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Art criticism --- History
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In recent decades, art historians and critics have occasionally emphasized a dynamic, embodied mode of looking, accenting the role of the viewer and the complex interplay between beholders and works of art. In The Place of the Viewer , Kerr Houston shows that an attention to the position and physical experiences of beholders has in fact long informed art historical analyses – and that close study of the theme can lead to a fuller understanding of the discipline, the act of viewership and individual works of art. Simultaneously attentive to historical ideas and contemporary scholarship, this book identifies a vein of thought that has been generally overlooked, and proposes new ways of seeing familiar works and traditions.
Art --- Art criticism --- Psychology. --- History. --- Art - Psychology. --- Art criticism - History.
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Many consider Barry Schwabsky to be the critic on painting today, even if he does write copiously on other art forms, write editors Rob Colvin and Sherman Sam in their foreword to this selection of Schwabsky's writings. Written since the turn of the millennium, the texts in 'The Oberver Effect' include meditations on the broader context of painting today alongside reflections on such well-known American painters as Alex Katz, Kerry James Marshall, Nicole Eisenman, and Dana Schutz, as well as practitioners from Europe and beyond, Bernard Frize, Tal R, and Ha Chonghyun among them. As Colvin and Sam point out, the book documents a dialogue between abstraction and the image in which images serve less to represent their described subject than to articulate the sort of painting each one desires to be.
Art criticism. --- Art criticism. --- Painting, Modern --- Painting, Modern. --- 2000-2099.
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Art criticism. --- Art, Modern --- Aesthetics.
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Art criticism. --- Art, Modern --- Aesthetics.
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Aesthetics of art --- art criticism --- Greco, el
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Cubism --- Art appreciation --- Art criticism --- History
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