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Representations of feeling in medieval literature are varied and complex. This new collection of essays demonstrates that the history of emotions and affect theory are similarly insufficient for investigating the intersection of body and mind that late Middle English literatures evoke. While medieval studies has generated a rich scholarly literature on 'affective piety', this collection charts an intersectional new investigation of affects, feelings, and emotions in non-religious contexts. From Geoffrey Chaucer to Gavin Douglas, and from practices of witnessing to the adoration of objects, essays in this volume analyze the coexistence of emotion and affect in late medieval representations of feeling.
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This book examines the emotions expressed in Hausa women's prose fiction in northern Nigeria, showing how Hausa Muslim women writers use fiction in their indigenous language to demonstrate and express their anger about the problems they face in a patriarchal society. Umma Aliyu Musa shows how Hausa women authors use literature as a subversive instrument to voice their anger and draw attention to their plight, and what they perceive to be unfair traditional authority in a male-dominated society. Their stories about women protagonists who rebel against existing traditional structures enable women readers to understand the anger experienced by other women who have gone through similar situations. Issues at the heart of these women's narratives include forced marriage, polygyny, family honor and the effects of love. The authors' use of metaphorical expressions of anger, particularly those registered through body parts, provides insight into Hausa women's thoughts, culture and socialization within their private spheres. Thus, writing by these women in the Hausa language creates an effective communication network that offers insight into domestic ecology as it affects women.
Hausa fiction --- Women authors, Hausa --- Muslim women authors --- Emotions in literature --- Hausa (African people)
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Nineteenth-century Japanese literary discourse and narrative developed a striking preoccupation with ninjō-literally "human emotion," but often used in reference to amorous feeling and erotic desire. For many writers and critics, fiction's capacity to foster both licentiousness and didactic values stood out as a crucial source of ambivalence. Simultaneously capable of inspiring exemplary behavior and a dangerous force transgressing social norms, ninjō became a focal point for debates about the role of the novel and a key motor propelling narrative plots.In Licentious Fictions, Daniel Poch investigates the significance of ninjō in defining the literary modernity of nineteenth-century Japan. He explores how cultural anxieties about the power of literature in mediating emotions and desire shaped Japanese narrative from the late Edo through the Meiji period. Poch argues that the Meiji novel, instead of superseding earlier discourses and narrative practices surrounding ninjō, complicated them by integrating them into new cultural and literary concepts. He offers close readings of a broad array of late Edo- and Meiji-period narrative and critical sources, examining how they shed light on the great intensification of the concern surrounding ninjō. In addition to proposing a new theoretical outlook on emotion, Licentious Fictions challenges the divide between early modern and modern Japanese literary studies by conceptualizing the nineteenth century as a continuous literary-historical space.
Japanese fiction --- History and criticism. --- Emotions in literature. --- Ethics in literature. --- History and criticism
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English drama --- Emotions in literature. --- Theater --- Theater audiences --- Emotions. --- History and criticism. --- Psychological aspects. --- Psychology.
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This book recovers the curious history of the "insensible" in the Age of Sensibility. Tracking this figure through the English novel's uneven and messy past, Wendy Anne Lee draws on Enlightenment theories of the passions to place philosophy back into conversation with narrative. Contemporary critical theory often simplifies or disregards earlier accounts of emotions, while eighteenth-century studies has focused on cultural histories of sympathy. In launching a more philosophical inquiry about what emotions are, Failures of Feeling corrects for both of these oversights. Proposing a fresh take on emotions in the history of the novel, its chapters open up literary history's most provocative cases of unfeeling, from the iconic scrivener who would prefer not to and the reviled stock figure of the prude, to the heroic rape survivor, the burnt-out man-of-feeling, and the hard-hearted Jane Austen herself. These pivotal cases of insensibility illustrate a new theory of mind and of the novel predicated on an essential paradox: the very phenomenon that would appear to halt feeling and plot actually compels them. Contrary to the assumption that fictional investment relies on a richness of interior life, Lee shows instead that nothing incites the passions like dispassion.
English fiction --- Emotions in literature. --- Fiction --- History and criticism. --- Psychological aspects. --- Emotions in literature --- History and criticism --- Psychological aspects --- E-books --- Literature --- History of civilization --- English fiction. --- Roman anglais --- Roman --- Histoire et critique. --- Aspect psychologique.
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Le vert aurait une vertu apaisante. Et à voir les balcons et les toits de nos immeubles, les trottoirs de nos villes, les citadins d'aujourd'hui tentent d'en tirer leçon. La verdure reprend ses droits, comme pour répondre à un désir, comme pour retrouver des émotions perdues.Nombreux sont ceux qui célébrèrent ce pouvoir sensible de l'herbe. De Lucrèce à Pétrarque, de Ronsard à George Sand, de Lamartine à René Char, Alain Corbin dresse un portrait de ces hommages rendus à l'herbe dans tous ses états, en brin ou en touffe, mauvaise ou folle. Et l'on renoue alors avec des sensations familières : la joie de l'enfant se roulant dans l'herbe, l'invitation au repos après un déjeuner sur l'herbe, les odeurs de foin coupé, le bourdonnement du petit monde des prés, mais aussi l'érotisme d'un lit d'herbe, jusqu'à la paix provoquée par l'herbe disciplinée des cimetières.Au gré des citations qu'il éclaire de son regard d'historien, Alain Corbin nous convie à une promenade sensible et verdoyante.
Prairies --- Grassland --- Dans la littérature. --- In literature. --- Emotions in literature --- Nature in literature --- Literature --- History and criticism --- Literature - History and criticism
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An Open Access edition of this book is available on the Liverpool University Press website andthrough Knowledge Unlatched.
Emotions in literature. --- Imperialism in literature. --- Postcolonialism in literature. --- Literary Criticism --- Subjects & Themes --- General --- World literature --- Narratology --- Affect studies --- Structure of feeling --- Colonial and postcolonial literature --- Emotion
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A study of the emotional rhetoric of crusading, this resource investigates the ways in which a number of emotions and affective displays - primarily fear, anger, and weeping - were understood, represented, and utilised in 12th- and 13th-century western narratives of the crusades.
Crusades --- Croisades --- Emotions --- Émotions --- Emotions in literature. --- Literature, Medieval --- Littérature médiévale --- Social aspects. --- Aspect social. --- History --- Dans la littérature. --- History and criticism. --- Histoire et critique. --- Emotions in literature --- Feelings --- Human emotions --- Passions --- Psychology --- Affect (Psychology) --- Affective neuroscience --- Apathy --- Pathognomy --- Church history --- Middle Ages --- Chivalry --- Social aspects --- History and criticism --- Émotions --- Littérature médiévale --- Dans la littérature.
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