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MAD-faculty 19 --- hedendaagse kunst --- hedendaagse kunstenaars

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An artist of international renown based in Belgium, Koen Vanmechelen has centered his work on the relation between nature and culture throughout the course of an almost forty-year-long journey. Acclaimed for his exploration of the intersections between art and science, the artist tries, through his projects, to understand and pose questions on the great challenges of the 21st century.
Presented here are more than sixty-five pieces – which were all realized between 1982 and 2019 – intended to highlight the more strictly plastic aspects of this artist’s body of work, with particular regard to his neo-baroque disposition. Vanmechelen’s imagination is nurtured by iconographic repetitions and semantic accumulations, on metaphors and metamorphoses, on theatrics and allegories, all in order to create a protean visual universe of powerful emotional impact, all trodden in its extension by the very energy of life as much as by the exuberance of the creative gesture.

Vanmechelen, Koen --- Art --- MAD-faculty 20 --- hedendaagse kunstenaars

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Exactly 100 years ago, the first women were allowed to participate in regular art courses at the Berliner Kunstakademie. While such a late date is no cause for celebration, it nonetheless offers the opportunity to consider the works of these women painters and sculptors, who triumphed against adversity to break into the art world and succeeded in having their works included in the Nationalgalerie's collection. Among them are Sabine Lepsius's self-conscious self-portrait, Maria Slavona's impressionistic view of the houses of Montmartre, and Caroline Bardua's spectacular paintings. Even more than the painters, the sculptors encountered opposition to their artistic activities. The powerful works of the German-American sculptor Elisabeth Ney and the Berlin artists Käthe Kollwitz and Renée Sintenis gave the lie to such prejudices. Alongside these well-known names, the exhibition also invites visitors to discover lesser known figures, some of whom are being shown in the Alte Nationalgalerie for the first time. Exhibition: Alte Nationalgalerie Berlin, Germany (11.10.2019 - 08.03.2020).

Women artists --- Women artists. --- Nationalgalerie (Berlijn) --- vrouwelijke kunstenaars --- 19de eeuw --- 20ste eeuw --- vrouwelijke kunstenaars. --- Nationalgalerie (Berlijn). --- 19de eeuw. --- 20ste eeuw.

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7.07 --- 778.5.07 --- Arunanondchai, Korakrit °1986 (°Bangkok, Thailand) --- Multimedia --- Beeld en woord ; beeld en tekst --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Videokunstenaars, laserkunstenaars, computerkunstenaars, klank en beeld kunstenaars --- Exhibitions --- Arunanondchai, Korakrit

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'Labyrinth' takes us on a walk through the spaces constructed within the pages of the book and visualises a world in which the exit can't be found. With the morphology of the house (windows, doors, steps and curtains) and the theatre (curtains, stage, perspective), a world is evoked in which nothing can serve as a point of reference. The experience is similar to surfing on the internet, scrolling through instagram, unfolding the gallery map of Art Brussels or shopping in a French supermarket. Christophe Van Gerrewey has written a text that actually creates an imbroglio. All images in the book are woodcuts and printed in letterpress on a Heidelberg KS.

Demoen, Nikolaas --- Art --- woodcuts [prints] --- art [fine art] --- houtsneden --- kunst --- 76.071 DEMOEN --- grafiek --- houtsnede --- Demoen Nikolaas --- eenentwintigste eeuw --- kunstenaarsboeken --- artists' books --- 7.071 DEMOEN --- 76.07 --- 7.07 --- Demoen, Nikolaas °1965 (°Gent, België) --- Belgische kunstenaars --- Kunstenaarsboeken --- Grafiek ; houtsneden --- Grafische kunst ; grafische kunstenaars A-Z --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Exhibitions --- Art, Belgian --- Wood-engraving, Belgian. --- Demoen, Nikolaas,