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"Book is a biography of Francois Ignace Gouhenant (1804-1871), who was a pro-labor activist in France, then emigrated to Texas to found a utopian colony, then became one of the founders of Dallas and a photographer of early sites in Dallas and North Texas. He changed his first name to Adolphe in his twenties"--
Gouhenant, Adolphe. --- Dallas (Tex.) --- Intellectual life --- History
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Habitations --- Constructions --- Bocage, François-Adolphe, --- Critique et interprétation
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Seeking to bring Gallic sophistication and worldly elegance into their galleries and drawing rooms, wealthy Americans of the late 19th and early 20th centuries collected the work of William-Adolphe Bouguereau (1825–1905) in record numbers. This fascinating volume offers an in-depth exploration of Bouguereau’s overwhelming popularity in turn-of-the-century America and the ways that his work — widely known from reviews, exhibitions, and inexpensive reproductions — resonated with the American public. While also lauded by the French artistic establishment and a dominant presence at the Parisian Salons, Bouguereau achieved his greatest success selling his idealized and polished paintings to a voracious American market. In this book, the authors discuss how the artist’s sensual classical maidens, Raphaelesque Madonnas, and pristine peasant children embodied the tastes of American Gilded Age patrons, and how Bouguereau’s canvases persuasively functioned as freshly painted Old Masters for collectors flush with new money
Sociology of culture --- Painting --- easel paintings [paintings by form] --- collectors --- Bouguereau, Adolphe William --- United States --- Art --- Art and society --- Collectors and collecting --- History --- Bouguereau, William Adolphe, --- verzamelingen --- kunstkritiek --- armoede --- kind --- Bouguereau, William --- Amerika --- verzamelingen. --- kunstkritiek. --- armoede. --- kind. --- Bouguereau, William. --- Amerika. --- United States of America --- armoede; 'Povertà', 'Povertà del doni', 'Povertà in uno ch'habbia bell'ingegno' (Ripa) --- armoede; 'Povertà', 'Povertà del doni', 'Povertà in uno ch'habbia bell'ingegno' (Ripa).
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Blake, William --- Blake, William. --- Société Royale pour l'Encouragement des Beaux-Arts dans la ville de Gand (1850 - ). --- geschiedenis. --- Salons (Gent). --- vrouwelijke kunstenaars. --- Museum voor Schone Kunsten Gent. --- Wereldtentoonstelling 1913 (Gent). --- Van der Haeghen, Ferdinand. --- Scribe, Fernand. --- De Limburg-Stirum, Thierry-Marie-Joseph (graaf). --- Rolin, Hippolyte. --- Capeinick, Jean. --- Heins, Armand. --- Van Rysselberghe, Théo. --- Dillens, Adolphe. --- Frédéric, Léon. --- 1853 - 1913. --- 19de eeuw. --- 20ste eeuw.
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Making Waves: Crosscurrents in the Study of Nineteenth-Century Art honours the life work of Petra ten-Doesschate Chu, who continues to lead the field in the study of the art of the nineteenth century. The twenty-eight essays in this book are authored by some of her many friends, students, and colleagues, including seasoned academics and those at the beginning of their careers; museum professionals and private-sector arts administrators; and American, European, and Chinese scholars. Following Petra Chu’s example, and avoiding opaque theoretical language and extended technical analysis, authors present original ideas, based primarily on the study of objects and their documented historical contexts. Though their methodologies are diverse, their purposes are clear and their language straight-forward. The essays thoughtfully and respectfully address the solid reality of the nineteenth century in all of its complex (and sometimes repugnant) sensibilities. They disrupt traditional art historical categories and methodologies, and highlight topics that have been long ignored and overlooked. Making Waves demonstrates, in no uncertain terms, that art historians still have much to say to each other and to their readers, and that nineteenth-century art has only begun to be explored in all its complexity and variety.
roofkunst --- realisme --- kunsthandel --- seksualiteit --- landschappen --- golf (zee) --- Ten-Doesschate Chu, Petra --- Chopin, Frédéric --- Manet, Édouard --- Morier, James Justinian --- Costoli, Aristodemo --- Gérôme, Jean-Léon --- Greuze, Jean-Baptiste --- Kann, Rudolf --- Rembrandt van Rijn --- Chase, William Merritt --- Regnault, Henri --- Dagnan-Bouveret, Pascale-Adolphe-Jean --- Courbet, Gustave --- Wüst, Alexander --- 19de eeuw --- 20ste eeuw --- Europa --- China --- Egypte --- Amerika --- Kunstgeschiedenis --- Rembrandt --- Art, Modern --- Art --- roofkunst. --- realisme. --- kunsthandel. --- seksualiteit. --- landschappen. --- golf (zee). --- Ten-Doesschate Chu, Petra. --- Chopin, Frédéric. --- Manet, Édouard. --- Morier, James Justinian. --- Costoli, Aristodemo. --- Gérôme, Jean-Léon. --- Greuze, Jean-Baptiste. --- Kann, Rudolf. --- Rembrandt. --- Chase, William Merritt. --- Regnault, Henri. --- Dagnan-Bouveret, Pascale-Adolphe-Jean. --- Courbet, Gustave. --- Wüst, Alexander. --- 19de eeuw. --- 20ste eeuw. --- Europa. --- China. --- Egypte. --- Amerika. --- Koninklijk Museum voor Schone Kunsten Antwerpen.
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