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book (4)


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2019 (4)

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Book
The photographic II : Signal or noise.
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ISBN: 9789492811424 9492811421 Year: 2019 Publisher: Amsterdam Roma

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Abstract

To a large extent, photography is produced by machines, and knowledge of the technological development of the discipline is crucial to the reading of an image. Readable, manipulated, and hidden information are increasingly difficult to distinguish from one another, yet are of equal importance in our visual culture. This exhibition catalogue presents a selection of artists who recalibrate the "photographic" as an artistic field of research and experiment, playing on the functions, processes, and spaces of photography via hybrid forms.


Book
Bauhaus und die Fotografie : zum Neuen Sehen in der Gegenwartskunst
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ISBN: 9783735605474 Year: 2019 Publisher: Bielefeld Kerber Art

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Abstract

Does the Bauhaus still contribute to further developments in photographic pictorial languages? What role does the avant-garde photography play for contemporary artists today? At the center of Bauhaus and Photography is the reconstruction of László Moholy-Nagy’s photography-section at the legendary 1929–1930 Werkbund-exhibition Film und Foto (Film and Photo). For the first time, the Neues Sehen (New Vision) of the 1930s as well as contemporary photographs, sculptures, and video installations enter into a seminal dialogue between the factual exhibition situation and virtual reality.

Artists: László Moholy-Nagy, Erich Consemüller, Marianne Brandt, Lucia Moholy, Viviane Sassen, Dominique Teufen, Daniel T Braun, Wolfgang Tillmans, Doug Fogelson, Max de Esteban, Stefanie Seufert, Kris Scholz, Taiyo Onorato & Nico Krebs, Thomas Ruff, Antje Hanebeck, Douglas Gordon


Book
Epics in the everyday : photography, architecture, and the problem of realism
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ISBN: 9783038601623 3038601624 Year: 2019 Publisher: Zurich, Switzerland : Houston, Texas : Park Books ; Rice Architecture,

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Architecture and photography share the condition of being suspended be¬tween fine art and craft. Realism is considered a given, something that happens almost by default. From the moment it is taken, a photograph is un-derstood to be a record of what was in front of the camera—just as a building, as soon as it is inhabited, becomes the fixed backdrop for everyday life.In Epics in the Everyday, Jesús Vassallo explores this condition, tracing a series of collaborations between architects and photographers from the postwar years up to the present. Consistently, the subject matter of these collaborations is the built environment, which presents architects and photographers—in different ways—with a mirror that challenges the idea of realism in their respective disciplines. Beyond casting a diagonal light on important developments within the two individual disciplines, the book chronicles an alternative history of both modern architecture and photography and builds a case for a specific type of realism found at their intersection.

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