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Plus qu'une réflexion théorique sur la notion de beauté, le parti pris adopté ici est de redécouvrir l'importance de la voie de la beauté (la via pulchritudinis). La référence insistante à cette notion dans plusieurs textes du magistère de l'Eglise catholique est l'occasion de poser quelques questions sur l'instrumentalisation de l'art au service d'une efficacité évangélisatrice.

Aesthetics --- Creation --- 7.01:003 --- 7.01:003 Semiotiek van kunst en esthetiek --- Semiotiek van kunst en esthetiek --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Religious aspects --- Catholic Church --- Psychology --- Conferences - Meetings --- Radio broadcasting Aesthetics

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Beerts, Jonas ; Boerman, Doris ; Cleutjens, Caszimir ; Denil, David ; Heuninck, Elias ; Lignou-Tsamantani, Kyveli ; Manovich, Lev ; Mercuriali, Giacomo ; Mitchell, William J. ; Smith, Alvy Ray

kunst --- fotografie --- digitale kunst --- digitale fotografie --- eenentwintigste eeuw --- twintigste eeuw --- nieuwe media --- pixels --- kunsttheorie --- fotografietheorie --- film --- 7.01

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kunst --- 7.01 --- 7.039 --- psychopathologische kunst --- psychiatrie --- psychologie --- geneeskunde --- therapie --- kunst en therapie --- gezondheidszorg --- Physiotherapy. Alternative treatments --- Art --- art therapy

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Arts --- Thought and thinking. --- Mind --- Thinking --- Thoughts --- Educational psychology --- Philosophy --- Psychology --- Intellect --- Logic --- Perception --- Psycholinguistics --- Self --- Psychological aspects. --- Political aspects. --- 82:7 --- 82.0 --- 7.01 --- Thought and thinking --- 7.01 Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- 82.0 Literatuurtheorie --- Literatuurtheorie --- 82:7 Literatuur en kunst --- Literatuur en kunst --- Psychological aspects --- Political aspects

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The Swiss artist Miriam Cahn (*1949, Basel) deals with political and social themes in oil paintings; charcoal, chalk, and colored and lead pencil drawings; and in photographs, films, and installations. Strong color is characteristic of her work, forming a stark contrast to the recurring motifs of violence, tenderness, war, destruction, and physical infirmity. Her habit of commenting upon her work in writing is a golden thread running throughout Cahn's career. She illuminates her own art, commenting in the process on art and world events, and she sets up the texts opposite her artworks in exhibitions and publications. "Writing in rage" is the first compilation of her writing by itself, and includes essays, journal entries, and correspondence with friends, foes, family members, and gallerists. The book provides very personal insights into Cahn's life, her family, and the art market, introducing the reader to a disputatious, independent spirit. --Publisher's website

Authorship. --- Cahn, Miriam, --- Written works --- kunstenaarsgeschriften --- Cahn, Miriam --- Brief. --- Tagebuch. --- kunst --- epistolaire literatuur --- literatuur --- kunst en literatuur --- 7.01 --- kunsttheorie --- 7.071 CAHN --- Zwitserland --- Cahn Miriam --- twintigste eeuw --- eenentwintigste eeuw --- schilderkunst --- 75.071 CAHN