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Innovantes et provocantes, les sculptures, peintures et installations emblématiques de Judy Chicago ont permis de rapprocher le féminisme de l'art au cours des années 1960, 70 et au-delà. En utilisant des images inspirées du corps féminin et des références à des personnages féminins historiques, Chicago a forgé un nouveau langage visuel axé sur les femmes qui continue d'influencer l'esthétique de l'art féministe aujourd'hui. Ce livre retrace la carrière de Chicago depuis son apparition sur la scène artistique de Los Angeles dans les années 1960 jusqu'à son travail abouti dans les années 1990. Présentant des illustrations de six œuvres distinctes, ce livre comprend le chef-d'œuvre de Chicago, le dîner, ainsi que d'autres œuvres moins connues. Avec des essais informatifs qui situent l'œuvre de Chicago dans le contexte de l'art contemporain californien du sud et de l'érudition qui reflète le travail actuel de Chicago, ce livre complet offre un regard à couper le souffle sur l'une des figures par excellence de l'art féministe américain. (d'après l'éditeur). Groundbreaking and provocative, Judy Chicago’s iconic sculptures, paintings, and installations helped bridge the gap between feminism and art during the 1960s, 70s, and beyond. Using imagery inspired by the female body and references to historical female figures, Chicago forged a new, women-focused visual language that continues to influence the aesthetics of feminist art today. This book traces Chicago’s career from her emergence on the Los Angeles art scene in the 1960s through her mature work in the 1990s. Featuring illustrations of six distinct bodies of works, this book includes Chicago’s masterpiece The Dinner Party as well as other lesser-known works. With informative essays that situate Chicago’s oeuvre in the context of contemporary Southern Californian art and scholarship that reflects Chicago’s current work, this comprehensive book provides a breathtaking look at one of the quintessential figures of American feminist art.
Art --- sculpture [visual works] --- installations [visual works] --- embroidering --- spray painting --- art [fine art] --- drawing [image-making] --- painting [image-making] --- feminism --- births --- performance art --- gender issues --- fireworks [explosive equipment] --- genitals [animal components] --- Chicago, Judy --- Feminism in art --- ART / Individual Artists / Monographs. --- ART / History / Contemporary (1945-) --- Feminism in art. --- Exhibitions. --- Chicago, Judy, --- Feminism in art - Exhibitions. --- Chicago, Judy, - 1939- - Exhibitions. --- Chicago, Judy, - 1939 --- -Feminism in art - Exhibitions. --- -Art --- art [discipline] --- -Chicago, Judy, - 1939 --- -Chicago, Judy --- -Chicago, Judy, - 1939-
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P. 9 Avant-propos P. 15 Oeuvres de jeunesse (1965-1966) P. 39 Oeuvres minimales (1965-1970) P. 61 Judy Chicago et le minimalisme: une rencontre du troisième type P. 85 Oeuvres environnementales (1967-1970) P. 107 Oeuvres architecturales (1968-1979) P. 123 Safe space, womanhouse, atmospheres: variations sur l'architecture P. 135 Judy Chicago: artiste latérale P. 145 Journal (1939-1971-1973) P. 174 Crédits / colophon
Women artists --- Minimal art --- Installations (Art) --- Feminism and art --- Biography --- Exhibitions --- Chicago, Judy, --- Féminisme et art --- Art minimal --- Expressionnisme abstrait --- Féminisme --- Chicago, Judy
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Focusing on fifty diverse women artists, from Lavinia Fontana and Artemisia Gentileschi through Judy Chicago, Ana Mendieta and the Guerrilla Girls to Barbara Kruger, Cindy Sherman and Louise Bourgeois, this book equips the reader with a general understanding of the history of art by women, as well as an appreciation of its most outstanding figures. Traditionally women have been among art's favoured objects of representation, while their contributions as art producers have been subordinated to those of men. This book documents women artists in context to offer readers an accessible but rich understanding of key female artists from the Baroque to the present day.
Art --- art history --- biographies [documents] --- gender issues --- artists [visual artists] --- women [female humans] --- Vigée-Lebrun, Elisabeth L. --- Sher-Gil, Amrita --- Modersohn-Becker, Paula --- Gego --- Hepworth, Barbara --- Kahlo, Frida --- Ono, Yoko --- Marinetti, Benedetta Cappa --- Vieira da Silva, Maria E. --- Cassatt, Mary --- Modotti, Tina --- Gentileschi, Artemisia --- Bourgeois, Louise --- Abramovic, Marina --- Neel, Alice --- Pica, Amalia --- Rama, Carol --- Iturbide, Graciela --- Yiadom-Boakye, Lynette --- Maiolino, Anna Maria --- Chernysheva, Olga --- Saint-Phalle, de, Niki --- Chicago, Judy --- Sherman, Cindy --- Schneemann, Carolee --- Lempicka, de, Tamara --- Hicks, Sheila --- Jonas, Joan --- Delaunay, Sonia --- Peeters, Clara --- Kusama, Yayoi --- Emin, Tracey --- Hesse, Eva --- Rosler, Martha --- Frankenthaler, Helen --- Nevelson, Louise --- Bell, Vanessa --- Bonheur, Rosa --- Cameron, Julia Margaret --- Carriera, Rosalba Giovanna --- Carrington, Leonora --- Höch, Hannah --- Fontana, Lavinia --- Kauffmann, Angelica --- Mendieta, Ana --- Mitchell, Joan --- Münter, Gabriele --- O'Keeffe, Georgia --- Popova, Lyubov Sergeevna --- Whiteread, Rachel --- Woodman, Francesca --- Abakanowicz, Magdalena --- Klint, Hilma A.F. --- Martin, Agnes --- Szapocznikow, Alina --- Guerrilla Girls [New York, N.Y.] --- anno 1500-1799 --- anno 1800-1999 --- Women artists --- 7(091) --- Artists, Women --- Women as artists --- Artists --- History --- Kunst ; geschiedenis --- biographies [literary works] --- vrouwelijke kunstenaar
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