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For many people in early modern England the Reformation turned the past into another country: the 'merry world'. Nostalgia for this imaginary time, both widespread and widely contested, was commodified by a burgeoning entertainment industry. This book offers a new perspective on the making of 'Merry England', arguing that it was driven both by the desires of audiences and the marketing strategies of writers, publishers and playing companies. Nostalgia in Print and Performance juxtaposes plays with ballads and pamphlets, just as they were experienced by their first consumers. It argues that these commercial fictions played a central role in promoting and shaping nostalgia. At the same time, the fantasy of the merry world offered a powerfully affective language for conceptualising longing. For playwrights like Shakespeare and others writing for the commercial stage, it became a way to think through the dynamics of audience desire and the aesthetics of repetition.
English literature --- Nostalgia in literature. --- Popular literature --- Popular culture and literature --- Nostalgia --- Literature and popular culture --- Literature --- History and criticism. --- History --- History.
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"If I had acted differently, then ..." Most human beings indulge in counterfactual thought experiments at one point or another. For the fictional characters analysed in this book, they are a central preoccupation. The characters obsessively review their past, looking at a road they did not take, pondering on a life they did not live. Drawing on narratology, theories of counterfactuality and the study of motifs, the book suggests a typology of unlived lives, which is based on more than fifty works from the nineteenth century to the present. In addition, the book offers seven readings. These focus on texts in which the motif of the unlived life features in an especially characteristic or challenging manner: Henry James's "The Diary of a Man of Fifty" and "The Jolly Corner," Virginia Woolf's "Mrs Dalloway," Vita Sackville-West's "All Passion Spent," Samuel Beckett's "Krapp's Last Tape" and Alice Munro's "Carried Away" and "Dolly."--Back cover.
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This book looks at the uses of popular music in the newly-redefined category of the nostalgia game, exploring the relationship between video games, popular music, nostalgia, and socio-cultural contexts. History, gender, race, and media all make significant appearances in this interdisciplinary work, as it explores what some of the most critically acclaimed games of the past two decades (including both AAA titles like Fallout and BioShock, and more cult releases like Gone Home and Evoland) tell us about our relationship to our past and our future. Appropriated music is the common thread throughout these chapters, engaging these broader discourses in heterogeneous ways. This volume offers new perspectives on how the intersection between popular music, nostalgia, and video games, can be examined, revealing much about our relationship to the past and our hopes for the future.
Nostalgia in literature. --- Motion pictures. --- Music. --- Historiography. --- Audio-Visual Culture. --- Memory Studies. --- Historical criticism --- History --- Authorship --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Criticism --- Historiography --- History and criticism --- Video games. --- Video game music. --- Popular music. --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions --- Television games --- Videogames --- Electronic games --- Computer games --- Internet games --- Games
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