeuw ; Lee Krasner --- Kunstenaarskoppels ; Lee Krasner en Jackson Pollock --- Krasner, Lee (Lena) 1908-1984 (°Brooklyn, New York, Verenigde Staten) --- painters [artists] --- Krasner, Lee --- Painting --- collages [visual works] --- easel paintings [paintings by form] --- Abstract Expressionist --- kunst --- collages --- tekenkunst --- 75.071 KRASNER --- Krasner Lee --- twintigste eeuw --- Verenigde Staten --- gender studies --- feminisme --- abstract expressionisme --- schilderkunst --- vrouwelijke kunstenaar --- Krasner, Lee.