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Vladimir Putin's image functions as a political talisman far outside of the borders of his own country. Studying material objects, fan fiction, and digital media, Putin Kitsch in America traces the satirical uses of Putin's public persona and how he stands as a foil for other world leaders. Uncovering a wide variety of material culture - satirical, scatological, even risqué - made possible by new print-on-demand technologies, Alison Rowley argues that the internet is crucial to the creation of contemporary Putin memorabilia. She explains that these items are evidence of young people's continued interest and participation in politics, even as some experts decry what they see as the opposite. The book addresses the ways in which explicit sexual references about government officials are used as everyday political commentary in the United States. The number of such references skyrocketed during the 2016 US presidential election campaign, and turning a critical eye to Putin kitsch suggests that the phenomenon will continue when Americans next return to the polls. An examination of how the Russian president's image circulates via memes, parodies, apps, and games, Putin Kitsch in America illustrates how technological change has shaped both the kinds of kitsch being produced and the nature of political engagement today.
Caricatures and cartoons. --- Putin, Vladimir Vladimirovich, --- Collectibles
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Commemorative coins --- Women in numismatics --- Women --- Law and legislation --- Suffrage --- Collectibles --- United States.
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Ce mémoire présente dans un premier temps le marché des voitures de collection. Il compare ensuite celles-ci à différents indices de marché afin d'analyser son profil de risque ainsi que ses rendements. Enfin, ce travail finit par l'élaboration des portefeuilles optimaux d'investissement dans un but de minimisation du risque ou de maximisation du ratio rendement-risque.
classic cars --- alternative investments --- collectibles --- diversification --- portfolio optimization --- Sciences économiques & de gestion > Finance
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Guerre mondiale (1914-1918) --- Guerre mondiale (1939-1945) --- Guerre --- Influence. --- Aspect social. --- Objet --- --Histoire militaire --- --Accessoire militaire --- --Culture matérielle --- --Guerre --- --Mémoire collective --- --XXe s., --- World War, 1914-1918 --- World War, 1939-1945 --- War and society --- influence --- Accessoires militaires --- Culture matérielle --- Military supplies --- Military weapons --- War --- Material culture --- Collective memory --- Aspect symbolique --- Mémoire collective --- Collectors and collecting --- Collectibles --- History --- Culture matérielle --- Collectors and collecting. --- Collectibles. --- Histoire militaire --- Accessoire militaire --- Mémoire collective --- XXe s., 1901-2000
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Collectors and collecting --- Antiquarians --- S02/0210 --- S04/0200 --- S17/0801 --- S17/0900 --- Antiquaries --- Historians --- Collectibles --- Collecting --- Collection and preservation --- Art --- Hobbyists --- History --- China: General works--Intellectuals: general and before 1840 --- China: History--Historiography and theory of history --- China: Art and archaeology--Steles and rubbings --- China: Art and archaeology--Bronzes: general (incl. Ordos and Northern frontiers) --- China --- Intellectual life --- Antiquities. --- Historiography. --- History.
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La 4ème de couv. indique : "Au cours de ces dernières années, je suis régulièrement intervenue auprès des institutionnels de la diffusion artistique et j'ai pu constater la nécessité pour les établissements publics culturels d'augmenter leurs ressources propres, notamment par la valorisation du patrimoine immatériel, le dépôt de marque et de développement de boutiques de produits dérivés. Ce besoin ne concernant pas uniquement le milieu culturel mais toute entreprise ou association désireuse de créer des extensions de ses offres, je me suis également intéressée au système général du produit dérivé et à sa schématique contractuelle : du parc d'attraction au méga évènement sportif, du parc animalier à l'office de tourisme. Mon premier livre : Exposition mode d'emploi, chez le même éditeur, s'adressait aux professionnels du monde de l'art, à ses organisateurs et diffuseurs ; mon deuxième livre se voulait un outil au service de l'artiste plasticien, du photographe, du designer plasticien, du vidéaste plasticien et de ses créations. Ce troisième ouvrage vient préciser et définir les relations des créateurs avec les diffuseurs autour de la création d'objets dérivés. A travers sept liens entre créateurs et diffuseurs, je précise, tout en simplifiant, les démarches juridiques et stratégiques à observer depuis la boutique diffuseur, les collectionneurs, les collaborateurs ponctuels, les créations libres de droits, orphelines et protégées, les images de personnes ou de lieux protégés, le patrimoine, les festivals et l'acheteur en ligne, après avoir détaillé le statut de l'objet dérivé lui-même."
Produits dérivés (marketing) --- Centres culturels --- Distribution des produits --- Droit --- marketing --- centre culturel --- droit commercial --- distribution --- Art --- Collectibles --- Artists --- Produits dérivés (marketing) --- Distribution des produits. --- Droit d'auteur --- Marketing --- Collectors and collecting --- Legal status, laws, etc. --- Droit. --- Droits dérivés. --- Droits dérivés
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Interior decoration --- Antiques --- Antiques. --- Interior decoration. --- Southern States. --- Decoration, Interior --- Home decoration --- House decoration --- Interior design --- Art --- Buildings --- Decoration and ornament --- Home economics --- Furniture --- House furnishings --- Upholstery --- Antique collecting --- Antiquities --- Collectibles --- Collectors and collecting --- Decorative arts --- Art objects --- Environmental engineering --- American South --- American Southeast --- Former Confederate States --- Southeast --- Southeast United States --- Southeastern States --- Southern United States --- The South --- U.S. --- Décoration intérieure --- Antiquités (Objets anciens)
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An authoritative, richly illustrated history of six centuries of global protest artThroughout history, artists and citizens have turned to protest art as a means of demonstrating social and political discontent. From the earliest broadsheets in the 1500s to engravings, photolithographs, prints, posters, murals, graffiti, and political cartoons, these endlessly inventive graphic forms have symbolized and spurred on power struggles, rebellions, spirited causes, and calls to arms. Spanning continents and centuries, Protest! presents a major new chronological look at protest graphics.Beginning in the Reformation, when printed visual matter was first produced in multiples, Liz McQuiston follows the iconic images that have accompanied movements and events around the world. She examines fine art and propaganda, including William Hogarth's Gin Lane, Thomas Nast's political caricatures, French and British comics, postcards from the women's suffrage movement, clothing of the 1960s counterculture, the anti-apartheid illustrated book How to Commit Suicide in South Africa, the "Silence=Death" emblem from the AIDS crisis, murals created during the Arab Spring, electronic graphics from Hong Kong's Umbrella Revolution, and the front cover of the magazine Charlie Hebdo. Providing a visual exploration both joyful and brutal, McQuiston discusses how graphics have been used to protest wars, call for the end to racial discrimination, demand freedom from tyranny, and satirize authority figures and regimes.From the French, Mexican, and Sandinista revolutions to the American civil rights movement, nuclear disarmament, and the Women's March of 2017, Protest! documents the integral role of the visual arts in passionate efforts for change.
Political art. --- Political posters --- Protest movements. --- ART / Art & Politics. --- Social movements --- Campaign posters --- Political collectibles --- Posters --- Activist art --- Protest art --- Resistance art --- Social art --- Art --- History. --- Political sociology --- Graphic arts --- graphic design --- history [discipline] --- revolutions --- political art --- graphic arts --- Activism. --- Adolf Hitler. --- Adolf. --- Advertising campaign. --- Advertising. --- Alamy. --- Alberto Korda. --- Anti-war movement. --- Apartheid. --- Art movement. --- Ben Shahn. --- Black people. --- Campaign for Nuclear Disarmament. --- Caricature. --- Cartoon. --- Cartoonist. --- Charlie Hebdo. --- Che Guevara. --- Civil disobedience. --- Civilization. --- Combatant. --- Communism. --- Dada. --- Defamation. --- Designer. --- Dictatorship. --- Editorial cartoon. --- El Lissitzky. --- Emblem. --- Environmentalism. --- Feminism (international relations). --- Feminism. --- Film poster. --- George Grosz. --- Global warming. --- Guerrilla Girls. --- Gulf War. --- Harper's Weekly. --- Headline. --- Iconography. --- Illustration. --- Illustrator. --- James Gillray. --- Je suis Charlie. --- Jesus Barraza. --- John Heartfield. --- LGBT. --- Le Charivari. --- Manifesto. --- March on Washington for Jobs and Freedom. --- Modernism. --- Mushroom cloud. --- National Association for the Advancement of Colored People. --- Nazi Germany. --- Nazi Party. --- Nazism. --- Newspaper. --- Nicaragua. --- Nuclear disarmament. --- Nuclear warfare. --- Nuclear weapon. --- Pamphlet. --- Pass laws. --- Photomontage. --- Political satire. --- Politician. --- Postcard. --- Poster. --- Power politics. --- Princeton University Press. --- Protest. --- Publication. --- Publishing. --- Racial segregation. --- Racism. --- Riot police. --- Sacco and Vanzetti. --- Satire. --- See Red Women's Workshop. --- Sexism. --- Simplicissimus. --- Soviet Union. --- Spanish Civil War. --- Special Relationship. --- Suffrage. --- Suffragette. --- Tear gas. --- Technology. --- Terrorism. --- The Quarto Group. --- Their Lives. --- Thomas Nast. --- Thomas Rowlandson. --- To This Day. --- Trade union. --- Trafalgar Square. --- Trayvon Martin. --- Tristan Tzara. --- Typography. --- Unemployment. --- communication design
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