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Presents five centuries of female creativity presented in more than 400 artworks from more than 50 countries, with each artist represented by a key artwork and short text. This fully illustrated book of women artists reflects an era where art made by women is more prominent than ever. In museums, galleries, and the art market, previously overlooked female artists, past and present, are now gaining recognition and value. This volume reveals a parallel yet equally engaging history of art for an age that champions a greater diversity of voices. --Adapted from publisher description.

Women artists --- History

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This is the sixth volume in Karma's 11-volume facsimile printing of Lee Lozano's 'Private Book (1930-99)' project. Eleven of these private books survive, containing notes on Lozano's work, detailed interactions with artist friends and commentary on the alienations of gender politics, as well as philosophical queries into art's role in society and humorous asides from daily life.

Lozano, Lee, --- Artists --- Women artists

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Women artists --- War artists --- Artists --- Butler, Elizabeth

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"A collection of essays addressing the artistic practices of women who were involved in a wide range of decorative work as part of their ongoing interest in craft production, fashion and interior design ... Given the repression of decorative work within modernism, the book consider how notions of the decorative have functioned as a repressed and feminised other in turn of the century avant garde discourse"--Dustjacket.

Women artists --- Decorative arts --- Decorative arts. --- Women artists. --- History --- 1800-1999.

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En 1971, Linda Nochlin s'interrogeait sur la visibilité des femmes dans le monde de l'art. À travers ce travail de recherches effectué lors de mon doctorat, il est question de reprendre ce questionnement fondateur afin d'analyser les diverses étapes que la femme a dû traverser du XIXe siècle jusqu'à nos jours. De par un discours centré essentiellement sur Camille Claudel et Louise Bourgeois, d'autres artistes femmes vont être sollicitées afin de comparer leurs parcours. Ceci pour comprendre la démarche artistique de ces femmes dont l'intimité surgit au travers de leurs œuvres. L'intime, sous diverses formes et médiums proposés, est le moteur de leurs créations. A cela, vient s'ajouter la possible interrogation sur l'existence d'un «art féminin» ou d'un art des femmes dont le noyau central serait l'éclosion de cet intime qu'elles font partager au public. L'analyse des œuvres et leur réception par le public seront des éléments clés de ce discours. La redécouverte et la reconnaissance dite tardive de Camille Claudel et Louise Bourgeois dans les années quatre-vingt est l'un des éléments importants étudiés dans ce travail. Ces deux artistes, sculptrices, sont liées par le temps – 1982 – et par la vie dont le passé est la source majeure de leurs œuvres.

Women artists --- Women artists --- Feminism in art --- Attitudes. --- Public opinion. --- Claudel, Camille, --- Bourgeois, Louise,