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Virgil Abloh's story is both quintessentially and subversively American. Born to Ghanaian parents in Rockford, Illinois, he launched his career as a member of Kanye West's creative team in 2002. Ever since, his diverse professional and artistic endeavors have spanned work at Fendi, art directing musical albums, launching a sports-inspired fashion label, developing a multi-platform brand, starting a furniture collection, launching a collaborative exhibition with Takashi Murakami, publishing a song, and forming a partnership with Nike. Most recently he was named artistic director at Louis Vuitton and performed at Lollapalooza. This multi-faceted and vibrant book accompanies the first retrospective of his work, which is being presented in his hometown of Chicago in 2019. Images of his creations in the world of fashion, furniture, graphic arts, architecture, and collaborations with other artists are accompanied by essays that view his work through the lens of the African diaspora and explore his remarkable fluidity between high and low culture. At the core of this book is Abloh's deep interest in empowering young people, an optimistic stance that reflects his generous energy and willingness to turn the status quo on its head.
Fashion --- Abloh, Virgil, --- Abloh, Virgil
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Virgil --- anno 1500-1599
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The Eclogues, Georgics, and Aeneid abound with plants, yet much Vergilian criticism underestimates their significance beyond attractive background detail or the occasional symbolic set-piece. This volume joins the growing field of nature-centred studies of literature, looking head-on at Vergil's plants and trees to reveal how fundamental they are to an understanding of the poet's outlook on religion, culture, and mankind's place within the world. 0Divided into two parts, the first explores the religious and more diffusely numinous aspects of Vergil's plants, from awe-inspiring sacred groves to divinely promoted fields of corn, and shows how both cultivated and uncultivated plants fit within and help to shape the complex landscape of Vergilian (and, more broadly, Roman) religious thought. In the second half of the book, the focus shifts towards human interactions with plants from the perspectives of both cultivation and relaxation, exploring the love-hate relationship with vegetation which sometimes supports and sometimes contests the human self-image as the world's dominant species. Combining a series of close readings of a wide range of passages with the identification of broader patterns of association, Vergil's Green Thoughts appositely reveals and celebrates the complexity and variety of Vergilian flora.
Plants in literature. --- Virgil --- Criticism and interpretation.
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The poet Virgil remains the most significant and influential figure in Latin literature, and this expanded and updated Companion covers his life, work, and reception from antiquity to the present. The Aeneid, the Eclogues, the Georgics, and the Appendix Vergiliana are all discussed, as are art, history, politics, and philosophy; Virgil's literary style is carefully explored along with poetic traditions before and since, and chapters engage with his poems and their reception from perspectives including intertextuality, narratology, gender theory, philology and historicism. Leading authors cover topics from translations and commentaries to genre, authority, and characterisation, providing revised and updated recommendations for further reading. This volume is an accessible introduction to Virgil and his legacy for students and teachers, while also providing wide-ranging and in-depth investigations that will appeal to scholars of classical literature and other disciplines.
Virgil --- Criticism and interpretation. --- Virgili Maró, Publi,
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Agriculture --- Poetry --- Virgil --- Translations into French --- Agriculture - Poetry - Early works to 1800 --- Virgil - Translations into French
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Epic poetry, Latin --- History and criticism --- Virgil. --- Virgil. --- Aeneas --- Vergilius Maro, Publius --- In literature.
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A new edition of the Aeneid requires not only a systematic and reliable assessment of the text, but also a satisfactory and complete description of the manuscripts' transmission. Here, the seven Late Antique codices were studied anew; the recensio also draws on sources from the Carolingian Age. To this end eight Carolingian testimonies never studied before were collated. The editio altera contains several corrections and additional conjectures.
Bronze. --- Aeneas --- Aeneis (Virgil) --- Rome (Empire) --- Aeneid. --- Vergil.
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This essay in comparative literature represents the first extended attempt to relate Dante's major allegorical mode to classical and medieval interpretations of epic poetry rather than to patristic biblical exegesis. It also is the first comprehensive explanation of Dante's enigmatic Ulysses. Thompson strives to shed new light not only on Dante's allegory - and thus upon the whole troubled question of exactly what an allegory was thought to be but also on the intricate relationship between poet and poem and between Dante's spiritual journeys and his written representation of those itineraries.
Symbolism. --- Epic poetry, Italian --- Classical influences. --- Homere --- Virgile --- Dante Alighieri, --- Dante (Alighieri). --- Dante --- Homer. --- Virgil. --- Symbolisme. --- Criticism and interpretation. --- Odyssey (Homer) --- Aeneis (Virgil) --- Virgil --- Aeneis --- Homer --- Odyssey --- Classical influences --- Dante Alighieri --- 1265-1321 --- Symbolism --- Representation, Symbolic --- Symbolic representation --- Mythology --- Emblems --- Signs and symbols --- Italian epic poetry --- Italian poetry --- Odysseia (Homer) --- Homērou Odysseia (Homer) --- Odyssea (Homerus) --- Odissei︠a︡ (Homer) --- Homeri Odyssea (Homer) --- Odyssea (Homer) --- Odysseen (Homer) --- Odiseʼah (Homer) --- Odisea (Homer) --- Odyssee (Homer) --- Odiseja (Homer) --- Aeneid (Virgil) --- Eneida (Virgil) --- Enéide (Virgil)
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The narrative style of the Aeneid suggests immediacy and involves the reader, while at the same time both narrator and reader know what the outcomes of the story will be. In ‘Tenses in Vergil’s Aeneid: Narrative Style and Structure’, Suzanne Adema investigates the role of the Latin tenses in this presentational style. Adema presents a framework to analyze and describe the use of tenses in Latin narrative texts from a linguistic and narratological point of view. The framework concerns the temporal relations between a narrator and the states of affairs in his story on the sentence level, discourse modes on the global text level and narrative progression on the level of narrative and descriptive sequences.
Latin language --- Classical languages --- Italic languages and dialects --- Classical philology --- Latin philology --- Tense --- Virgil. --- E-books --- Latin language - Tense --- Virgil. - Aeneis --- Tense.
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