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Art --- letters [correspondence] --- drawings [visual works] --- installations [visual works] --- museology --- artists' books [books] --- exhibiting --- art criticism --- texts [documents] --- philosophy of art --- Szeemann, Harald
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In this book, Dan Adler addresses recent tendencies in contemporary art toward assemblage sculpture and how these works incorporate tainted materials - often things left on the side of the road - and combine them in ways that allow each element to retain a degree of empirical specificity. Adler develops a range of aesthetic models through which these practices can be understood to function critically. Each chapter focuses on a single exhibition: Isa Genzken's "Oil" (German Pavilion, Venice Biennale, 2007), Geoffrey Farmer's midcareer survey (Musee d'art contemporain, Montreal, 2008), Rachel Harrison's "Consider the Lobster" (CCS Bard Hessel Museum of Art, 2009), and Liz Magor's "The Mouth; and Other Storage Facilities" (Henry Art Gallery, Seattle, 2008).
Assemblage (Art). --- Refuse as art material. --- Sculpture --- sculpture [visual works] --- assemblages [sculpture] --- capitalism --- refuse --- philosophy of art --- Farmer, Geoffrey --- Magor, Liz --- Genzken, Isa --- Harrison, Rachel --- exhibiting --- art theory --- found object sculpture
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Art collectors and collections make up an important part of the contemporary arts and crafts infrastructure. Not only do museums and art collectors improve an artist's financial situation by buying their work; just as important is the symbolic meaning of the collection. To be included in the 'right' collection or museum can give the artist a high level of recognition; at the same time the purchase secures the work a place in a system whose aim is to preserve the work for the future. Collecting is a selection process which has economic, social, political and art historical implications and consequences for the artist, the art scene and the public. In 'On Collecting' the authors look at collecting from public, private and personal perspectives to shed light on some of the structures that are responsible for how artworks become 'collectable' and thus available to the public in museums and public spaces.
7.01 --- Kunst ; theorie, filosofie, esthetica --- Applied arts. Arts and crafts --- crafts [art genres] --- materialen (kunst) --- exhibitions [events] --- collecting --- verzamelen --- MAD-faculty 18 --- kunstnijverheid --- kunstkritiek --- materialen --- hedendaagse kunst --- Art --- Art museums. --- Musées d'art --- Collectors and collecting. --- Collectionneurs et collections --- Museology --- museums [buildings] --- exhibiting --- tentoonstellingen --- musea
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