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Religion in the ancient world, and ancient Egyptian religion in particular, is often perceived as static, hierarchically organised, and centred on priests, tombs, and temples. Engagement with archaeological and textual evidence dispels these beguiling if superficial narratives, however. Individuals and groups continuously shaped their environments, and were shaped by them in turn. This volume explores the ways in which this adaptation, negotiation, and reconstruction of religious understandings took place. The material results of these processes are termed 'cultural geography'. The volume examines this 'cultural geography' through the study of three vectors of religious agency: religious practices, the transmission of texts and images, and the study of religious landscapes." - Back cover
Egypt --- Religion. --- Religion --- Archaeology and religion
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"Religion in the ancient world, and ancient Egyptian religion in particular, is often perceived as static, hierarchically organised, and centred on priests, tombs, and temples. Engagement with archaeological and textual evidence dispels these beguiling if superficial narratives, however. Individuals and groups continuously shaped their environments, and were shaped by them in turn. This volume explores the ways in which this adaptation, negotiation, and reconstruction of religious understandings took place. The material results of these processes are termed 'cultural geography'. The volume examines this 'cultural geography' through the study of three vectors of religious agency: religious practices, the transmission of texts and images, and the study of religious landscapes" -- page 4 of cover.
Religion --- Archaeology and religion --- Egypt --- Religion.
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"This study has grown out of several long standing scholarly interests and personal enthusiasms. First and foremost is my devotion to Rome, not just the ancient city of the classicists and archaeologists, but medieval, early modern, and modern Rome. Much of that fascination comes from the fact that Rome is not a museum, but a living, dynamic city, shaped, informed, and constrained by its past, but never subservient to it"--
Archaeology --- Archaeology and state --- Archaeology and religion --- Salvage archaeology --- Social aspects --- History. --- Rome (Italy) --- Antiquities.
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"'Archaeology and the Letters of Paul' illuminates the social, political, economic, and religious lives of those to whom the apostle Paul wrote. Roman Ephesos provides evidence of slave traders and the regulation of slaves; it is a likely setting for the household of Philemon, to whom a letter about the slave Onesimus is addressed. In Galatia, an inscription seeks to restrain the demands of travelling Roman officials, illuminating how the apostolic travels of Paul, Cephas, and others disrupted communities. At Philippi, a list of donations from the cult of Silvanus demonstrates the benefactions of a community that, like those in Christ, sought to share abundance in the midst of economic limitations. In Corinth, a landscape of grief extends from monuments to the bones of the dead, and provides a context in which to understand Corinthian practices of baptism on behalf of the dead and the provocative idea that one could live "as if not" mourning or rejoicing. Rome and the Letter to the Romans are the grounds for an investigation of ideas of time and race not only in the first century, when we find an Egyptian obelisk inserted as a timepiece into the mausoleum complex of Augustus, but also of a new Rome under Mussolini that claimed the continuity of Roman racial identity from antiquity to his time and sought to excise Jews. Thessalonike and the early Christian literature associated with the city demonstrates what is done out of love for Paul-invention of letters, legends, and a cult in his name. The book articulates a method for bringing together biblical texts with archaeological remains. This method reconstructs the lives of the many 'adelphoi' (brothers and sisters) whom Paul and his co-writers address. Its project is informed by feminist historiography and gains inspiration from thinkers such as Claudia Rankine, Judith Butler, Giorgio Agamben, Wendy Brown, and Katie Lofton"--
Archaeology and religion --- Paul, --- Correspondence. --- Friends and associates. --- Bible --- Bible. --- Antiquities. --- Criticism, interpretation, etc. --- Mediterranean Region
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Tombs --- Funeral rites and ceremonies --- Burial --- Sepulchral monuments --- Archaeology and religion --- Cités-États --- Dieux grecs --- Tombes --- Rites et cérémonies funéraires grecs. --- Civilisation --- History --- Actes de congrès. --- Cités-États. --- Dieux grecs. --- Monuments funéraires --- Rites et cérémonies funéraires --- Histoire.
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"Egyptian Hieroglyphs in the Late Antique Imagination argues that, in the absence of any genuine understanding of hieroglyphic writing, late antique Christian authors were able to take this powerful symbol of Egyptian identity and manipulate it to serve their particular theological and ideological ends"
History --- Egyptian language --- Christian literature, Early --- Church history --- Christianity --- Archaeology and religion. --- Writing, Hieroglyphic. --- History and criticism. --- Egypt --- Civilization --- Égyptien ancien (langue) --- Littérature chrétienne primitive. --- Archéologie et religion. --- Civilisation --- Écriture hiéroglyphique.
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Throughout the pharaonic period, hieroglyphs served both practical and aesthetic purposes. Carved on stelae, statues, and temple walls, hieroglyphic inscriptions were one of the most prominent and distinctive features of ancient Egyptian visual culture. For both the literate minority of Egyptians and the vast illiterate majority of the population, hieroglyphs possessed a potent symbolic value that went beyond their capacity to render language visible. For nearly three thousand years, the hieroglyphic script remained closely bound to indigenous notions of religious and cultural identity.By the late antique period, literacy in hieroglyphs had been almost entirely lost. However, the monumental temples and tombs that marked the Egyptian landscape, together with the hieroglyphic inscriptions that adorned them, still stood as inescapable reminders that Christianity was a relatively new arrival to the ancient land of the pharaohs. In Egyptian Hieroglyphs in the Late Antique Imagination, Jennifer Westerfeld argues that depictions of hieroglyphic inscriptions in late antique Christian texts reflect the authors' attitudes toward Egypt's pharaonic past. Whether hieroglyphs were condemned as idolatrous images or valued as a source of mystical knowledge, control over the representation and interpretation of hieroglyphic texts constituted an important source of Christian authority.Westerfeld examines the ways in which hieroglyphs are deployed in the works of Eusebius and Augustine, to debate biblical chronology; in Greek, Roman, and patristic sources, to claim that hieroglyphs encoded the mysteries of the Egyptian priesthood; and in a polemical sermon by the fifth-century monastic leader Shenoute of Atripe, to argue that hieroglyphs should be destroyed lest they promote a return to idolatry. She argues that, in the absence of any genuine understanding of hieroglyphic writing, late antique Christian authors were able to take this powerful symbol of Egyptian identity and manipulate it to serve their particular theological and ideological ends.
Egyptian language --- Christian literature, Early --- Church history --- Archaeology and religion. --- Egyptian hieroglyphics --- Hieroglyphics, Egyptian --- Archaeology --- Religion and archaeology --- Religion --- Apostolic Church --- Christianity --- Church, Apostolic --- Early Christianity --- Early church --- Primitive and early church --- Primitive Christianity --- Fathers of the church --- Great Apostasy (Mormon doctrine) --- Writing, Hieroglyphic. --- History and criticism. --- Religious aspects --- Egypt --- Civilization --- Ancient Studies. --- Archaeology. --- Classics. --- Cultural Studies. --- Archaeology and religion --- Writing, Hieroglyphic --- History and criticism
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"Egyptian Hieroglyphs in the Late Antique Imagination argues that, in the absence of any genuine understanding of hieroglyphic writing, late antique Christian authors were able to take this powerful symbol of Egyptian identity and manipulate it to serve their particular theological and ideological ends"
Egyptian language --- Christian literature, Early --- Church history --- Archaeology and religion. --- Writing, Hieroglyphic. --- History and criticism. --- Egypt --- Civilization --- Christianity --- Égyptien ancien (langue) --- Littérature chrétienne primitive. --- Archéologie et religion. --- Civilisation --- Écriture hiéroglyphique. --- Égyptien ancien (langue) --- Littérature chrétienne primitive. --- Archéologie et religion. --- Écriture hiéroglyphique.
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