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This book gathers eleven scholarly contributions dedicated to the work of Mexican director Arturo Ripstein. The collection, the first of its kind, constitutes a sustained critical engagement with the twenty-nine films made by this highly acclaimed yet under-studied filmmaker. The eleven essays included come from scholars whose work stands at the intersection of the fields of Latin American and Mexican Film Studies, Gender and Queer Studies, Cultural Studies, History and Literary studies. Ripstein's films, often scripted by his long-time collaborator, Paz Alicia Garciadiego, represent an unprecedented achievement in Mexican and Latin American film. Unlike many of his contemporaries, Ripstein has successfully maintained a prolific output unmatched by any director in the region. Though several book-length studies have been published in Spanish, French, German, and Greek, to date no analogue exists in English. This volume provides a much-needed contribution to the field.

Latin American Cinema and TV. --- Latin american culture --- Culture-Study and teaching. --- Motion pictures, American. --- Film --- Ripstein y Rosen, Arturo

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What is the child for Latin American cinema? This book aims to answer that question, tracing the common tendencies of the representation of the child in the cinema of Latin American countries, and demonstrating the place of the child in the movements, genres and styles that have defined that cinema. Deborah Martin combines theoretical readings of the child in cinema and culture, with discussions of the place of the child in specific national, regional and political contexts, to develop in-depth analyses and establish regional comparisons and trends. She pays particular attention to the narrative and stylistic techniques at play in the creation of the child's perspective, and to ways in which the presence of the child precipitates experiments with film aesthetics. Bringing together fresh readings of well-known films with attention to a range of little-studied works, The Child in Contemporary Latin American Cinema examines films from the recent and contemporary period, focussing on topics such as the death of the child in ‘street child’ films, the role of the child in post-dictatorship filmmaking and the use of child characters to challenge gender and sexual ideologies. The book also aims to place those analyses in a historical context, tracing links with important precursors, and paying attention to the legacy of the child’s figuring in the mid-century movements of melodrama and the New Latin American Cinema.

Motion pictures, American. --- Ethnology-Latin America. --- Motion pictures. --- Youth-Social life and customs. --- Communication. --- Latin American Cinema and TV. --- Latin American Culture. --- Global Cinema and TV. --- Youth Culture. --- Media and Communication. --- Communication, Primitive --- Mass communication --- Sociology --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- American motion pictures --- Moving-pictures, American --- Foreign films --- History and criticism --- Ethnology—Latin America. --- Youth—Social life and customs. --- Children in motion pictures. --- Childhood in motion pictures --- Motion pictures

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Multiplatform Media in Mexico is the first book to treat the exciting, interconnected fields of cinema, television, and internet in Mexico over the last decade, fields that combine to be called multiplatform media. Combining industrial analysis of a major audiovisual field at a time of growth and change with close readings of significant texts on all screens, acclaimed author Paul Julian Smith deftly details these new audiovisual trends. The book includes perspectives on local reporting on the ground, as covered in the chapter documenting media response to the 2017 earthquake. And, for the first time in this field, the book draws throughout on star studies, tracing the distinct profiles of actors who migrate from one medium to another. As a whole, Smith’s analyses illustrate the key movements in screen media in one of the world’s largest media and cultural producing nations. These perspectives connect to and enrich scholarship across Latin American, North American, and global cases. Paul Julian Smith is Distinguished Professor in the Latin American, Iberian, and Latino Cultures Program at the Graduate Center in City University of New York, USA. He was previously for nineteen years the Professor of Spanish at the University of Cambridge, UK, where he took his PhD. He is author of twenty-one books (translated into Spanish, Chinese, and Turkish) and over one hundred academic articles.

Motion pictures --- Television programs --- Mass media --- Mass communication --- Media, Mass --- Media, The --- Communication --- Programs, Television --- Shows, Television --- Television shows --- TV shows --- Television broadcasting --- Electronic program guides (Television) --- Television scripts --- Culture—Study and teaching. --- Ethnology-Latin America. --- Motion pictures, American. --- Motion pictures. --- Popular Culture. --- Culture. --- Gender. --- Popular Science in Cultural and Media Studies. --- Latin American Culture. --- Latin American Cinema and TV. --- Film/TV Industry. --- Popular Culture . --- Culture and Gender. --- Cultural sociology --- Culture --- Sociology of culture --- Civilization --- Popular culture --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Intellectual life --- Mass society --- Recreation --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Performing arts --- American motion pictures --- Moving-pictures, American --- Foreign films --- Social aspects --- History and criticism --- Ethnology—Latin America.