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A smart, sensual and witty novel about what happens when love and intellect meet on a collision course. This plot affirms Dionne Brand's place as one of Canada's most dazzling and influential artists. Theory begins as its narrator sets out, like many graduate students, to write a wildly ambitious thesis on art, culture, race, gender, class, and politics--a revolutionary work that its author believes will transform the world. While our narrator tries to accomplish this feat, three lovers enter the story, one after the other, each transforming the endeavour: first, there is beautiful and sensual Selah, who scoffs at the narrator's constant tinkering with academic abstractions; then altruistic and passionate Yara, who rescues every lost soul who crosses her path; and finally, spiritual occultist Odalys, who values magic and superstition over the heady intellectual and cultural circles the narrator aspires to inhabit. Each galvanizing love affair (representing, in turn, the heart, the head and the spirit) upends and reorients the narrator's life and, inevitably, requires an overhaul of the ever larger and more unwieldy dissertation, with results both humorous and poignant. By effortlessly telling this short, intense tale in the voice of an unnamed narrator, Dionne Brand makes a bold statement not only about love and personhood, but about race and gender--and what can and cannot be articulated in prose when the forces that inhabit the space between words are greater than words themselves. A gorgeous, profoundly moving, word- and note-perfect blend of ideas that only a great artist at the height of her powers could write.
Interpersonal relations --- African American women --- Women
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African American women --- Afro-American women --- Women, African American --- Women, Negro --- Women --- History. --- Civil rights.
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Originally published in 1999, Sounds Like Home adds an important dimension to the canon of deaf literature by presenting the perspective of an African American deaf woman who attended a segregated deaf school. Mary Herring Wright documents her life from the mid-1920s to the early 1940s, offering a rich account of her home life in rural North Carolina and her education at the North Carolina School for the Deaf and Blind, which had a separate campus for African American students. This 20th anniversary edition of Wright's story includes a new introduction by scholars Joseph Hill and Carolyn McCaskill, who note that the historical documents and photographs of segregated Black deaf schools have mostly been lost. Sounds Like Home serves "as a permanent witness to the lives of Black Deaf people."
African American women --- Deaf women --- Biography. --- Wright, Mary Herring,
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This book examines how black women have identified challenges in major social institutions across history and demonstrated adaptive leadership in mobilizing people to tackle those challenges facing black communities. Most studies about black women and social justice issues focus on the responses of black women to racism within the context of the feminist movement and/or the responses of black women to sexism in black liberation movements. Such discussions often fail to explore the ways in which black women's commitment to negotiating their racial, gender, and class identities, while engaged in the practice of leadership, is discouraged and ignored. Black Women as Leaders analyzes the commitment of contemporary black women to social justice issues from the perspective of adaptive leadership. It shows how black women are often forced into the public practice of leadership due to violent attacks from people with whom they are in engaged in interpersonal relationships. The book also breaks new ground by revealing how black women suffer from the devaluation and vilification of their engagement in the practice of leadership in private settings, such as their homes and selected religious and institutional settings.
Gender studies: women --- Leadership. --- African American women in the professions.
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Women--Vocational guidance.. --- African American women.. --- Women executives. --- Women --- African American women. --- Career development. --- Success in business. --- Vocational guidance.
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"Black women's experiences functioning as mothers, teachers and leaders are confounding and complex. Queen Mothers from Ghanaian tradition are revered as the leaders of their matrilineal families and the teachers of the high chiefs (Müller, 2013; Stoeltje, 1997). Conversely, the influence of the British Queen Mother on Black women in the Americas translates as a powerless title of (dis)courtesy. Characterized as a deviant figure by colonialists, the Black Queen Mother's role as disruptive agent was created by White domination of Black life (Masenya, 2014) and this branding persists among contemporary perceptions of Black women who function as the mother, teacher, or leader figure in various spaces. Nevertheless, Black women as cultural anomalies were suitable to mother others for centuries in their roles as chattel and domestic servants in the United States. Dill (2014), Lawson (2000), Lewis (1977) and Rodriguez (2016) provide explorations of the devaluation of Black women in roles of power with these effects wide-ranging from economic and family security, professional and business development, healthcare maintenance, political representation, spiritual enlightenment and educational achievement. This text will interrogate contexts where Black women may function as Queen Mothers and contest the trivialization of their manifold contributions. Questions explored are: 1) How are Black women positioned to mother, teach and lead others in personal and professional spaces? 2) What are the experiences of Black women mothering, teaching and leading their own children, families, and communities? 3) How has spirituality influenced the leadership styles of Black women and mothers and teachers?"--
African American mothers. --- African American women. --- Women, Black. --- Black women --- Women, Negro --- Afro-American women --- Women, African American --- Women --- Afro-American mothers --- Mothers, African American --- Mothers
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Black women in the United States and across the African diaspora have historically linked national concerns to global ones. This interdisciplinary collection explores the varied ways black women have engaged in internationalism since the late nineteenth century through political agitation, consumption activities and activities and economic pursuits, leisure and religious practices, as well as performance and artistic expression. The essays in this collection employ diverse and innovative methodological approaches and explore new sites of internationalism, including Australia, Germany, and Spain. By highlighting the range and complexity of black women's ideas and activities across time and space, this volume expands the contours of black internationalism in the United States and across the globe.
African American women --- African American women political activists --- Internationalism --- Intellectual cooperation --- International cooperation --- Cosmopolitanism --- International education --- Nationalism --- Afro-American women political activists --- Women political activists, African American --- Women political activists --- Afro-American women --- Women, African American --- Women, Negro --- Women --- Politics and government --- History --- Political philosophy. Social philosophy --- Sociology of the family. Sociology of sexuality --- anno 1800-1999 --- International --- Migration --- Black feminism --- Book
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La source de l'amour-propre" réunit une quarantaine de textes écrits par Toni Morrison au cours des dernières décennies, où se donne à lire, dans toute son évidence, sa généreuse intelligence. Elle s'implique, débat, ou analyse des thèmes aussi variés que le rôle de l'artiste dans la société, la question de l'imagination en littérature, la présence des Afro-Américains dans la culture américaine ou encore les pouvoirs du langage. On retrouve dans ces essais ce qui fait également la puissance de ses romans : l'examen des dynamiques raciales et sociales, sa grande empathie, et son pragmatisme politique. La Source de l'amour-propre est à la fois une porte d'entrée dans l'œuvre de Toni Morrison et une somme où se donne à lire l'acuité combative de son autrice. C'est aussi, dans un style dont la vigueur ne cesse de nous éblouir, un puissant appel à l'action, au rêve, à l'espoir.
American essays --- African American women in literature --- Racism in literature --- African Americans in literature --- Essays
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