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The Present, Past, and Future of Timbre Research Kai Siedenburg, Charalampos Saitis, and Stephen McAdams The Perceptual Representation of Timbre Stephen McAdams Timbre Recognition and Sound Source Identification Trevor R. Agus, Clara Suied, and Daniel Pressnitzer Memory for Timbre Kai Siedenburg and Daniel Müllensiefen The Semantics of Timbre Charalampos Saitis and Stefan Weinzierl Neural Correlates of Timbre Processing Vinoo Alluri and Sudarsana Reddy Kadiri Voice Processing and Voice-Identity Recognition Samuel Robert Mathias and Katharina von Kriegstein Timbre as a Structuring Force in Music Stephen McAdams Timbre, Sound Quality, and Sound Design Guillaume Lemaitre and Patrick Susini Timbre Perception with Cochlear Implants Jeremy Marozeau and Wiebke Lamping Audio Content Descriptors of Timbre Marcelo Caetano, Charalampos Saitis, and Kai Siedenburg Modulation Representations for Speech and Music Mounya Elhilali Timbre from Sound Synthesis and High-level Control Perspectives Sølvi Ystad, Mitsuko Aramaki, and Richard Kronland-Martinet Kai Siedenburg is Marie Sklodowska-Curie Individual Postdoctoral Fellow in the Department of Medical Physics and Acoustics at the Carl von Ossietzky Universität Oldenburg, Germany Charalampos Saitis is Lecturer and Humboldt Research Fellow in the Audio Communication Group at Technische Universität Berlin, Germany Stephen McAdams is Professor and Canada Research Chair in Music Perception and Cognition in the Department of Music Research at McGill University, Montreal, Canada Arthur N. Popper is Professor Emeritus and research professor in the Department of Biology at the University of Maryland, College Park Richard R. Fay is Distinguished Research Professor of Psychology at Loyola University, Chicago .
Hearing. --- Sound --- Bioacoustics --- Acoustics --- Audition (Physiology) --- Physiological acoustics --- Senses and sensation --- Audiology --- Auditory pathways --- Deafness --- Ear --- Listening --- Psychological aspects. --- Neurosciences. --- Acoustics. --- Neural sciences --- Neurological sciences --- Neuroscience --- Medical sciences --- Nervous system
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This book presents a novel method of grafting musical wind instruments by exchanging an instrument’s standard mouthpiece with different tone generators. Using the concrete example of the soprano saxophone, it describes how, with six other tone generators, including brass, double reed, and free reed mechanisms, the saxophone can be extended to nearly every wind instrument category in the von Hornbostel and Sachs classification system. The book demonstrates how it is possible to play these instrument variations with high proficiency, and describes the method of hyper-specialization, including acoustical insights, conservatory training methods and the underlying philosophy. The latter is based on the cultural traditions of the different wind instrument prototypes and the Deep Listening philosophy of cultivating internal diversity, and approach that leads to a new level of wind instrument virtuosity that offers great timbral variety combined with the flexibility of a regular acoustic wind instrument. .
Hearing. --- Sound. --- Acoustics --- Continuum mechanics --- Mathematical physics --- Physics --- Pneumatics --- Radiation --- Wave-motion, Theory of --- Audition (Physiology) --- Physiological acoustics --- Bioacoustics --- Senses and sensation --- Audiology --- Auditory pathways --- Deafness --- Ear --- Listening --- Acoustics in engineering. --- Music. --- Acoustics. --- Engineering Acoustics. --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Acoustical engineering. --- Acoustic engineering --- Sonic engineering --- Sonics --- Sound engineering --- Sound-waves --- Engineering --- Industrial applications --- Music --- Musique --- Saxophone mouthpieces. --- Saxophone --- Acoustics and physics. --- Acoustique et physique. --- Acoustique.
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This book covers all aspects of head-related transfer function (HRTF), from the fundamentals through to the latest applications, such as 3D sound systems. An introductory chapter defines HRTF, describes the coordinate system used in the book, and presents the most recent research achievements in the field. HRTF and sound localization in the horizontal and median planes are then explained, followed by discussion of individual differences in HRTF, solutions to this individuality (personalization of HRTF), and methods of sound image control for an arbitrary 3D direction, encompassing both classic theory and state of the art data. The relations between HRTF and sound image distance and between HRTF and speech intelligibility are fully explored, and measurement and signal processing methods for HRTF are examined in depth. Here, supplementary material is provided to enable readers to measure and analyze HRTF by themselves. In addition, some typical HRTF databases are compared. The final two chapters are devoted to the principles and applications of acoustic virtual reality. This clearly written book will be ideal for all who wish to learn about HRTF and how to use it in their research. .
Hearing. --- Sound. --- Acoustics --- Continuum mechanics --- Mathematical physics --- Physics --- Pneumatics --- Radiation --- Wave-motion, Theory of --- Audition (Physiology) --- Physiological acoustics --- Bioacoustics --- Senses and sensation --- Audiology --- Auditory pathways --- Deafness --- Ear --- Listening --- Biomedical engineering. --- Acoustical engineering. --- Acoustics. --- Experiential research. --- Biomedical Engineering/Biotechnology. --- Engineering Acoustics. --- Psychology Research. --- Acoustic engineering --- Sonic engineering --- Sonics --- Sound engineering --- Sound-waves --- Engineering --- Clinical engineering --- Medical engineering --- Bioengineering --- Biophysics --- Medicine --- Research --- Industrial applications --- Enginyeria Biomèdica --- Enginyeria clínica --- Enginyeria mèdica --- Bioenginyeria --- Biofísica --- Enginyeria --- Medicina --- Electrònica mèdica --- Enginyeria de teixits --- Materials biomèdics --- Aparells i instruments mèdics
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Experiences of hearing the voice of God (or angels, demons, or other spiritual beings) have generally been understood either as religious experiences or else as a feature of mental illness. Some critics of traditional religious faith have dismissed the visions and voices attributed to biblical characters and saints as evidence of mental disorder. However, it is now known that many ordinary people, with no other evidence of mental disorder, also hear voices and that these voices not infrequently include spiritual or religious content. Psychological and interdisciplinary research has shed a revealing light on these experiences in recent years, so that we now know much more about the phenomenon of "hearing voices" than ever before. The present work considers biblical, historical, and scientific accounts of spiritual and mystical experiences of voice hearing in the Christian tradition in order to explore how some voices may be understood theologically as revelatory. It is proposed that in the incarnation, Christian faith finds both an understanding of what it is to be fully human (a theological anthropology), and God’s perfect self-disclosure (revelation). Within such an understanding, revelatory voices represent a key point of interpersonal encounter between human beings and God.
Hearing --- Spirits. --- Experience (Religion) --- Auditory hallucinations. --- Religious aspects --- Christianity. --- Spirits --- Auditory hallucinations --- 215.3 --- 291.64 --- 231.74 --- 231.74 Openbaring --- Openbaring --- 291.64 Openbaring van de goddelijke wil: heilige schrijvers; uitleggers van de leer;godsdiensthervormers; godsdienststichters; religieuze wetgevers --- Openbaring van de goddelijke wil: heilige schrijvers; uitleggers van de leer;godsdiensthervormers; godsdienststichters; religieuze wetgevers --- Hearing voices --- Verbal auditory hallucinations --- Verbal hallucinations --- Voices (Hallucinations) --- Hallucinations and illusions --- Invisible world --- Supernatural --- Fear of spirits --- Acoustics --- Audition (Physiology) --- Physiological acoustics --- Bioacoustics --- Senses and sensation --- Audiology --- Auditory pathways --- Deafness --- Ear --- Listening --- 215.3 Openbaring en rationalisme (rede) --- Openbaring en rationalisme (rede) --- Religious experience --- Psychology, Religious --- Religious aspects&delete& --- Christianity
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