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Publiés initialement dans Architectural Design entre 1973 et 1975, la série des sept articles intitulée Collective Design rappelle l'essence collective de l'architecture. Au constat d'une fragmentation culturelle de la société jugée inéluctable, les Smithson interrogent la dimension politique de leur travail à un moment charnière de leur carrière. Between 1973 and 1975, Alison and Peter Smithson, published a series of seven articles in Architectural Design questioning the unity of the architectural form, as well as their commitment as architects. In recognition of the inevitable cultural fragmentation of society, they question the collective dimension of their work and their relationship with the community.
Architecture --- History --- Histoire --- Smithson, Alison, --- Smithson, Peter, --- Écrits d'architectes --- Smithson, Alison --- Smithson, Peter --- Critique et interprétation. --- Grande-Bretagne --- Écrits d'architectes --- Critique et interprétation. --- Ecrit d'architecte
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"Made over the course of some thirty years, the photographs in this book depict the many faces of April Dawn Alison, the female persona of an Oakland, California based photographer who lived in the world as a man. This previously unseen body of self-portraits, which was given to the San Francisco Museum of Modern Art in 2017, begins tentatively in 1970s in black-and-white, and evolves in the 80s into an exuberant, wildly colorful, and obsessive practice inspired by representations of women in classic film, BDSM pornography and advertising. A singular, long-term exploration of a non-public self, the archive contains photographs that are beautiful, hilarious, enigmatic, and heartbreakingly sad, sometimes all at once. With essays by Hilton Als (American writer and theater critic for The New Yorker), Zackary Drucker (American transgender multimedia artist, LGBT activist, actress and producer of smash Amazon series Transparent) and Erin O'Toole (associate curator of photography at the San Francisco Museum of Modern Art)"
Schaefer, Alan, --- Alison, April Dawn --- San Francisco Museum of Modern Art --- Photograph collections. --- Gender identity in art --- Cross-dressers --- Portrait photography --- History
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Museology --- Architecture --- architecture [discipline] --- museology --- exhibitions [events] --- installations [exhibitions] --- museums [institutions] --- Eyck, van, Aldo E. --- Bardi, Lina Bo --- Smithson, Peter --- Calouste Gulbenkian Museum [Lisbon] --- anno 1940-1949 --- anno 1950-1959 --- anno 1960-1969 --- musea --- museologie --- tentoonstellingen --- scenografie --- twintigste eeuw --- Van Eyck Aldo --- Albini Franco --- Helg Franca --- Scarpa Carlo --- Smithson Alison --- Smithson Peter --- Bo Bardi Lino --- 069 --- Exhibitions --- Eyck, van, Aldo
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Sociology of culture --- Sociology of the family. Sociology of sexuality --- Feminism --- Queer --- Misogyny --- Music --- Pop music --- Sexism --- Book --- Thorn, Tracey --- Christine and the queens --- Tempest, Kate --- Moyet, Alison --- Shah, Nadine --- Rogers, Maggie --- Emmy the Great --- Merchant, Natalie --- Mayberry, Lauren --- Shorr, Kalie --- Mitski --- Marks, Catherine --- Tempest, Kae
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""Me traiterait-on de diva si j'étais un homme ?" demandait Zaha Hadid, l'une des architectes les plus célèbres au monde, qui dut néanmoins faire face à la critique. Cet ouvrage rend hommage à l'architecture remarquable réalisée par les femmes à travers le monde. S'y côtoient les icônes du XXe siècle comme Eileen Gray, Charlotte Perriand, ou Lina Bo Bardi et les talents contemporains comme Manuelle Gautrand, Kazuyo Sejima, Grafton Architects ou encore Dorte Mandrup, dont l'affirmation a donné son titre à cet ouvrage, célébration indédite de l'architecture au féminin." [4e de couverture]
Women architects --- Femmes architectes --- Femme --- Architecte --- Profession --- Gray, Eileen --- Perriand, Charlotte --- Bo Bardi, Lina --- Gautrand, Manuelle, --- Sejima, Kazuyo --- Grafton architects --- Bardi, Lina Bo, --- Femmes architectes. --- Architecture moderne. --- Architecture et arts. --- Architecture, Modern --- Féminisme --- Cano, Lucia --- Barclay, Sandra --- Wigglesworth, Sarah --- Vigano, Paola --- De Vries, Nathalie --- Van Hee, Marie-José --- Tsien, Billie --- Tezuka, Yui, --- Tagliabue, Benedetta --- Smithson, Alison --- Merrick Sklarek, Norma --- Scott Brown, Denise, --- Ruchat-roncati, Flora --- Rohmer, Marlies --- Rogers, Su --- Reich, Lilly --- Rastogi, Sonali --- Puga, Cecilia --- de Portzamparc, Elisabeth --- Van Der Pol, Liesbeth --- Pinos, Carme --- Pigem, Carme --- Pietilä, Raili --- Patkau Architects --- O'Donnell, Sheila --- Nieto, Fuensanta --- Nagayama, Yuko --- Moussavi, Farshid --- Mori, Toshiko --- Moneo, Belén --- Mesa, Débora --- Maranta, Paola --- Fuksas, Doriana --- Macintosh, Kate --- Lu, Wenyu --- Van Loon, Ellen --- Lobo, Inës --- Liu, Jing, --- Lin, Maya --- Leibinger, Regine --- Legendre, Anouk --- Lacaton, Anne, --- Kaijima, Momoyo --- Jiricna, Eva --- Hutton, Louisa --- Houben, Francine --- Hopkins, Patty --- Holmebakk, Beate --- Heubacher-Sentobe, Margarethe --- Heringer, Anna --- Heneghan, Roisin --- Hasegawa, Itsuko --- Gmür, Silvia --- Gipp, Petra --- Findlay, Kathryn --- Farrell, Yvonne --- McNamara, Shelley --- Escobedo, Frida, --- Von Ellrichshausen, Sofia --- Eames, Ray --- Diller, Elizabeth --- Decq, Odile --- Davis, Sharon --- Cabral, Gloria --- Brooks, Alison --- Böhm, Elisabeth --- Boeri, Cini --- Narchitects --- Mad office --- Asymptote architecture --- Bardi, Lina Bo, 1914-1992 --- Gautrand, Manuelle, 1961 --- -Grafton architects --- Tezuka, Yui, 1969 --- -Tagliabue, Benedetta --- Scott Brown, Denise, 1931 --- -Ruchat-roncati, Flora --- Liu, Jing, 1980 --- -Lin, Maya --- Lacaton, Anne, 1955 --- -Kaijima, Momoyo --- Escobedo, Frida, 1979 --- -Von Ellrichshausen, Sofia --- Architecture moderne --- Architecture et arts
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