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"A survey of modern cinematic and televisual responses to the concept of the golden age".This collection of fourteen essays explores how the dominant media of our time - film and television - have engaged with the golden age as formulated in the Western classical tradition. Drawing on ancient Greek and Roman literature and culture, from Hesiod to Suetonius, these essays assess the far-reaching influence of the golden age concept on screen texts ranging from prestige projects like "Gladiator" and HBO's "Rome", to cult classics "Xanadu" and "Hercules: The Legendary Journeys", made by auteurs including Jules Dassin and the Coen Brothers. The book also looks at fantasy ("Game of Thrones"i>), science fiction ("Serenity"), horror ("The Walking Dead"), war/combat (the "300" franchise, "Centurion"), and the American Western.
Historical films --- Civilization, Ancient, in motion pictures. --- Civilization, Ancient, on television. --- Motion pictures and history. --- Television and history. --- History and television --- History --- History and motion pictures --- Moving-pictures and history --- Television --- Motion pictures --- History and criticism.
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"When is it OK to lie about the past? If history is a story, then everyone knows that the 'official story' is told by the winners. No matter what we may know about how the past really happened, history is as it is recorded: this is what George Orwell called doublethink. But what happens to all the lost, forgotten, censored, and disappeared pasts of world history? Cinema Against Doublethink uncovers how a world of cinemas acts as a giant archive of these lost pasts, a vast virtual store of the world's memories. The most enchanting and disturbing films of recent years - Uncle Boonmee Who Can Recall his Past Lives, Nostalgia for the Light, Even the Rain, The Act of Killing, Carancho, Lady Vengeance - create ethical encounters with these lost pasts, covering vast swathes of the planet and crossing huge eras of time. Analysed using the philosophies of Gilles Deleuze (the time-image) and Enrique Dussel (transmodern ethics), the multitudinous cinemas of the world are shown to speak out against doublethink, countering this biggest lie of all with their myriad 'false' versions of world history. Cinema, acting against doublethink, remains a powerful agent for reclaiming the truth of history for the 'post-truth' era."--Publisher description.
Philosophy of science --- Film --- Motion pictures and history --- Motion pictures --- History and motion pictures --- Moving-pictures and history --- History --- Philosophy --- #SBIB:309H1320 --- #SBIB:309H520 --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Audiovisuele communicatie: algemene werken
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