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Excavations (Archaeology) --- Cults --- Temples --- Apollo --- Cult --- Sanctuary of Apollo Hylates (Kourion) --- Cyprus --- Kourion (Extinct city) --- Antiquities, Roman.

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Imaginée par les écrivains et réalisée par les plus grandes nations, la conquête de l'espace a toujours fait rêver. À l'occasion du cinquantenaire des premiers pas sur la Lune, Jean-François Clervoy, astronaute, et Frank Lehot, médecin et instructeur des vols en apesanteur, racontent ici l'histoire extraordinaire des hommes et des femmes dans l'espace, ponctuée d'anecdotes originales et de témoignages inédits sur le quotidien des astronautes. Tourisme spatial, station lunaire, voyage vers Mars et les étoiles, l'aventure ne fait que commencer !

Space race --- Astronautics --- Space flight --- Conquête de l'espace. --- Astronautique --- Projet Apollo --- Vol spatial. --- History. --- History --- Histoire. --- Project Apollo (U.S.) --- Conquête de l'espace --- Space sciences --- Sciences spatiales --- Histoire --- Conquête de l'espace.

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"MOONBIT is a hybrid work comprised of experimental poetry and a critical theory of the poetics and politics of computer code. It offers an extended intellectual and creative engagement with the affordances of computer software through multiple readings and re-writings of a singular text, the source code of the Apollo 11 Guidance Computer or the "AGC." MOONBIT re-marks and remixes the code that made space travel possible. Half of this book is erasure poetry that uses the AGC code as the source text, building on the premise that code can speak beyond its functional purpose. When we think about the 1960s U.S. space program and obscure scientific computer code, we might not first think about the Watts riots, Shakespeare, Winnie the Pooh, T.S. Eliot, or scatological jokes. Yet these cultural references and influences along with many more are scattered throughout the body of the code that powered the compact digital computer that successfully guided astronauts to the Moon and back and in July of 1969. MOONBIT unravels and rewrites the many embedded cultural references that were braided together within the language resources of mid-century computer code. MOONBIT also provides a gentle, non-expert introduction to the text of the AGC code, to digital poetics, and to critical code studies. Outlining a capacious interpretive practice, MOONBIT takes up all manner of imaginative decodings and recodings of this code. It introduces some of the major existing approaches to the study of code and culture while provide multiple readings of the source code along with an explanation and theorization of the way in which the code works, as both a computational and a cultural text"--

Poetry --- Source code (Computer science). --- Social aspects. --- Source programs (Computer science) --- Computer programs --- Poetry by individual poets --- Astronautics --- Apollo Mission --- digital poetics --- computer code --- experimental poetry --- cultural theory --- digital humanities --- technology

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La 4e de couverture indique : "Chantier de l'Institut français d'archéologie orientale depuis 1901, le complexe monastique de Baouît a livré parmi les plus riches exemples de l'art et de l'architecture coptes, notamment retranscrits en 1911 dans le MIFAO 13, Fouilles à Baouît I. La suite de cet ouvrage n'a jamais paru. Le lot d'archives ici présenté comporte néanmoins une courte introduction d'Émile Chassinat (1868-1948) et la plupart des planches qu'il avait déjà maquettées. Il témoigne de la volonté de l'auteur de livrer au monde savant la totalité de son travail à Baouît. Publier cette suite après plus d'un siècle dans la collection des MIFAO est un hommage rendu au travail d'Émile Chassinat. Nous y croisons le savant, le directeur de l'Ifao, l'archéologue chef du chantier, l'épigraphiste, le photographe et l'imprimeur, entre autres qualités de cet auteur rigoureux. Le volume enfin terminé sort au moment où les fouilles reprises par le musée du Louvre et l'Ifao ont exploré le secteur des églises. Il préfigure une monographie sur l'église dite nord et l'étude de la grande église D, dont la fouille se poursuit à ce jour. " La 4e de couverture indique : "The monastic complex of Bawit began to be excavated by the French Institute for Oriental Archaeology (IFAO) in 1901, and has produced some of the finest examples of Coptic art and architecture. These were documented in 1911 in MIFAO 13, Fouilles à Baouît I. The sequel to this work was never published. However, the set of archival materials presented here includes a short introduction by Émile Chassinat (1868-1948), along with most of the plates that he had already laid out in preparation for the proofs of the volume. It proves that Chassinat had hoped to present the scholarly world with the entirety of his work at Bawit. By publishing this sequel in the MIFAO series, more than a century later, we pay tribute to Émile Chassinat's work. Here we encounter the scholar, the director of the IFAO, the archaeologist in charge of the excavations, the epigrapher, the photographer, and even the printer, among the other talents of this meticulous author. This volume, finally completed, is being published just as the excavations recently resumed by the Musée du Louvre and the IFAO have explored the area where the churches are situated. It will be followed by a monograph on the so-called north church and a study of the large church D, where excavations are still ongoing."

Kloster Bawiti --- Kloster Bawiti. --- Monastère Apa Apollo (Bāwit, Égypte) --- Monastères coptes / Égypte / Kom Baouit (Égypte ; site archéologique) / Antiquité --- Fouilles archéologiques / Égypte / Kom Baouit (Égypte ; site archéologique) --- Peinture et décoration murales coptes / Égypte / Kom Baouit (Égypte ; site archéologique) / Antiquité --- Inscriptions coptes / Égypte / Kom Baouit (Égypte ; site archéologique) / Antiquité

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The vibrant intellectual, social and political climate of mid eighteenth-century Europe presented opportunities and challenges for artists and musicians alike. This book focuses on Mozart the man and musician as he responds to different aspects of that world. It reveals his views on music, aesthetics and other matters; on places in Austria and across Europe that shaped his life; on career contexts and environments, including patronage, activities as an impresario, publishing, theatrical culture and financial matters; on engagement with performers and performance, focusing on Mozart's experiences as a practicing musician; and on reception and legacy from his own time through to the present day. Probing diverse Mozartian contexts in a variety of ways, the contributors reflect the vitality of existing scholarship and point towards areas primed for further study. This volume is essential reading for students and scholars of late eighteenth-century music and for Mozart aficionados and music lovers in general.

Composers --- Mozart, Wolfgang Amadeus, --- Mozart, Wolfgang Amadeus --- Mozart, Johannes Chrysostomus Wolfgangus Theophilus --- Mot︠s︡art, Volʹfgang Amadeĭ, --- Mōtsaruto, --- Mot︠s︡art, Iogann-Krizost Volʹfgang Gotlib, --- Mozart, Johann Chrysostom Wolfgang Amadeus, --- Mozart, W. A. --- Mozart, Wolfgango Amadeo, --- Mot︠s︡art, V. A. --- Mocartas, V. A., --- Motsart, Volphnkank Amedaios, --- Mot︠s︡art, Volfang Amadeus, --- Mozzart, Apollo, --- Mozart, Joannes Chrysostomus Wolfgangus Amadeus, --- Mozart, Johannes Chrisostomus Wolfgangus Theophilus, --- Mozhate, --- Моцарт, Вольфганг Амадей, --- מוצרט, --- מוצרט, וולפגנג אמדאוס, --- 莫札特, --- Mozart, Wolfgang Amadeusz, --- Mozart, W.A. --- Mot︠s︡art, Volʹfgang Amadeĭ --- Mot︠s︡art, Iogann-Krizost Volʹfgang Gotlib --- Mozart, Johann Chrysostom Wolfgang Amadeus --- Mozart, Wolfgango Amadeo --- Mocartas, V. A. --- Motsart, Volphnkank Amedaios --- Mot︠s︡art, Volfang Amadeus --- Mozzart, Apollo --- Mozart, Joannes Chrysostomus Wolfgangus Amadeus --- Mozart, Johannes Chrisostomus Wolfgangus Theophilus --- Mozhate --- Моцарт, Вольфганг Амадей --- Mozart, Wolfgang Amadeusz