Listing 1 - 10 of 11 | << page >> |
Sort by
|
Choose an application
Choose an application
Choose an application
In this volume, Richard Neer and Leslie Kurke develop a new, integrated approach to classical Greece: a "lyric archaeology" that combines literary and art-historical analysis with archaeological and epigraphic materials. At the heart of the book is the great poet Pindar of Thebes, best known for his magnificent odes in honor of victors at the Olympic Games and other competitions. Unlike the quintessentially personal genre of modern lyric, these poems were destined for public performance by choruses of dancing men. Neer and Kurke go further to show that they were also site-specific: as the dancers moved through the space of a city or a sanctuary, their song would refer to local monuments and landmarks. Part of Pindar's brief, they argue, was to weave words and bodies into elaborate tapestries of myth and geography and, in so doing, to re-imagine the very fabric of the city-state. Pindar's poems, in short, were tools for making sense of space. Recent scholarship has tended to isolate poetry, art, and archaeology. But Neer and Kurke show that these distinctions are artificial. Poems, statues, bronzes, tombs, boundary stones, roadways, beacons, and buildings worked together as a "suite" of technologies for organizing landscapes, cityscapes, and territories. Studying these technologies in tandem reveals the procedures and criteria by which the Greeks understood relations of nearness and distance, "here" and "there"âe"and how these ways of inhabiting space were essentially political. Rooted in close readings of individual poems, buildings, and works of art, Pindar, Song, and Space ranges from Athens to Libya, Sicily to Rhodes, to provide a revelatory new understanding of the world the Greeks builtâe"and a new model for studying the ancient world.
Choose an application
"Pindar was one of the most famous ancient Greek lyric poets, and perhaps the best known of the canonical nine lyric poets of ancient Greece. He was regarded in antiquity as the greatest of Greek poets and the esteem of the ancients may help explain why a good portion of his work was carefully preserved (most of the other Greek lyric poems come down to us only in fragments, but nearly a quarter of all Pindar's poems survive complete). He is particularly known for his epinicia (or victory odes) in honour of notable personages and winners of athletic games"--Provided by publisher.
Choose an application
Myth, Locality, and Identity argues that Pindar engages in a striking, innovative style of mythmaking that represents and shapes Sicilian identities in his epinician odes for Sicilian victors in the fifth century BCE. While Sicily has been thought to be lacking in local traditions for Pindar to celebrate, Lewis argues that the Sicilian odes offer examples of the formation of local traditions: the monster Typho whom Zeus defeated to become king of the gods, for example, now lives beneath Mt. Aitna; Persephone receives the island of Sicily as a gift from Zeus; and the Peloponnesian river Alpheos travels to Syracuse in pursuit of the local spring nymph Arethusa. By weaving regional and Panhellenic myth into the local landscape, as the book shows, Pindar infuses physical places with meaning and thereby contextualizes people, cities, and their rulers within a wider Greek framework. During this time period, Greek Sicily experienced a unique set of political circumstances: the inhabitants were continuously being displaced, cities were founded and resettled, and political leaders rose and fell from power in rapid succession. This book offers the first sustained analysis of myth in Pindar's odes for Sicilian victors across the island that accounts for their shared context. The nodes of myth and place that Pindar fuses in this poetry reinforce and develop a sense of place and community for citizens locally; at the same time, they raise the profile of physical sites and the cities attached to them for larger audiences across the Greek world. In addition to providing new readings of Pindaric odes and offering a model for the formation of Sicilian identities in the first half of the fifth century, the book contributes new insights into current debates on the relationship between myth and place in classical literature.
Pindar --- Demeter --- Persephone --- Criticism and interpretation. --- Sicily (Italy)
Choose an application
This book examines the legacy of Pindar’s phraseology by bringing together the results and methods of classical studies with those of historical linguistics. Besides providing new insights into individual passages in Pindar, this study demonstrates Pindar’s dominant role in the history of Greek literature and identifies new set pieces from Indogermanic poetic language.
Phraséologie. --- Pindare --- Indo-European languages --- Poetics. --- Dichtersprache. --- Indogermanistik. --- Phraseologie. --- Poetologie. --- Racines indo-européennes. --- Phraseology. --- Pindar --- Pindar. --- Pindarus, --- Criticism and interpretation. --- Greek language
Choose an application
In the last decades the field of research on ancient Greek scholarship has been the object of a remarkable surge of interest, with the publication of handbooks, reference works, and new editions of texts. This partly unexpected revival is very promising and it continues to enhance and modify both our knowledge of ancient scholarship and the way in which we are accustomed to discuss these texts and tackle the editorial and exegetical challenges they pose. This volume deals with some pivotal aspects of this topic, being the outcome of a three-year project funded by the Italian Ministry for Education, University and Research (MIUR) on specific aspects of the critical re-appraisal of Homer, Hesiod, Pindar, and Aeschylus in Greek culture throughout antiquity and the Middle Ages. It tackles issues such as the material form of the transmission of the exegesis from papyri to codices, the examination of hitherto unexplored branches of the manuscript evidence, the discussion of some important scholia, and the role played by the indirect tradition and the assimilation of the exegetical heritage in grammatical and lexicographical works. Some strands of the ancient and medieval scholarship are here re-evaluated afresh by adopting an interdisciplinary methodology which blends modern editorial techniques developed for ‘problematic’ or ‘non-authorial’ medieval texts with current trends in the history of philology and literary criticism. In their diversity of subject matter and approach the papers collected in the volume give intended readers an excellent overview of the topics of the project.
E-books --- Greek poetry --- History and criticism --- Homer --- Hesiod --- Pindar --- Aeschylus --- Criticism and interpretation
Choose an application
The present book studies metaphors relating to the Ancient Greek banquet and symposium (drinking party) in the poetry of Pindar from Thebes (518-438 BC). The focus is on the First Olympian Ode composed in honor of Hieron, the ruler of Syracuse, whose horse and its jockey were victorious in the single horse race in Olympia in 476 BC. The first part of the First Olympian includes a celebration of Hieron's hospitality around his table in Syracuse. The final part celebrates a banquet in Olympia in honor of Pelops, the legendary founder of the Olympic games. The book argues that the drawback of earlier scholarship is the monosemous view, according to which only one interpretation of a word or passage is possible. Instead, this monograph proposes that the Theban poet always looks for as many complementary compliments to say about his heroes, gods, patrons and himself as possible but using as few words as possible. To achieve that aim, Pindar uses intentional ambiguities. The book has two parts. The first one studies metaphors relating to water, gold, hearth/Hestia, apples, sheep, and crater. The second part analyses the symbolism of wine, blood, couch, grave, servant, and altar. This monograph also examines the subject of personification in the chapters "Hestia", "La klinê", and "La tombe comme serviteur".
Dinners and dining --- History --- Pindar. --- Greece --- Social life and customs --- History. --- Social life and customs. --- Dinners and dining in literature. --- Religious aspects --- Hieron --- Poetry --- Religious aspects. --- Poetry. --- Dinners and dining - Greece - History --- Pindar. - Olympian odes --- Greece - Social life and customs
Choose an application
What would Pindar and Aeschylus have talked about had they met at some point during their overlapping poetic careers? How do we map the space shared by these two fifth-century choral poets? In the first book-length comparative study of Pindar and Aeschylus in over six decades, Anna S. Uhlig pushes back against the prevailing tendency to privilege interpretive frames that highlight the differences in their works. Instead, she adopts a more inclusive category of choral performance, one in which both poets are shown to be grappling to understand how the vivid here and now of their compositions are in fact a reenactment of voices and bodies from elsewhere. Pairing close readings of the ancient texts with insights from modern performance studies, Uhlig offers a novel perspective on the 'song culture' of early fifth-century BC Greece.
Greek literature --- Choral speaking --- Choral recitations --- History and criticism --- Pindar --- Aeschylus --- Aeschylus. --- Pindar. --- Eskhil --- Eschylus --- Aischylos --- Esquilo --- Eschilo --- Aiskhilos --- Eshil --- Æskílos --- Ajschylos --- Eschil --- Esḳilos --- Eschyle --- Äschylos --- Eskili --- Aiszkhülosz --- Eschylos --- Iskilos --- Эсхил --- אייסכילוס --- איסכילאס --- איסכילוס --- إيسخولوس --- ايسخيلوس --- Αἰσχύλος --- Pindarus --- Pindare --- Píndaro --- Pindaros --- Criticism and interpretation. --- E-books --- Pindaro --- Πίνδαρος
Choose an application
"Pindar was one of the most famous ancient Greek lyric poets, and perhaps the best known of the canonical nine lyric poets of ancient Greece. He was regarded in antiquity as the greatest of Greek poets and the esteem of the ancients may help explain why a good portion of his work was carefully preserved (most of the other Greek lyric poems come down to us only in fragments, but nearly a quarter of all Pindar's poems survive complete). He is particularly known for his epinicia (or victory odes) in honour of notable personages and winners of athletic games"--Provided by publisher.
Athletics --- Pindar --- ancient greece. --- antiquity. --- athletes. --- beauty. --- celebrated poets. --- elegance. --- greek history. --- history of greece. --- hometowns. --- imagery. --- interpretive notes. --- odes. --- olympic games. --- original greek. --- panhellenic contests. --- pindar. --- poems. --- recognition of achievements. --- rhythm. --- social and political lives. --- unique perspective. --- victors. --- victory odes. --- Games
Listing 1 - 10 of 11 | << page >> |
Sort by
|