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This book addresses the poetics of space and place in Scottish literature. Focusing chiefly on twentieth- and twenty-first century texts, with acknowledgement of historical and philosophical contexts, the essays address representation, narrative form, the work of the poetic, perception and experience. Major genres and forms are discussed, and authors as diverse as George Mackay Brown, Kathleen Jamie, Ken McLeod and Kei Miller are presented through theoretically informed, historically contextualized close readings. Additionally considering the role of dialect and region in the poetry and fiction of modern Scotland, the volume argues for an appreciation of the cultural diversity of Scottish writers while highlighting the overarching presence of a connection between self and world, subject and place within Scottish literature.
Scottish literature --- History and criticism. --- Literature, Modern-20th century. --- Poetry. --- British literature. --- Contemporary Literature. --- Poetry and Poetics. --- British and Irish Literature. --- Poems --- Poetry --- Verses (Poetry) --- Literature --- Philosophy --- Literature, Modern—20th century. --- Literature, Modern—21st century. --- Literature, Modern --- European literature. --- European Literature. --- European literature --- 20th century. --- 21st century.
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'This is an excellent, well-researched and up-to-date account of the development of concrete poetry in England and Scotland from the 1950s onwards. It will make an outstanding contribution to knowledge in the related fields of concrete poetry, late modernism, the history of the 1960s counter-culture and the British Poetry Revival.'
Dr Steve Willey, Birkbeck, University of London
This book offers the first in-depth account of the relationship between English and Scottish poets and the international concrete poetry movement of the 1950s to the 1970s. Concrete poetry was a literary and artistic style which reactivated early twentieth-century modernist impulses towards the merging of artistic media, while simultaneously speaking to a gamut of contemporary contexts, from post-1945 reconstruction to cybernetics, mass media and the sixties counter-culture. The terms of its development in England and Scotland suggest new ways of mapping ongoing complexities in the relationship between the two national cultures, and of tracing broader sociological and cultural trends in Britain during the 1960s and 1970s. Focusing especially on the work of Ian Hamilton Finlay, Edwin Morgan, Dom Sylvester Houédard and Bob Cobbing, Border Blurs is based on new and extensive archival and primary research, and will fill a vital gap in contemporary understandings of an important but much misunderstood genre: concrete poetry. It will also serve as a vital document for scholars and students of twentieth-century British literature, modern intermedia art and modernism, especially those interested in understanding modernism's wide geographical spread and late twentieth-century legacies.
Concrete poetry, English --- English poetry --- Scottish poetry --- Scottish literature --- English concrete poetry --- History and criticism. --- History and criticism --- 1900-1999 --- England --- Schottland --- Ecosse --- Scotia --- Scotland --- Schotten --- Großbritannien --- Angleterre --- Kingdom of England --- Engeland --- Inghilterra --- Inglaterra --- Engländer --- -1707 --- Bob Cobbing --- Ian Hamilton Finlay --- 19602 --- Dom Sylvester Houédard --- counter-culture --- concrete poetry --- Edwin Morgan --- intermedia --- modernism --- History and criticism .
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This book examines how contemporary Scottish writers and artists revisit and reclaim nature in the political and aesthetic context of devolved Scotland. Camille Manfredi investigates the interaction of landscape aesthetics and strategies of spatial representation in Scotland’s twenty-first-century literature and arts, focusing on the apparatuses designed by nature writers, poets, performers, walking artists and visual artists to physically and intellectually engage with the land and re-present it to themselves and to the world. Through a comprehensive analysis of a variety of site-specific artistic practices, artworks and publications, this book investigates the works of Scotland-based artists including Linda Cracknell, Kathleen Jamie, Thomas A. Clark, Gerry Loose, John Burnside, Alec Finlay, Hamish Fulton, Hanna Tuulikki and Roseanne Watt, with a view to exploring the ongoing re-invention of a territory-bound identity that dwells on an inclusive sense of place, as well as on a complex renegotiation with the time and space of Scotland.
Scottish literature --- Scots literature --- British literature --- History and criticism. --- British literature. --- Literature, Modern-20th century. --- Communication. --- Environmental sciences. --- British and Irish Literature. --- Contemporary Literature. --- Environmental Communication. --- Environmental science --- Science --- Communication, Primitive --- Mass communication --- Sociology --- Literature, Modern—20th century. --- Literature, Modern—21st century. --- European literature. --- Literature, Modern --- Communication in the environmental sciences. --- European Literature. --- Communication in environmental sciences --- Environmental sciences --- Literature --- European literature --- 20th century. --- 21st century.
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