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Publicatie ter gelegenheid van de tentoonstelling te Leuven (M-Museum) van 25 oktober 2019 tot 15 maart 2020

75.07 --- Schilderkunst ; 1ste helft 21ste eeuw ; Nel Aerts --- Aerts, Nel °1987 (°Antwerpen, België) --- Belgische kunstenaars ; 21ste eeuw --- Vrouwelijke kunstenaars --- Schilderkunst ; schilders --- Exhibitions --- kunst --- 75.071 AERTS --- Aerts Nel --- eenentwintigste eeuw --- schilderkunst --- Aerts, Nel --- Painting, Belgian --- Exhibitions. --- Aerts, Nel,

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75.07 --- Schilderkunst ; 1ste helft 21e eeuw ; Karen Hanssen --- Vrouwelijke kunstenaars --- Kunst ; van vrouwen --- Belgische kunstenaars --- Hanssen, Karin °1960 (°Antwerpen, België) --- Onderzoek in de kunsten ; Koninklijke Academie voor Schone kunsten Antwerpen --- Schilderkunst ; schilders --- Hanssen, Karin --- Painting

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Luc Tuymans: La Pelle' documents the most ambitious monographic exhibition of the work of Luc Tuymans (born 1958). The Pinault Collection at Palazzo Grassi has in the past mounted exhibitions of the work of Sigmar Polke, Damien Hirst and Urs Fischer in its elegant interiors along the Grand Canal in Venice. It was thus the appropriate venue for this survey of Luc Tuymans' work. Quiet, restrained and at times unsettling, his works engage with questions of history and its representation and with everyday subject matter in an unfamiliar and eerie light. Painted from preexisting imagery, they often appear slightly out-of-focus and sparsely colored, like third-degree abstractions from reality. Whereas earlier works were based on magazine pictures, drawings, television footage and Polaroids, recent source images include material accessed online and the artist's own iPhone photos, printed out and sometimes rephotographed several times.00Exhibition: Palazzo Grassi, Venice, Italy (24.03.2019-06.01.2020).

kunst --- 75.071 TUYMANS --- Pinault François --- verzamelingen --- collecties --- Tuymans Luc --- schilderkunst --- twintigste eeuw --- eenentwintigste eeuw --- België --- Exhibitions --- Physiology: movement organs, voice and skin --- Painting --- easel paintings [paintings by form] --- skin [collagenous material] --- Tuymans, Luc --- 75.07 --- Schilderkunst ; 2de helft 20ste - 1ste helft 21ste eeuw ; L. Tuymans --- Tuymans, Luc °1958 (°Mortsel, België) --- Belgische kunstenaars --- Schilderkunst ; schilders

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'Labyrinth' takes us on a walk through the spaces constructed within the pages of the book and visualises a world in which the exit can't be found. With the morphology of the house (windows, doors, steps and curtains) and the theatre (curtains, stage, perspective), a world is evoked in which nothing can serve as a point of reference. The experience is similar to surfing on the internet, scrolling through instagram, unfolding the gallery map of Art Brussels or shopping in a French supermarket. Christophe Van Gerrewey has written a text that actually creates an imbroglio. All images in the book are woodcuts and printed in letterpress on a Heidelberg KS.

Demoen, Nikolaas --- Art --- woodcuts [prints] --- art [fine art] --- houtsneden --- kunst --- 76.071 DEMOEN --- grafiek --- houtsnede --- Demoen Nikolaas --- eenentwintigste eeuw --- kunstenaarsboeken --- artists' books --- 7.071 DEMOEN --- 76.07 --- 7.07 --- Demoen, Nikolaas °1965 (°Gent, België) --- Belgische kunstenaars --- Kunstenaarsboeken --- Grafiek ; houtsneden --- Grafische kunst ; grafische kunstenaars A-Z --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Exhibitions --- Art, Belgian --- Wood-engraving, Belgian. --- Demoen, Nikolaas,

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Posture Editions celebrates its 30th publication with a special artist’s multiple by Philippe Van Snick. The work is entitled Huis [House] and has been created specifically for Posture Editions. It consists of 10 silkscreened compositions that together constitute an architectural game. The 10 + 1 colours—which have become the regular building blocks of Van Snick’s oeuvre—appear in various shapes and places on the five folded sheets of paper; they also constitute the point of departure for a prose text by Koen Brams. The printed sheets of art paper constitute a loose-leaf collection and each of the sheets is a work of art in itself. In his work, Philippe Van Snick (b. 1946, Ghent, Belgium) uses particularly simple forms and always the same colours. For Van Snick, painting involves more than the painted surface. The shapes, objects and colours he uses are never isolated elements. They relate to the space in which they are situated and to the physical experience of the public. Using simple and limited means—always imbued by a longing for order—Van Snick tries to describe the essence of life. With a limited formal vocabulary the artist explores, analyses and creates space in his paintings, installations and sculptures. In 2017, Van Snick was honoured with the Ultima Award for Visual Arts and his work was selected to be permanently on view in the new headquarters of the VRT (Flemish Television).

kunst --- België --- eenentwintigste eeuw --- Van Snick Philippe --- abstractie --- abstracte kunst --- kleur --- grafiek --- zeefdruk --- 76.071 --- 7.071 --- multiples --- kunstenaarsboeken --- Van Snick, Philippe --- Posture Editions --- Belgische kunstenaars --- Artists Books --- Kunstenaarsboeken ; 21ste eeuw --- Van Snick, Philippe °1946 (°Gent, België) --- 7.07 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z