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Our world is full of copies. This proliferation includes not just the copying that occurs online and the cultural copying of globalization but the works of avant-garde writers challenging cultural and political authority. In Make It the Same, Jacob Edmond examines the turn toward repetition in poetry, using the explosion of copying to offer a deeply inventive account of modern and contemporary literature.Make It the Same explores how poetry-an art form associated with the singular, inimitable utterance-is increasingly made from other texts through sampling, appropriation, translation, remediation, performance, and other forms of repetition, as opposed to privileging "innovative" or "original" works. Edmond tracks the rise of copy poetry across media from the tape recorder to the computer and through various cultures, languages, and places, reading across aesthetic, linguistic, geopolitical, and media divides. He illuminates the common form that unites a diverse range of writers from dub poets to conceptualists, samizdat wordsmiths to Twitter-trolling provocateurs, analyzing the works of such writers as Kamau Brathwaite, Dmitri Prigov, Caroline Bergvall, Vanessa Place, Christian Bök, Hsia Yü, and Tan Lin. Edmond develops an alternative account of modernist and contemporary literature as defined not by innovation-as in Ezra Pound's slogan "make it new"-but by a system of continuous copying. Make It the Same transforms global literary history, showing how the old hierarchies of original and derivative, center and periphery are overturned when we recognize copying as the engine of literary change.
Poetry, Modern --- Literature and technology. --- Copying processes. --- Digital media. --- History and criticism. --- Electronic media --- New media (Digital media) --- Mass media --- Digital communications --- Online journalism --- Autographic processes --- Commercial correspondence --- Duplicating processes --- Manifolding --- Reproduction processes --- Reprography --- Typewriting --- Writing --- Copying --- Copying services --- Documentation --- Letter services --- Industry and literature --- Technology and literature --- Technology --- Copying processes
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Sculpture --- copying --- sculpture techniques --- Musée du Louvre [Paris] --- Académie de France [Rome] --- anno 1600-1699 --- anno 1800-1999 --- anno 2000-2099 --- Sculpture antique --- Goût (esthétique) --- Plâtres (sculpture) --- Reproduction. --- Académie de France à Rome --- Collections d'art --- Histoire. --- Académie de France à Rome --- Reproduction (art) --- antieke beeldhouwkunst --- Louvre Museum [Paris]
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Théorie musicale --- Musique ancienne --- Notation musicale --- Terminologie. --- Music --- Musical notation --- Ligatures (Music) --- Music autography --- Music copying --- Music manuscript --- Music notation --- Musical autography --- Notation, Musical --- Staff notation --- Musical meter and rhythm --- Signs and symbols --- Paleography, Musical --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Conferences - Meetings --- Théorie musicale
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Musiknotationen wurden lange nur als »aufgeschriebener Klang«, in der Rolle eines Speicher- und Kommunikationsmediums, verstanden. Ausgehend von neuerer Schriftforschung wird in diesem Band ein Perspektivenwechsel auf musikalische Schrift vorgenommen. Die Beiträge eröffnen kulturwissenschaftliche, philosophische, musikhistorische, bildtheoretische und musikästhetische Perspektiven auf musikalische Notation. Daran anknüpfend werden exemplarisch musikalische Notationssysteme aus Geschichte und Gegenwart auf ihre schriftspezifische ›Eigensinnlichkeit‹ befragt.
Schriftbildlichkeit --- Notenschrift --- musikalische Grafik --- Diagrammatik --- Visualisierung --- Performanz --- Interpretation --- Notationsgeschichte --- iconicity --- score --- visualization --- performance --- performativity --- history of music notation --- diagrammatology --- notational iconicity --- operational iconicity --- Musical notation --- History. --- Ligatures (Music) --- Music --- Music autography --- Music copying --- Music manuscript --- Music notation --- Musical autography --- Notation, Musical --- Staff notation --- Musical meter and rhythm --- Signs and symbols --- Paleography, Musical
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Over 5,000 copies of the New Testament exist today and not one matches the other exactly. Determining how a copyist made changes to a manuscript - or, a scribe's habits - is an essential step in recovering the original text of the New Testament and for appreciating how it has changed over time. For the vast majority of manuscripts, there is no way to know which manuscript copied from which manuscript or, which manuscript is the child manuscript and which is the parent manuscript. Alan Taylor Farnes, however, has discovered twenty-two child manuscripts whose parent version is still known today. His letter-by-letter examination of four of these manuscripts sheds invaluable light on how scribes went about their work and provides a methodology for future studies. Now we can virtually look over the scribe's shoulder and watch the work as it unfolds. --
Manuscripts --- Scribes --- Fallibility --- Reproduction --- 296*11 --- 296*11 Tekstraditie van de Bijbel --- Tekstraditie van de Bijbel --- Errors --- Philosophical anthropology --- Copyists --- Photography of manuscripts --- Copying --- Scriptoria --- Bible. --- Ba-yon Tipan --- Bagong Tipan --- Jaji ma Hungi --- Kainē Diathēkē --- New Testament --- Nouveau Testament --- Novo Testamento --- Novum Testamentum --- Novyĭ Zavet --- Novyĭ Zavi︠e︡t Gospoda nashego Īisusa Khrista --- Novyĭ Zavit --- Nuevo Testamento --- Nuovo Testamento --- Nye Testamente --- Perjanjian Baru --- Dhamma sacʻ kyamʻʺ --- Injīl --- Manuscripts. --- Manuscripts - Reproduction
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Information storage and retrieval systems --- Musical notation --- Music --- Ligatures (Music) --- Music autography --- Music copying --- Music manuscript --- Music notation --- Musical autography --- Notation, Musical --- Staff notation --- Musical meter and rhythm --- Signs and symbols --- Paleography, Musical --- Automatic data storage --- Automatic information retrieval --- Automation in documentation --- Computer-based information systems --- Data processing systems --- Data storage and retrieval systems --- Discovery systems, Information --- Information discovery systems --- Information processing systems --- Information retrieval systems --- Machine data storage and retrieval --- Mechanized information storage and retrieval systems --- Computer systems --- Electronic information resources --- Data libraries --- Digital libraries --- Information organization --- Information retrieval --- Data centers
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