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Harry Potter fans contribute their immaterial and affective labor in multiple arenas: as peer-to-peer marketers via fan sites and social media; as participants in amateur fan festivals; or as activists for social change. Fans' participation in the Harry Potter universe has contributed to its success. This Element examines how fans' labor might continue to support the franchise for future readers. Starting with the context and theoretical frameworks that support a multidimensional analysis of the Harry Potter fan experience, this Element examines tensions between fans and Warner Bros., as fan participation tests the limits of corporate control.
Fans (Persons) --- Popular literature --- Literature publishing. --- Authors and readers. --- Readers and authors --- Authorship --- Literary publishing --- Literature --- Publishers and publishing --- Literature, Popular --- Books and reading --- Popular culture --- Aficionados --- Devotees --- Enthusiasts (Fans) --- Supporters (Persons) --- Persons --- Hobbyists --- Publishing. --- Publishing --- Rowling, J. K. --- Rowling, J.K. --- Rowling, Joanne Kathleen --- Galbraith, Robert --- Criticism and interpretation. --- Rowling, Joanne K. --- Rowling, Jo --- Roling, G'e. Ḳe --- Rowlingová, Joanne K. --- Ролінґ, Дж. К. --- Roling, Dz︠h︡. K. --- רולינג, ג׳יי. קיי --- רולינג, ג׳י. קי --- رولينج ، ج.ك --- رولينج، چ. ك. --- Raʼu-liṅ, J. K. --- Luolin, J. K. --- 罗琳, J. K. --- Roliṅga, Je. Ke. --- Rāoliṃ, Je. Ke. --- Роулинг, Дж. К. --- Rouling, Dzh. K. --- Ролинг, Дж. К. --- Scamander, Newt --- Whisp, Kennilworthy --- Rouling, Dzsh. Ḳ. --- ראולינג, דזש. ק.
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This Element looks at adaptations of bestselling works of popular fiction to cinema, television, stage, radio, video games and other media platforms. It focuses on 'transmedia storytelling', building its case studies around the genre of modern fantasy: because the elaborate storyworlds produced by writers like J. R. R. Tolkien, J. K. Rowling and George R. R. Martin have readily lent themselves to adaptations across various media platforms. This has also made it possible for media entertainment corporations to invest in them over the long term, enabling the development of franchises through which their storyworlds are presented and marketed in new ways to new audiences.
Fantasy fiction, English --- Fantasy fiction, American --- Film adaptations --- American fantasy fiction --- Fantastic fiction, American --- American fiction --- English fantasy fiction --- Fantastic fiction, English --- English fiction --- History and
 criticism. --- History and criticism. --- Tolkien, J. R. R. --- Rowling, J. K. --- Martin, George R. R. --- Martin, G. R., --- Martin, George R., --- מרטין, ג׳ורג׳ --- Rowling, J.K. --- Rowling, Joanne Kathleen --- Galbraith, Robert --- Tolkien, John Ronald Reuel, --- Tolkin, Dzh. R. R. --- Толкин, Дж. Р. Р. --- Tolkin, Dzhon Ronalʹd Ruėl, --- Ṭolḳin, Dzshey. R. R., --- טולקין, ג׳.ר.ר --- טאלקין, דשיי. ר. ר., --- 톨킨, J. R. R, --- Tʻolkʻin, Jon Ṛonald Ṛuel, --- Criticism and interpretation. --- Fantasy fiction, American fiction --- Rowling, Joanne K. --- Rowling, Jo --- Roling, G'e. Ḳe --- Rowlingová, Joanne K. --- Ролінґ, Дж. К. --- Roling, Dz︠h︡. K. --- רולינג, ג׳יי. קיי --- רולינג, ג׳י. קי --- رولينج ، ج.ك --- رولينج، چ. ك. --- Raʼu-liṅ, J. K. --- Luolin, J. K. --- 罗琳, J. K. --- Roliṅga, Je. Ke. --- Rāoliṃ, Je. Ke. --- Роулинг, Дж. К. --- Rouling, Dzh. K. --- Ролинг, Дж. К. --- Scamander, Newt --- Whisp, Kennilworthy --- Martin, Dzhordzh --- Мартин, Джордж --- Martin, Dzh. --- Мартин, Дж. --- Rouling, Dzsh. Ḳ. --- ראולינג, דזש. ק.
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