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Pandora waas the "pagan Eve," and she is one of the rare mythological figures to have retained vitality up to our day. Glorified by Calderon, Voltaire, and Goethe, she is familiar to all of us, and "Pandora's box" is a household word. In this classic study Dora and Erwin Panofsky trace the history of Pandora and of Pandora's box in European literature and art from Roman times to the present.Originally published in 1962.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Pandora (Greek mythology) --- Art. --- Ecrit d'artiste --- Symbole --- Théorie de l'art --- 7.046.1 --- Iconografie: klassieke mythologie --- 7.046.1 Iconografie: klassieke mythologie --- Iconography --- Pandora --- Analyse de l'art --- Esthétique --- Mythologie --- Art --- Pandore [Mythological character] --- Pandora (Greek mythology) - Art --- LITERARY CRITICISM / General.

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Situated as it is at the very turn of the century, and questioning from the outset the inflation and desubstantialisation involved in the hegemony of images, Michel Mazzoni's photographic practice is an image factory or rather an image-thinking factory. An image which outflanks it and decompartmentalises it in multifarious ways, from its installation in situ to its editorial deployment. An image qua cultural artefact in its capacity to link us to the world in a shared sense of perpetual present and of circular time. An image qua material reality pushed to the limits, based on the phenomenology of its perception, hence on its intrinsic quality of enigma. Exhibition: Botanique, Brussels, Belgium (28.02.-14.04.2019).

Photographie --- Photographie d'art --- Mazzoni, Michel --- Photography, Artistic --- fotografie --- stadsfotografie --- landschapsfotografie --- architectuurfotografie --- eenentwintigste eeuw --- Mazzoni Michel --- 77.071 MAZZONI --- Exhibitions --- 72.037 --- 77 --- 77.046 --- 21ste eeuw (architectuur) --- Eenentwintigste eeuw (architectuur) --- Fotografie --- Photography --- fotoboeken

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Architecture and photography share the condition of being suspended be¬tween fine art and craft. Realism is considered a given, something that happens almost by default. From the moment it is taken, a photograph is un-derstood to be a record of what was in front of the camera—just as a building, as soon as it is inhabited, becomes the fixed backdrop for everyday life.In Epics in the Everyday, Jesús Vassallo explores this condition, tracing a series of collaborations between architects and photographers from the postwar years up to the present. Consistently, the subject matter of these collaborations is the built environment, which presents architects and photographers—in different ways—with a mirror that challenges the idea of realism in their respective disciplines. Beyond casting a diagonal light on important developments within the two individual disciplines, the book chronicles an alternative history of both modern architecture and photography and builds a case for a specific type of realism found at their intersection.

Architecture --- Photography --- photography [process] --- architecture [object genre] --- realism [philosophical movement] --- 72.01 --- 77.046 --- fotografie --- fotografietheorie --- architectuur --- architectuurfotografie --- twintigste eeuw --- Henderson Nigel --- Ruscha Ed --- Ruff Thomas --- Demand Thomas --- Becher Bernd --- Becher Hilla --- Architectuur (theorie) --- Architectuurtheorie --- Architectuurfotografie --- Photographie --- Rapport art-architecture --- Réalisme --- Avant-garde --- Architectural photography. --- Architecture and photography. --- Photographic reproduction of plans, drawings, etc. --- Realism in art.

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A study of Christ as Man of Sorrows in the Venetian world from the late Medieval through the Baroque era. Art and Faith in Venice is the first study of the Man of Sorrows in the art and culture of Venice and her dominions across three centuries. A subject imbued with deep spiritual and metaphorical significance, the image pervaded late-Medieval Europe but assumed in the Venetian world an unusually rich and long life. The book presents a biography, first tracing the transmission of the image as a vertical, half-length figure devoid of narrative from the Byzantine East c. 1275 and then exploring its gradual adaptation and diffusion across the Venetian state to a wide range of media, reaching from small manuscript illuminations to panel paintings, altarpieces, tombs and liturgical furnishings. Analyzing its nomenclature, visual form and layered meanings, the study demonstrates how this universal image played a prominent role responding to public and private devotions in the spiritual and cultural life of Venice and its larger political sphere of influence. Catherine Puglisi and William Barcham have written extensively on the Man of Sorrows and co-curated an exhibition on the subject in New York in 2011. Each also publishes separately, Puglisi on Caravaggio and Bolognese art, and Barcham on Venetian 18th-century painting

Iconography --- History of Italy --- iconology --- Passie van Christus --- Man van Smarten --- Jesus Christ --- Venice --- Symbolisme chrétien --- Art --- Art chrétien --- Jésus-Christ --- Passion --- Dans l'art. --- Man of Sorrows (Art) --- Christian art and symbolism --- Art, Medieval --- Art, Renaissance --- Art, Baroque --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Christ as the Man of Sorrows (Art) --- 7.046 --- 7 <45> --- 7.033 --- 7.033 Kunststijlen van de Middeleeuwen --- Kunststijlen van de Middeleeuwen --- 7 <45> Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Italië --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Italië --- 7.046 Iconografie: mythologische-, religieuze-, epische voorstellingen. Legenden --- Iconografie: mythologische-, religieuze-, epische voorstellingen. Legenden --- Christelijke kunst --- kunst en godsdienst