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Art --- thongs [footwear] --- touch --- wars --- dolls [figurines] --- traffic signs --- texts [documents] --- Conceptual --- intermodal containers --- sperm --- walls --- Brecht, Bertolt --- Slominski, Andreas --- China

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This book covers ALL aspects of projected capacitive touch sensors including basic principles, the physics of PCAP, capacitance measurements, touch sensor materials and construction, electrical noise, software drivers, and testing. It is targeted at working engineers who are implementing touch into their products as well as anyone else with an interest in how touch screens work. · Offers readers the first book on the use of projected capacitive (PCAP) touch technology for touch screens; · Explains not only how PCAP touch works, but also addresses the implementation details an engineer needs when incorporating PCAP into their product; · Includes explanations of different cover lens materials, cover lens coatings, software drivers, touch testing, and many other areas of general knowledge that would be useful to a design engineer.

Computer input-output equipment. --- Touch screens --- Human-computer interaction. --- Testing. --- Systems engineering. --- Electronics. --- Circuits and Systems. --- Electronics and Microelectronics, Instrumentation. --- Electronic Circuits and Devices. --- Electrical engineering --- Physical sciences --- Engineering systems --- System engineering --- Engineering --- Industrial engineering --- System analysis --- Design and construction --- Information display systems. --- Data display systems --- Display systems, Information --- Dynamic display systems --- Electronic displays --- Computer input-output equipment --- Computers --- Optical data processing --- Optoelectronic devices --- Teaching --- Computer-human interaction --- Human factors in computing systems --- Interaction, Human-computer --- Human engineering --- User-centered system design --- User interfaces (Computer systems) --- Panels, Touch --- Screens, Touch --- Touch panels --- Touch screen panels --- Touchscreen panels --- Touchscreens --- Computer hardware --- Computer I/O equipment --- Electronic analog computers --- Electronic digital computers --- Hardware, Computer --- I/O equipment (Computers) --- Input equipment (Computers) --- Input-output equipment (Computers) --- Output equipment (Computers) --- Computer systems --- Optical equipment --- Aids and devices --- Input-output equipment --- Electronic circuits. --- Microelectronics. --- Microminiature electronic equipment --- Microminiaturization (Electronics) --- Electronics --- Microtechnology --- Semiconductors --- Miniature electronic equipment --- Electron-tube circuits --- Electric circuits --- Electron tubes

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Giles Knox examines how El Greco, Velaìzquez, and Rembrandt, though a disparate group of artists, were connected by a new self-consciousness with respect to artistic tradition. In particular, Knox considers the relationship of these artists to the art of Renaissance Italy, and sets aside nationalist art histories in order to see the period as one of fruitful exchange. Across Europe during the seventeenth century, artists read Italian-inspired writings on art and these texts informed how they contemplated their practice. Knox demonstrates how these three artists engaged dynamically with these writings, incorporating or rejecting the theoretical premises to which they were exposed. Additionally, this study significantly expands our understanding of how paintings can activate the sense of touch. Knox discusses how Velaìzquez and Rembrandt, though in quite different ways, sought to conjure for viewers thoughts about touching that resonated directly with the subject matter they depicted.

Aesthetics of art --- Painting --- painting [image-making] --- Velázquez, da Silva y, Diego --- Greco, el --- Rembrandt --- Italy --- Toucher --- Touch --- Sens et sensations --- Senses and sensation in art. --- Peinture --- Dans l'art. --- In art. --- Influence. --- Greco, Le --- Greco, --- Velázquez, Diego --- Velázquez, Diego, --- Rembrandt Harmenszoon van Rijn, --- Thèmes, motifs. --- Themes, motives. --- Painting, Renaissance --- Italian influences. --- Rāmbirānt, --- Rembrandt Garmens van Reĭn, --- Rembrandt van Rijn --- Rembrandt van Reĭn, --- Lun-po-lang, --- Rembrandt, --- Van Rijn, Rembrandt Harmenszoon, --- Rijn, Rembrandt Harmenszoon van, --- Rembrandt Harmensz van Rijn, --- Reimbrandt, --- Rembrandt van Rijn, --- רמברנדט --- רמברנדט הרמנסזון ואן־ריין, --- رامبرانت --- Theotocopuli, Dominico, --- Theotokopoulos, Domenikos, --- Theocopuli, Domenico, --- Theotocopuli, Domenico, --- Zeotokopoulos, Doménikos, --- Theotocópuli, Domingo, --- Theotocópoulos, Doménicos, --- Theoscopoli, Domenico, --- Greco, Domenico, --- Griego, --- El Greco, --- Greco, Dominico, --- Ο Γκρεκο, --- Criticism and interpretation. --- El Greco, Velázquez, Rembrandt. --- Theotocopuli, Dominico --- Theotokopoulos, Domenikos --- Theocopuli, Domenico --- Theotocopuli, Domenico --- Zeotokopoulos, Doméniko, --- Theotocópuli, Domingo --- Theotocópoulos, Doménicos --- Theoscopoli, Domenico --- Greco, Domenico --- Griego --- El Greco --- Greco, Dominico --- Ο Γκρεκο --- Rembrandt Harmenszoon van Rijn --- Rembrandt Garmens van Reĭn --- Rembrandt van Reĭ --- Lun-po-lan --- Van Rijn, Rembrandt Harmenszoon --- Rijn, Rembrandt Harmenszoon van --- Rembrandt Harmensz van Rin, --- Reimbrand --- invloed van Italiaanse school --- Velázquez, Diego