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public relations --- kunst en politiek --- Maximilian I [Holy Roman emperor]
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A modern classic cherished by many of the greatest artists of our time, The Gift is a brilliant, life-changing defense of the value of creative labor. Drawing on examples from folklore and literature, history and tribal customs, economics and modern copyright law, Lewis Hyde demonstrates how our society--governed by the marketplace--is poorly equipped to determine the worth of artists' work. He shows us that another way is possible: the alternative economy of the gift, which allows creations and ideas to circulate freely, rather than hoarding them as commodities. Illuminating and transformative, The Gift is a triumph of originality and insight--an essential book for anyone who has ever given or received a work of art.
Philosophy and psychology of culture --- kunst en politiek --- social criticism
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Painting --- art history --- easel paintings [paintings by form] --- Bruegel, Pieter [Elder] --- kunsthistorisch onderzoek --- kunst en politiek
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History of Italy --- kunst en politiek --- Vasari, Giorgio --- Medici, de [Family] --- Buonarroti, Michelangelo --- Machiavelli, Niccolò --- Florence
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Museology --- Politics --- Art --- museology --- art museums [institutions] --- kunst en politiek --- anno 1900-1909 --- Germany --- France
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Politics --- Art --- salons [rooms for entertaining] --- exhibitions [events] --- propaganda --- kunst en politiek --- Napoleon I Bonaparte [Emperor of the French] --- Paris
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Art --- World history --- cultural diffusion --- kunst en politiek --- vorstenportret --- Gheeraerts, Marcus II --- Elizabeth I [Queen of England] --- England --- China
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Culture was integral to the smooth running of the Third Reich. In the years preceding WWII, a wide variety of artistic forms were used to instill a Nazi ideology in the German people and to manipulate the public perception of Hitler’s enemies. During the war, the arts were closely tied to the propaganda machine that promoted the cause of Germany’s military campaigns. Michael H. Kater’s engaging and deeply researched account of artistic culture within Nazi Germany considers how the German arts-and-letters scene was transformed when the Nazis came to power. With a broad purview that ranges widely across music, literature, film, theater, the press, and visual arts, Kater details the struggle between creative autonomy and political control as he looks at what became of German artists and their work both during and subsequent to Nazi rule
Arts and society --- Arts, German --- National socialism and art --- History --- Political systems --- History of civilization --- National Socialism --- anno 1930-1939 --- anno 1940-1949 --- Germany --- cultuurgeschiedenis --- kunst en politiek
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Abbott, Paul ; The Estate of Reza Abdoh ; Azimi, Negar ; Beadnell, Anneliis ; Birch, Jesse ; Gordon, Melissa ; Holder, Simon ; Hollenstein, Marc ; Irvine, Nick ; Lahr, Christin ; Magner, Linnet ; Malakooti, Tif-fany ; Olsoff, Wendy ; Slater, Marnie ; Soch, Adam ; Turgeon, Alex ; Zakaitis, Jonas Kristeva, Julia ; Gladman, Renee ; Lozano, Lee ; Fontaine, Claire ; Slater, Marnie ; Lorde, Audre ; Pisano, Falke ; Abdoh, Reza
kunst --- kunsttheorie --- eenentwintigste eeuw --- 7.039 --- Wagner Frank --- Abdoh Reza --- Wojnarowicz David --- homoseksualiteit --- AIDS --- erotiek --- seksualiteit --- kunst en politiek --- 7.01 --- kunst en literatuur --- literatuur
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Authority in art --- Sculpture, Renaissance --- Sculpture, Baroque --- Political aspects. --- Sculpture --- Art et politique. --- Politics --- sculpture [visual works] --- anno 1500-1799 --- anno 1400-1499 --- Europe --- kunst en politiek
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