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'Hong Kong Dark Cinema is a highly original and significant rethinking of film noir and neo-noir in Hong Kong film. Chans detailed studies of key films are compelling accounts of the ways film directors have used narrative form and film style to explore the interrelationship of Hong Kong history and politics with questions of cultural and sexual identity. --Elizabeth Cowie, Emeritus Professor of Film Studies, University of Kent, UK 'Elaine Chans book is both a re-examination of the history of Hong Kong cinema from the unique perspective of 'dark cinema and a set of critical reflections on its present and future.... The importance of Elaine Chans book Hong Kong Dark Cinema is that it is the first attempt to define what might be called the duende or dark spirit of Hong Kong cinema, while meticulously tracing its gradual emergence from a set of local conditions. -- Ackbar Abbas, Professor of Comparative Literature, University of California, Irvine, USA 'This brilliant work deepens our understanding of film noir in general and contextualizes its development in post-colonial Hong Kong in particular. It demonstrates how the genre has developed in heterogenous ways and in its artistic complexity. It succeeds in demonstrating Judith Butler's notion of simultaneous performativity and Derrida's différance and depicts them in filmic space. It expands our reading of Hong Kong cinema beautifully in volumetric dimensions. --Eva Man, Chair Professor in Humanities and Director of Academy of Film, Hong Kong Baptist University, Hong Kong 'Hong Kong Dark Cinema provides the first sustained theoretical account of the transformation of film noir in Hong Kong. The changing situations of Hong Kong before and after its reversion to China provide the immediate context, but throughout the book Chan views this distinctive genre in relation to world cinema.... Having all sorts of valuable information and insights, this book will be an invaluable resource for anyone interested in Hong Kongs contribution to world cinema. -- Stephen Chu, Professor and Director of the Hong Kong Studies Programme, The University of Hong Kong, Hong Kong.
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Ce mémoire est une analyse de la célèbre bande dessinée de Jacques Tardi, Le Der des Ders, publié chez Casterman et adaptation du roman originel de Didier Daeninckx. Cette étude de l’album est orientée sous le prisme du récit de genre, plus particulièrement celui du film noir. Le mémoire se compose en 4 chapitres qui sont une analyse de l’adaptation, des personnages et de l’images ainsi que l’observation des rôles sémantiques et romanesques des protagonistes.
Bande dessinée --- Film noir --- Roman policier --- Tardi, Jacques
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Film --- Literature --- motion pictures [visual works] --- film noir --- pulp fiction --- film movements
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Jack Nicholson interprète le détective privé Jake Gittes, qui gagne sa vie grâce aux moeurs légères du Los Angeles d'avant-guerre. Embauché par une jolie femme pour enquêter sur l'aventure extra-conjugale de son époux, Jake se trouve plongé dans un tourbillon de mensonges et de scandales.
Film noir --- Années 1970 --- Années 1930 --- Image de la ville --- Los Angeles --- Etats-Unis
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L.A. Private Eyes examines the tradition of the private eye as it evolves in films, books, and television shows set in Los Angeles from the 1930's through the present day. It takes a closer look at narratives-both on screen and on the printed page-in which detectives travel the streets of Los Angeles, uncovering corruption, moral ambiguity, and greed with the conviction of urban cowboys, while always ultimately finding truth and redemption. With a review of Los Angeles history, crime stories, and film noir, L.A. Private Eyes explores the metamorphosis of the solitary detective figure and the many facets of the genre itself, from noir to mystery, on the screen. While the conventions of the genre may have remained consistent and recognizable, the points where they evolve illuminate much about our changing gender and power roles. Watch a video of the author speaking about this topic: https://goo.gl/Xr9RFD
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Silent prayers (1902-1927) -- Censored prayers (1927-1939) -- Foxhole prayers (1939-1945) -- Postwar secular prayers (1946-1963) -- Cynical prayers (1964-1976) -- Revival of prayer (1976-1988) -- Postmodern prayer (1989-2000) -- Millennial prayers (2000-2017).
Motion pictures --- Prayer in motion pictures. --- Religious aspects. --- Aimee Semple McPherson. --- American cinema. --- American dream. --- American silent film. --- Cecil B. DeMille. --- Christianity. --- Cold War. --- D. W. Griffith. --- Death of God movement. --- Great Depression. --- Mary Pickford. --- Roman Catholic Church. --- Ronald Reagan. --- Vatican II. --- Victorian films. --- Vietnam War. --- Wall Street crash. --- World War II. --- apocalypse. --- baby boom. --- blasphemy. --- church history. --- civil religion. --- civil rights movement. --- comic prayer. --- dying prayers. --- exemplary prayer. --- fairy tale. --- fantasy genre. --- film noir. --- horror films. --- how to pray. --- intercessory prayer. --- ironic prayer. --- liberation theology. --- piety in films. --- popular culture. --- postmodernism. --- race cinema. --- race. --- religion and film. --- religious films. --- religious photoplays. --- religious pretenders. --- revelatory prayer. --- science fiction films. --- silent films. --- sports. --- televangelists. --- traditional prayer. --- vindictive prayer.
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